tag:blogger.com,1999:blog-3536823628202537132024-03-27T08:37:16.046+02:00 Florin Flueras ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comBlogger46125tag:blogger.com,1999:blog-353682362820253713.post-52416240497028464822023-09-27T20:29:00.009+03:002023-10-05T09:17:46.721+03:00Inverse theater <p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7HBJmxtfeyH8yj_x4cghEo2yNcUKbox_rhNKNd_weFieRQtniCwDPBuauu_yyOHemaQbTBpnvIgmWaBTwJPW_D26YHYSrqh7lBpKusql1w6_VNAeAYAPc3VY5UQ9JpR6w35Kxbk25jYxf9c20cLWerM2ejCX6ttT2A5bFvY0P9b20K5KN_gqC79ODsSY/s970/0c716c2839b560ec0d59f08216ffd3a8.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="568" data-original-width="970" height="234" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7HBJmxtfeyH8yj_x4cghEo2yNcUKbox_rhNKNd_weFieRQtniCwDPBuauu_yyOHemaQbTBpnvIgmWaBTwJPW_D26YHYSrqh7lBpKusql1w6_VNAeAYAPc3VY5UQ9JpR6w35Kxbk25jYxf9c20cLWerM2ejCX6ttT2A5bFvY0P9b20K5KN_gqC79ODsSY/w400-h234/0c716c2839b560ec0d59f08216ffd3a8.png" width="400" /></a></div><br />October 7, 19h in <a href="https://fb.me/e/3Rioqvjm7" target="_blank">Chamber Performance festival</a>, Teatre/Theaters Bucharest <p><br />In theater, reality is made to conform to a directing vision, dramaturgy, choreography – the body is usually submissive to the text, character, identity, psychology, situation. This representation paradigm, in which we make reality to conform to our ideas, is central in art, in our society of spectacle, and probably in our lives. And, incidentally, it is destroying nature, the world. In Inverse theater, the body takes over, generating the speech, the situation, the piece, and, through extension, reality. The body's numbed capacity to affect and to be affected might awake. When we inverse theater, representation, control, we might again unknow what a body can do, and what the world can be.<br /><br /><br /></p>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-12750789581038318102023-09-07T16:13:00.007+03:002024-02-26T14:09:11.504+02:00Civic Sorcery - metaphysical activism<p> (work in progress)<br /></p><p>When politics are spectacle, when protests and other ways of "resisting" feel pointless, when it seems that they won and there is nothing we can do, maybe we can act from the other end of reality, on the metaphysical plane. Civic Sorcery is a way of acting at the end of hope. No matter how "unscientific" or wacky it sounds, it might be a way to have a saying, an influence, it might be the only way left to reclaim politics, with a twist. They think that we're powerless, and we might be in the sphere they function and understand. Yet we're having power, and it's time to put it to good use. Civic Sorcery proposes to develop metaphysical tools to fight specific evils. In proximity and with the support of others, we will develop charms, rituals, prayers, curses and other metaphysical ways to affect reality through our bodies, drawings, objects, chants, words. We can draw from different cultures, but we'll mostly create our own sorceries and perform them all together for a greater effect. Civic Sorcery is art that metaphysically acts on the world – art as sorcery.This is not just a symbolic gesture. Sorcery is a human capacity that we have and there is vast evidence of its workings. Studies that are puzzling and unexplainable show that we have metaphysical capacities that can be very effective. For example, mysteriously and scientifically unexplainable, prayer helps in healing even for the people that you pray for. There is vast documentation about sorcery capacities in shamans, witches, saints, and people in general. For instance, in the documented "pointing the bone" shamanic practice – the person who had been ceremoniously pointed and cursed would go into a rapid decline and no treatment has been shown to prevent their soon to follow death. Our default scientism and physicalism infused perspectives render these things inconceivable. Yet, in all cultures, Western European until recently included, the fact that the body can affect events at a distance and to be affected was an unquestionable experience. Our bodies were forced out of these capacities to become machinic, suitable for industrialization and capitalism. That's why we are still culturally pressed to shy away from these zones.</p><p>Metaphysical practices have their meta-ethics – an impersonal, supra-human justice that comes from beyond. In many traditions, sorcery takes hold only if it's ethical. For sorcery to be effective it has to serve a greater good. If you try to abuse these powers for greedy personal gain, they might turn against you. There used to be an incorruptible metajustice at work, the metaphysical was keeping things in check – you cannot exploit and amass huge wealth if greed is a fundamental sin, destroying nature means killing your "mother", or destroying your soul. Capitalism is radically incompatible with these metaethics. To "progress" they needed to get rid of the spiritual. They had to burn the witches so a body as a mechanism, suitable for industrialization, to appear. </p><p>These zones are still tabu in current art, not only as subjects but also at a level of the function of art, yet, politically, ecologically and maybe also spiritually (to use another tabu word), being in a full mass extinction event, we have to explore uncomfortable zones, to open the frames, the paradigms, the world. It's time to reclaim metaphysical capacities and put them to good use. We don't know what a body can do when it stops being an empty anatomical mechanism, especially if it starts to believe in its possibilities.<br /></p><p><br /><b>Civic Sorcery session 1 - Green metarevenge in IOR park Bucharest. (18.09.2023)</b><br /></p><p>Bucharest is an ecological disaster. Parks, green spaces are filled with concrete, terraces, kiosks, coloured plastics... or they are illegally closed to the public, privatized (arenele BNR, Casa Poporului), or they are turned into parking lots, or they are fraudulently retroceded and the trees are cut down, poisoned, burnt as now in IOR, Grozăvești... Bucharest is a car hell, with the worst traffic in Europe, the few bike lanes are dismantled, the city boils and the air is poisoned by millions of cars and the garbage burned by the waste mafia. In the rest of the country it's much the same, plus the obsession with highways (other environmental disasters), the railways are left in disrepair and the forests are rapidly cleared.</p><p>Those who are supposed to do something are corrupt or involved in these disasters. Although it is known where the imported UE waste is burned, everything is allowed to continue. Probably under the influence of the powerful car lobby, all the measures that are taken are for more traffic - widening streets, overpasses, more parking lots, and nothing is being done against traffic and pollution - encouraging public transport and cycling, discouraging the use of cars through legislation and infrastructure - 30 km/h speed limit, cycle lanes, high parking, congestion and pollution charges, boulevards and parking lots turned into gardens. In IOR they are poisoning, cutting and burning trees in an area of 12ha and instead of the fraudulently retroceded land being urgently confiscated and all those involved sent to jail, the authorities ignore or rather pick on the protesters. They changed laws to remove trees and green spaces from protection. Camping has been banned and they also want to ban access to more than half of the forests, to be able to clear them without any friction.</p><p>Apparently nothing can be done, all that is left is metaphysical activism and that is what we will do. From the silent media, to the corrupt administration and of course to the real estate sharks will be all subjected to our Civic Sorcery in a similar way in which the trees were subjected to their physical abuse. Civic Sorcery will be centered on the IOR and Bucharest mentioned cases, but will also be extended to other disasters of this type. It's time for them to get afraid. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXG7IyDaz5JGyDT7fmIGFvobvifI2GT9itNQQ1sa71AAidCLb0Zw7Xx3hruCXCkAzutfIHv6O0ANbnmpyAYYvtCfsmpjpOXGOdrIZq6tSptJsSpVHUMa25g7GQbgy4Ac3RrUk3aUZAvTj-65kxOVb70bQOd-m0gRFmVBBIERaGUmU_WdPHIniieQ5bB8c/s4032/PXL_20230910_165210666.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXG7IyDaz5JGyDT7fmIGFvobvifI2GT9itNQQ1sa71AAidCLb0Zw7Xx3hruCXCkAzutfIHv6O0ANbnmpyAYYvtCfsmpjpOXGOdrIZq6tSptJsSpVHUMa25g7GQbgy4Ac3RrUk3aUZAvTj-65kxOVb70bQOd-m0gRFmVBBIERaGUmU_WdPHIniieQ5bB8c/w300-h400/PXL_20230910_165210666.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKfFw-gGoHOw6h9KTAZfNhTefDUuNhdWmqauIxYArtqNBtbCLWLFtp8_jGoPejw8OOAtTIRLfliOoPgb9gUdQGcI66xWYqzB549gWNQXJ-ESzqnvCkAmEJlZ0Yu4uDSbYmiY5Hmvhm7deggXfhBjDCg2YFgWUmjOXYhU5j0_lbEnKVOGfWohnWjI9pw0I/s4032/PXL_20230910_160010987.jpg" style="margin-left: 1em; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxVEkyPqKGMIhOAbNEd8N1iRouA3jKRkb3YVFKa47bBK7aUq-7psQgWCu8FFrwY_mWC94nL7eVI1MrhrBWnYlRL7JZ06nXWyZZuUNyLFOEvBqbPn8UhAGL1Ou2wcX-d2cHhL8-E33Z-ILRoeQTrO4qIDc_xsLL3aLkyl8_2UoUAp-nS3X_w6Gh4wovVkM/s4032/PXL_20230906_153410387.jpg" style="margin-left: 1em; margin-right: 1em;"><br /></a></div><br />ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-29097704909117101842023-04-12T11:53:00.004+03:002024-03-02T13:56:23.400+02:00Love Body (Second Body) (2012-)<p> </p><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxyKQp8KtVCWZlN06bNuMQmrH50FcySY7xsLmJp5u9fyFjWtZJs_5FoasMVou8u3TyAHgc3dHM2vjUroqCIyCc45J3epaOPpRzXtUE32CDrE0QTcq2J-7vVozhC24F4bEtaqtI7v02V2AS7cjGb7iNLSdrIwW2ZqzYPNCAACbRmwFJKQIU5uw99sD6/s1006/20200710_184757_exported_139285_1594459992567.jpg"><img border="0" data-original-height="720" data-original-width="1006" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxyKQp8KtVCWZlN06bNuMQmrH50FcySY7xsLmJp5u9fyFjWtZJs_5FoasMVou8u3TyAHgc3dHM2vjUroqCIyCc45J3epaOPpRzXtUE32CDrE0QTcq2J-7vVozhC24F4bEtaqtI7v02V2AS7cjGb7iNLSdrIwW2ZqzYPNCAACbRmwFJKQIU5uw99sD6/w400-h286/20200710_184757_exported_139285_1594459992567.jpg" width="400" /></a></div><br /><p></p><p><br />Love Body (Second Body) is based on a practice of adding an affective sensibility to everyday behaviors, a second attention that might make one drift out of the anatomic body towards a love body. Love body is not so much about the affect that comes from the body, but it is more about the body that comes from affect. The affect is producing and moving the body. The affective layer is primordial – the body is love. Love body might be similar to certain non-western ones – bodies as bundles of affects and capacities, that organize perspectives, worlds around them – bodies that through special practices affect reality. We don't know what a love body can do. Affective metamorphosis of the body can get you into other worlds.</p><p></p><p></p><p></p><p></p><p> </p><p>More on Love Body from <a href="https://fflueras.substack.com/p/unsorcery-story" target="_blank">Unsorcery Story</a>:<br /></p><p>"The First Unsorcery concept was Second Body, called Love Body later. One day in 2007, while mopping the floor I felt that by deviating from the usual presence, just by a shift in attention and intention, the ordinary activity radically transformed, as well as the body and reality. I entered a special awareness and sensibility state. I was amazed that states and presences that usually are achieved through somatic or performing practices are accessible just by adding an affective sensibility to everyday behaviors, a different attention. Instead of changing ourselves and developing new practices, we can add another, a second attention to what we already do. </p><p>Our default attention creates a body as image, as instrument, and the attitude of control and instrumentalization of the body extends to nature and entire reality. Our bodies are impregnated with a biological conception, there is a scientific knowledge that we put automatically into bodies and objects. We just know that they are made of molecules and atoms not of affects, spirits, or something similar, we actually perfectly know what a body can do and what a body is. </p><p>The 60s effort of setting free this tool-body was not enough, it ended in emptiness, and depressive, dissatisfying hedonism. The idea of liberating the body fell short. It’s not enough to "free the body", you need to reconstruct the body and that’s a different kind of work.
In 2012, inspired by the body of the ‘internal night’ of Artaud, "the body without organs" of Deleuze, the body as a bundle of affects and capacities of Amazonians, the "dreaming body" of other cultures, I wanted to create a "second body" around a second, affective attention. A body not centered on images but on a special body sensibility that might pull us out of the anatomic body, affecting what is possible to see, think and do – a Second Body as affect, as medium, as a portal towards the unknown.
In June 2012 Alina joined me for an Unsorcery residency and presentation at Teatrul Spălătorie, Chișinău. And since then we have worked together in Unsorcery. We immersed ourselves in Second Body practice and conceptual work around it and we each wrote a text based on it. In her words, Second Body and Unsorcery are "a quest for a body that is not free as in the 1960s, not only deconstructed as in the seminal choreographic work of the 1990s, not only made into a provider of liveness and memory for the visitor to a contemporary art museum in the blooming experience economy of the 2000s." <br /><br />Love Body powers <a href="https://www.fflueras.ro/2021/11/love.html">Love</a>. </p><p></p><p><a href="https://docs.google.com/document/d/1uym6MBNFei3fzYuqUoueWrobUIl6ouiKdDOuz9wpq24/edit?usp=drivesdk" target="_blank">Documentation as text - notes from inside</a></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-87823040658044844012023-03-27T16:04:00.002+03:002023-03-30T10:46:36.638+03:00Unchoreography<br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Up75yZXrR3fUqpV9al2TpzPjV0-0ipekluaKeTYZSYwBXDRZfOZ3N1-qgMOpaGC0iZsJx6bHd9TRU7cMVjp_w6jm5gkC8RQrlnlhMvwRz6hpgHsBjo77KkETAsoq7LIbDVA3kmuF3qbCerLV4Xvbd0FY_zKQf3S-IMqK4uhZOBaX90tt8scOXXT5/s4032/image.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Up75yZXrR3fUqpV9al2TpzPjV0-0ipekluaKeTYZSYwBXDRZfOZ3N1-qgMOpaGC0iZsJx6bHd9TRU7cMVjp_w6jm5gkC8RQrlnlhMvwRz6hpgHsBjo77KkETAsoq7LIbDVA3kmuF3qbCerLV4Xvbd0FY_zKQf3S-IMqK4uhZOBaX90tt8scOXXT5/w300-h400/image.jpg" width="300" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"> Unofficial Unworks at Berlin Biennale (2022) </td><td class="tr-caption" style="text-align: center;"> </td></tr></tbody></table><br /><p>Next Unchoreography session at Dance Academy, CNDB Bucharest, April 5, 10-14h.</p><p> </p><p>Notes on Unchoreography:</p><p>05.02.23 <br />From everyday actions, to contemporary dance and performance, the default perspective is of a body as instrument, as tool. We control and put our bodies to do things, to work, to create images, to express ideas, we discipline and choreograph them, and this pattern extends to nature and entire reality. Dance is focused on movement and entertainment, visual arts on objects, images and discourse. I'm interested not that much in the body's capacity to produce content, but in the body as affect, body as medium, body as a portal towards the unknown. My practice is not centered on images but on a special body sensibility that can affect what is possible to see, think and do – is love based. It's a way of sensing, affecting or even creating the world. More than visual or conceptual, I see my recent practice as affect art.<br /><br />20.09.22 <br />There is a strong correspondence between the body's politics and society's problems. The default attitude is one of control and exploitation of the body – body as tool that we constantly put to work, to express, to achieve, to conform. This instrumental attitude is extended towards other people and beings, towards the environment, towards all reality. So, any deep, meaningful change has to address the roots, the embodied cultural and political, our everyday body practices and corporealities. The current horrors are all rooted in a horrible relationship with the body.<br /><br />15.09.21 <br />Choreography is an annoying word, a pathetic reductionism. Movement cannot be written, without losing its spirit. If you act according to scores or rehearsed patterns, you choose to reduce your behaviors to the legible, to the rational, to eliminate presence, sensibility, truth, beauty, surprise, life out of them.<br /><br />30.03.10<br />There is an entire thing in art right now with performance. They say that the time of the object is gone, objects tell us nothing about the new world, now we live in a cognitive, affective, immaterial economy where the main activity is the production of subjectivity, so it is the time of experience, of performance. But, the paradox is that performances are expected to be objects, formalized, clean and easy to grasp, safe and easy to swallow, objects ready to sell and consume, safe protective walls between performers and audience – screens. They have to be controlled, choreographed until nothing can actually happen anymore, until they become safe images – audience, present conditions, nothing can affect them anymore – producing robots on stages, in galleries, in life. Performance instead of challenging the logic of object oriented capitalism, is completely colonized by it, transforming people and experiences in objects, images, spectacle. <br /><br /></p>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-20635175997518275602023-02-27T12:28:00.022+02:002023-03-14T12:30:56.813+02:00Art Opening 7 (Group Therapy)As usual at Art Opening, you're invited to bring works (any medium), practices or just yourselves. And as usual, the event might go towards exhibition, performance, workshop, discussion, but this time maybe also towards a more or less explicit group therapy. Art Opening aims for temporary zones of possibility, for art openings at the levels of formats, contents, functions and aesthetics. <br /><p>As artists, we might be disappointed with artworld's trends and environments. We might suffer from lack of invitations. Maybe we feel unrecognised, unseen. Or maybe we're "successful" and yet we feel that the institutional machine kills us inside. Maybe we lost our trust in what we do. Maybe we cannot anymore stand the drain of applications, of bureaucracy. Maybe we're burned out. Maybe we're stuck. Maybe we lost our passion. Maybe we ask ourselves what's the point? Or maybe we are thriving and can inspire others. As public maybe we lost interest in art, we might see it as too removed from our embodied experience and too much ideology and spectacle. Or maybe we love it and want to stay close. And probably we all have or can think of some practices, tools, tricks, thoughts, perspectives, artworks that can help a bit with the ills of our (art)worlds.</p><p>Artists: Cătălina Gubandru, Giles Eldridge, Alina Popa, Ana-Maria Pop, Eliza Trefas, Adriana Gheorghe, Sibi Teodorescu, Cosmina Moroșan & Anticorp Solar, Virginia Negru, Kira Valentina, Smaranda Gabudeanu, Denisa Duran, Florin Flueras. <br /></p><p>At unsorcery@gmail.com you can add your name to the list of artists. Or you can just pop up, with or without a proposal, at Art Opening.</p><p>March 11, 16h @ <a href="https://linktr.ee/artworlds" target="_blank">Artworlds</a> Bucharest. </p><p></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqpt3L8oqrInqg0RcM53FIGSC1ym9lNN2eV4A7idqyULE9E7vmd099N2lBK_gkfeDEXszb_COJdWxgBhLRx_bdULy53oseWWzsA8Y87EB36Rl-5yHoqJpQfqH0GUKFuDTt60Tkx07PwpOZVAuquHCILBCHM3daIMEeOcrKv4WtZa66tpLTe1VzLzHm/s4032/PXL_20230311_150507157~3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3024" data-original-width="4032" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqpt3L8oqrInqg0RcM53FIGSC1ym9lNN2eV4A7idqyULE9E7vmd099N2lBK_gkfeDEXszb_COJdWxgBhLRx_bdULy53oseWWzsA8Y87EB36Rl-5yHoqJpQfqH0GUKFuDTt60Tkx07PwpOZVAuquHCILBCHM3daIMEeOcrKv4WtZa66tpLTe1VzLzHm/w400-h300/PXL_20230311_150507157~3.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; 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text-align: left;"> <a href="https://www.fflueras.ro/search/label/Art%20Opening" target="_blank">Previously at Art Opening </a><br /></div>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-70293115899108497712022-10-12T09:30:00.010+03:002023-03-06T14:53:47.905+02:00Art Opening 6 (at home) Art Opening #6 takes place at home. You're invited to bring works (any medium), practices or just yourselves. The event might go towards exhibition, performance, workshop, discussion, or more likely, a mix of them. Art Opening aims for temporary zones of possibility, for art openings at the levels of formats, contents and aesthetics. <br /><p></p><p style="text-align: left;">Here, in the Eastern Europe the institutionalized art was so ideologically dogmatic that certain artists preferred to completely avoid it and present their work in their own homes. We might not be there again, yet in non-commercial, public financed art contexts there is increasingly less space to ask questions, explore or create – you need to conform to pre-established themes and perspectives and interiorize bureaucratic mindsets more and more. This, together with the entire administrative bureaucracy around a project, can easily exhaust your artistic drive. The given alternative would be to embrace a commercial mindset, to do sellable objects, images, spectacle – to follow and interiorize art trends, trying to catch some art world waves. This may be an equally effective way to kill your passion. Even speaking of artistic drive, desire or passion might sound off or outdated, because a dry professionalization seems to be the implicit normality. In this atmosphere, home presenting art might be a timely art opening for some of us. <br /></p>Artists: Adriana Gheorghe, Alina Popa, Andreea David, Cătălina Gubandru, Cătălin Diaconu, Corina Mitrovici, Cosmina Moroșan & Anticorp Solar, Edoardo Sansonne, Eliza Trefas, Florin Flueras, Giles Eldridge, Horațiu Lipot, Iulia Mărăcine & Smaranda Găbudeanu, Martina Piazzi, Sibi Teodorescu, Silvia Costin.<p><b>Saturday, October 15, Dr Lister 55</b></p><p><a href="https://www.fflueras.ro/search/label/Art%20Opening" target="_blank">Other Art Openings</a></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0hgLCFj5jM3PxDRYjqhnHWnonUDHrPBtXbKExpQFqPW1MJLbWzvQBdeRWFJS_0b7R2X5mfd1xVdwTBY7dCW3iTpG09Rs7Zwk2DaZgmwkKQL4fqk2nprxdkq1LgxnkjB3PvSijLrVhzlhTcz-Kmmpj3AP776eVdUWEJvo3QMGOe7X9TO7U73Qli_9I/s3968/PXL_20221015_185025620~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3968" data-original-width="2976" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0hgLCFj5jM3PxDRYjqhnHWnonUDHrPBtXbKExpQFqPW1MJLbWzvQBdeRWFJS_0b7R2X5mfd1xVdwTBY7dCW3iTpG09Rs7Zwk2DaZgmwkKQL4fqk2nprxdkq1LgxnkjB3PvSijLrVhzlhTcz-Kmmpj3AP776eVdUWEJvo3QMGOe7X9TO7U73Qli_9I/w300-h400/PXL_20221015_185025620~2.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; 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text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj8D65uA1VVXBdkOVG1jiArfCeH3kJZTTwfeYVNq73j6j2IsSWjLe952I26uLMHpv1MELdy-Q2wKd6xlImz0qyF2ZGiPVA3hDkq26Tq6ZoLCuyFj7iU7yf-RSPzXqGSwsYYuFjgQ5StJ9rALjZTnLjpT11sXDyz6gBy1AfTQYOjX5SN21fsjwz5JyQH=s3802" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2184" data-original-width="3802" height="230" src="https://blogger.googleusercontent.com/img/a/AVvXsEj8D65uA1VVXBdkOVG1jiArfCeH3kJZTTwfeYVNq73j6j2IsSWjLe952I26uLMHpv1MELdy-Q2wKd6xlImz0qyF2ZGiPVA3hDkq26Tq6ZoLCuyFj7iU7yf-RSPzXqGSwsYYuFjgQ5StJ9rALjZTnLjpT11sXDyz6gBy1AfTQYOjX5SN21fsjwz5JyQH=w400-h230" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div>Art Opening proposes to meet in one of the few places where it is still possible without exclusion, at the airport. You're invited to bring works (any medium), practices or just yourselves. The event might go towards exhibition, performance, workshop, intervention, or more likely, a mix of them. Art Opening appears uninvited in art and non-art spaces, adding an extra layer to their ordinary function – producing meetings between two types of audiences, attentions, situations, performers.</div><div class="separator" style="clear: both; text-align: left;"><br />Explicit and implicit restrictions determine what kind of art is possible, by whom, for whom, if and how we can be together. Artists are more and more rewarded for conformism, for interiorizing institutional mindsets, unquestionable "correct stances" and pre-established perspectives. In this art closure atmosphere, Art Opening aims for temporary zones of possibility, for art openings at the levels of formats, contents and aesthetics. <br /><br />One of art's aims is to question the normal and to explore alternatives, to deviate from conventions, regulations, measures, restrictions, mandates and protocols. In a time when bodies are seen as sources of infection and disease, and we're preferred as online disembodied presences, turned against each other, Art Opening is a reminder that bodies are also sources of affects, intuitions, connection, presence, joy, creativity, love, sensibility, without which, there is no 'life' to be saved. <br /><br />*You can disagree, and still be very welcomed to Art Opening. Against the current atmosphere, Art Opening embraces the plurality of views.</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">With Bogdan Balan, Silvia Costin, Mihai Dragomir, Giles Eldridge, Florin Flueras, Adriana Gheorghe, Catalina Gubandru, Dan Roșca, Diana Rosca, Sibi Teodorescu, Eliza Trefas. <br /></div><div class="separator" style="clear: both; text-align: left;"><i> </i></div><div class="separator" style="clear: both; text-align: left;"><a href="https://www.fflueras.ro/search/label/Art%20Opening" target="_blank">Previous Art Openings</a><i> </i><br /></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj7putIl3Bk-X3UZc-euZ8pndTGMMH-7wSbQwGVdwSSs2uFiUmpgS2hL1Ce4G4uia5l69uIr9nydtZf4KsOdaQOiH7YD7YDWu-MiPzBVKYA9Yh8BIJdnfc2B0wwPmy9hMDmsa7QDV8frvvChEpwv98Lq5mYgFfDHP6tgDcCCTUiPwtjYN6wDwicT1ab=s836" style="margin-left: 1em; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgN39eXyLVEkM1LO1c7Gbl572SSiu_uoiXzoKctUQqaqMhJvESh3FlDloazOypE1u3G-EKRywJGj_B4kFw9Fg5RtlM1JxbfJhJQsZQRGvcnoSP1cz0ertTH1KUhdDzKtuFKT-RUiGKnEuuUKnbrzzK3nQabJK6s_enfo6TJEvbM7ciG7diFAOWBn2bN=s4032" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEgN39eXyLVEkM1LO1c7Gbl572SSiu_uoiXzoKctUQqaqMhJvESh3FlDloazOypE1u3G-EKRywJGj_B4kFw9Fg5RtlM1JxbfJhJQsZQRGvcnoSP1cz0ertTH1KUhdDzKtuFKT-RUiGKnEuuUKnbrzzK3nQabJK6s_enfo6TJEvbM7ciG7diFAOWBn2bN=w300-h400" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg-UGYDrNz6MpRCgmIUlOL8k2a8vBiFgb8CWwbWAOQYfUQ8aGMPRFRE5W_uwODL8gb1aYoTg7Rl0kseAhg6ifsHxp8p6QxN8RnzQK7GHSs0NrivClJ7XAlZ7dw5og52u4s6eJjnKpiKP1xdI19qcnJqGWwUn65eedVW6kIwAq-QUNcdecv0AxWc3V4k=s2184" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1676" data-original-width="2184" height="308" src="https://blogger.googleusercontent.com/img/a/AVvXsEg-UGYDrNz6MpRCgmIUlOL8k2a8vBiFgb8CWwbWAOQYfUQ8aGMPRFRE5W_uwODL8gb1aYoTg7Rl0kseAhg6ifsHxp8p6QxN8RnzQK7GHSs0NrivClJ7XAlZ7dw5og52u4s6eJjnKpiKP1xdI19qcnJqGWwUn65eedVW6kIwAq-QUNcdecv0AxWc3V4k=w400-h308" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;">📷 Bogdan Bălan, Cătălina Gubandru, Eliza Trefas, Florin Flueras. </div><br /><div class="separator" style="clear: both; text-align: left;"><br /></div><p></p>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-28944571709553998462021-12-08T11:00:00.019+02:002023-03-06T14:54:13.323+02:00Art Opening 4 (Conspiratio) <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjdH1uncqkBmu2MPwwcy0wA3H8flY7PRz8TD4ANGp4n5b_Tkxu5GTZ--CvmvInsxMxMMNaaKBbacHOU-krsDVKEpCVIgMT8JbSLTNBzV-EuVIejsx0KKlSeo1u5flEZar8Jhxn2SsJZ3ZLpavs6OBnaH60RShixQktwf6RctAo12WKkYzAy6NlPpvsm=s3331" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3331" data-original-width="2196" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEjdH1uncqkBmu2MPwwcy0wA3H8flY7PRz8TD4ANGp4n5b_Tkxu5GTZ--CvmvInsxMxMMNaaKBbacHOU-krsDVKEpCVIgMT8JbSLTNBzV-EuVIejsx0KKlSeo1u5flEZar8Jhxn2SsJZ3ZLpavs6OBnaH60RShixQktwf6RctAo12WKkYzAy6NlPpvsm=w264-h400" width="264" /></a></div><br />Conspiratio is an early Christian practice of breathing into each others’ mouths, a mouth-to-mouth kiss through which each one contributes of his own spirit to create a spiritual community. Illich saw conspiratio as a basic "somatic interchange" that creates "a unity which is manifest in the world but never belongs to it, a unity always out of the reach of merely instrumental human purposes." Conspiratio amplifies the metaphysical quality of our bodiliness, that "something in our bodily encounter, which is outside of this world in which we now are." <br /><br />We can do conspiratio theory and practice together, after we figure out what they could be nowadays. Unless there is a strong desire for the old ritual, we will look for contemporary conspiratio – for somatic ways of deviating from our realities in order to meet, despite the extraordinary current disembodiment. And we can reflect together on anything conspiratio related, from the current extreme replacement of our embodied experience by spectacle, to "conspiracy theories" in the sense of Miller's definition: "something that if true, you couldn't handle it", and other theories that can deeply challenge our reality formation. <p></p><p>Not long ago art that recycles non-controversial certitudes, or transmits the ‘correct’ messages about how we should think, or fits too well on the market, in governmental funding schemes, institutional requirements or art trends, was called "safe". "Safe" was equivalent to conformist, mediocre art. In a society in which "safety first" is the imposed ideology, Conspiratio says "safety third", and we can look together for the other two more important things.</p><p> </p><p>Saturday 15h30 at Artworlds space Bucharest. </p><p>Feel free to do Conspiratio in your community too. <br /></p>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-61554391709343805582021-11-17T17:45:00.025+02:002024-03-26T11:53:26.625+02:00Love <p>April 12-14 at Contemporary Art Centre Vilnius.<br /></p><p> </p><p>"Love" explores practices for embodying love – hypersensibility, ecstatic affects, subtle affective connections with things around… The charged love bodies are inserted in "inappropriate" contexts where something else is already happening – from art spaces to supermarkets and anything in between. Their sensibility brings a contrast that can performatively interfere with the normality of those contexts, temporary zones of possibility might open. Since affects are contagious, the entire atmosphere and situation can be influenced. Artworks are usually visual, sound or conceptual. Love is affect based.<br /><br />Love is based on <a href="https://www.fflueras.ro/2023/04/love-body-second-body-2012.html">Love Body (Second Body)</a> practice of adding an affective sensibility to everyday behaviors, a second attention that might make one drift out of the anatomic body towards a love body. One simple way to activate is via affecting and being affected by plants. There are some puzzling experiments showing that plants feel when someone has the intention to harm them, pointing to a primal sensibility that we might share with other beings, and with nature in general. In times of mass extinction, when more than 200 species disappear every day, it’s kind of urgent to reactivate this sensibility and expand it to an embodied love, because nothing else seems to stop us from destroying everything. We might take care of the world more out of love than out of a rational "we have to".<br /><br />Spiritual traditions talk about a fear/control vs love dynamic – we always have the choice between the two sides and everything is decided by that. It might be a simplistic view, but it is surprisingly actual now, when our lives and politics are so much fear and control based. Although "fear" is somehow twisted to mean "love". The twist is possible because "love" is exhausted and perverted, it can mean anything, from sex to empty corporate "care" slogans. What is disappearing from "love" is the actual body experience of it. From everyday actions to contemporary dance and performance, the default perspective is of a body as instrument, as tool. We control and put our bodies to do things, to work, to create images, to express ideas, we discipline and choreograph them, and this pattern of control extends to nature, society and entire reality, with horrible consequences. Even current ecology is more and more about planning ways to instrumentalize and engineer nature, in order to “save it”. Love dissolves control by going beyond instrumentalization, hopefully changing our bodies and worlds in the process - from "image body" to body as a portal towards the unknown, to "love body". We don't know what a love body can do.</p><p>In some contexts Love appears uninvited - <a href="https://www.fflueras.ro/2020/02/unofficial-unworks.html" target="_blank">Unofficial Unworks </a><br /></p><p>Performers Eliza Trefas, Martina Piazzi, Florin Flueras. </p><p><a href="https://docs.google.com/document/d/1uym6MBNFei3fzYuqUoueWrobUIl6ouiKdDOuz9wpq24/edit?usp=drivesdk" target="_blank"><b>Love, notes from inside - documentation as text</b> </a><a href="https://www.fflueras.ro/2021/08/love-text.html" target="_blank"><br /></a></p><p> </p><p>Love in the frame of Unofficial Unworks at Gallery Weekend Berlin (2023):</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix2Ij2NOoHdVzFqh4toNZns0NtdAIeLKqDpskHvgKm-Dw5Ti-A-VDzLsV70z-a4irvuTNQJAnf7jFRPYHnxCGTEjXk-1LMQFwi3gVmALwo2tGuPXXl72TKali8PqJUOnyT4o9bWxhotFeE0DjaC4rZdIfTz8AgEpgo2i58H_Iam-7cGuvFjVVFdY8W/s4032/PXL_20230424_133555644.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix2Ij2NOoHdVzFqh4toNZns0NtdAIeLKqDpskHvgKm-Dw5Ti-A-VDzLsV70z-a4irvuTNQJAnf7jFRPYHnxCGTEjXk-1LMQFwi3gVmALwo2tGuPXXl72TKali8PqJUOnyT4o9bWxhotFeE0DjaC4rZdIfTz8AgEpgo2i58H_Iam-7cGuvFjVVFdY8W/w300-h400/PXL_20230424_133555644.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSbavbT1LE4V6LvgAe5YbYLizKKT7w9a66Cz7wVfkSYwhqZfPQDtsbSw-Ofgew6B3TEuhhEJC2c7UwtwVmIS-FZMfp-r2FOVJipMcBZ6S6ZkS0a1HoahmfceBfnKCHUQUBT8QaVFAtsyXRqlVqWhmwQNyXhYNyTpIYgLndz63irujg4bSNWno_MpTp/s3734/PXL_20230424_134016673.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3734" data-original-width="2801" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSbavbT1LE4V6LvgAe5YbYLizKKT7w9a66Cz7wVfkSYwhqZfPQDtsbSw-Ofgew6B3TEuhhEJC2c7UwtwVmIS-FZMfp-r2FOVJipMcBZ6S6ZkS0a1HoahmfceBfnKCHUQUBT8QaVFAtsyXRqlVqWhmwQNyXhYNyTpIYgLndz63irujg4bSNWno_MpTp/w300-h400/PXL_20230424_134016673.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; 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margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglv4CsttE7V6O0IMb7uzbRwjIEvZlXH_qj748CvmhJtpSPKkBPdORGF0ssPWJz8eVAfFQ3SiqFvL2SZuFNxFXDi8TIqvlmwZyP7RsFvKNyjvAHH4yGV3RcUJYV4ntg4vNVNfkoPxQe_zw312BFC1pKJzWnSQtA8_oavOFSmkCFChWYcmX7Qu8uqerF/w300-h400/PXL_20230424_141748904.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjH18npwWhhD3TCbLhsqGoaxtOYOzi5sgrDQGDdQx7_OEV41pjik10VXioDxdk-4lDBmtMEpkn8_elmfuCDG_OPcajrHksDwiADJNU9OLC19BZa8wCYE_7HUo3j7SprqevJCkHTmaNquXCn2X95qtV_ujJHthZGvqgas5OgVcdDBjyFvFaaeU9IWQhd/s3465/PXL_20230429_125110802.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3465" data-original-width="2598" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjH18npwWhhD3TCbLhsqGoaxtOYOzi5sgrDQGDdQx7_OEV41pjik10VXioDxdk-4lDBmtMEpkn8_elmfuCDG_OPcajrHksDwiADJNU9OLC19BZa8wCYE_7HUo3j7SprqevJCkHTmaNquXCn2X95qtV_ujJHthZGvqgas5OgVcdDBjyFvFaaeU9IWQhd/w300-h400/PXL_20230429_125110802.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; 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margin-right: 1em;"><img border="0" data-original-height="2740" data-original-width="2054" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf6B1ufx5CpW7BM0Xs39c6pkzF0v0xpRBJC_45CRsLECtJOFZegeRFPnCnTBmu9ufotmgdAPKlzwMtIikuTInuGO4wS9UDkzn2K2RU-b-fcZrrj7o_QFnnuNBuQLfftrT9wv2yUApUghLuOWdFWlC0KXWOWt6n0XHYcOYuxBUWMI5pREPi0vIb29Wm/w300-h400/PXL_20230430_151252480.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIzEF8p2D0S9ixx4PsNLpIhAKUgN-HhrlgxzbsPLO3_TY6juZGsoxROqyKi5KFH_2ddB5N2uo_pvnm0dHLj1eAZIIsIItl4UUJ97XhQUPoGbYGrwvwO8ucOYbslQhSxoU8utQFAkjeEcMXfzRyp6jocMe8zWDV79m_IoPSZNPf4Fr4sPyUNJN9V5ue/s4032/PXL_20230502_134739874.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIzEF8p2D0S9ixx4PsNLpIhAKUgN-HhrlgxzbsPLO3_TY6juZGsoxROqyKi5KFH_2ddB5N2uo_pvnm0dHLj1eAZIIsIItl4UUJ97XhQUPoGbYGrwvwO8ucOYbslQhSxoU8utQFAkjeEcMXfzRyp6jocMe8zWDV79m_IoPSZNPf4Fr4sPyUNJN9V5ue/w300-h400/PXL_20230502_134739874.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWH_Y5hCSUx4EF3luFKpg53wGEEf3hQn_cPKcJBNFUjWgEyhrMwLEXyM21hWsVcwr62u3CVBf79bk2PDs7TtyQkyb08QBOHtyZVB7UpHD9D69Mhl4SWtfQvYjcvCg6fRoH0jqIYqK36RGKssRDCUhHNScp9Jfpto_hYLCSXvhF10B5xeIwmlElS32U/s3973/PXL_20230502_135732717.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3973" data-original-width="2980" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWH_Y5hCSUx4EF3luFKpg53wGEEf3hQn_cPKcJBNFUjWgEyhrMwLEXyM21hWsVcwr62u3CVBf79bk2PDs7TtyQkyb08QBOHtyZVB7UpHD9D69Mhl4SWtfQvYjcvCg6fRoH0jqIYqK36RGKssRDCUhHNScp9Jfpto_hYLCSXvhF10B5xeIwmlElS32U/w300-h400/PXL_20230502_135732717.jpg" width="300" /></a></div><br /><br /><p>Love in the frame of Unofficial Unworks at Berlin Biennale (2022):<br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2C4M5GYqM2g0F8uZNBNBaHmqxgFf_SZ6ZvLxv8pNM49mCyVElJlqIZMTVC717J82xzUroSR2-fB5YE49aOtYuh-mRVkJdoWfsaiX178KW_Q7ZN8HF9WO0PeokL2wZ3FT66BW0C2vSPDg04W_OWpLP8Fza_tKAgLFVWqS4LYkeg4B9g6pn5WwIuDC_/s4032/PXL_20220713_151122075.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2C4M5GYqM2g0F8uZNBNBaHmqxgFf_SZ6ZvLxv8pNM49mCyVElJlqIZMTVC717J82xzUroSR2-fB5YE49aOtYuh-mRVkJdoWfsaiX178KW_Q7ZN8HF9WO0PeokL2wZ3FT66BW0C2vSPDg04W_OWpLP8Fza_tKAgLFVWqS4LYkeg4B9g6pn5WwIuDC_/w300-h400/PXL_20220713_151122075.jpg" width="300" /></a></div><p><span data-darkreader-inline-bgcolor="" data-darkreader-inline-color="" face="Nunito, sans-serif" style="--darkreader-inline-bgcolor: transparent; --darkreader-inline-color: #cac5be; background-color: transparent; color: #20124d; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 200; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"></span></p><div class="separator" style="clear: both; text-align: center;"><span data-darkreader-inline-bgcolor="" data-darkreader-inline-color="" face="Nunito, sans-serif" style="--darkreader-inline-bgcolor: transparent; --darkreader-inline-color: #cac5be; background-color: transparent; color: #20124d; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 200; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7GlNhUUqnOB9_yFC-rIi2nLUWj55bMaprilkcqgEtZ_sEDAqL8r37NAUM1y_wup-bnQf1DzPeu8Bfc1ouhgnqs1CZeoIxCzn6CQN4DsE16YTf2ATR_oLMwcI2SwZaJAnMljp0xx_AnkEnktzp4pYaU3SBZIeaLqD1Tfe6JOjB-N3NVgUnk7nyu0Qt/s3383/original_95662d42-5e44-4084-94f0-dd5bfe098938_PXL_20220713_152709646.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3383" data-original-width="2537" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7GlNhUUqnOB9_yFC-rIi2nLUWj55bMaprilkcqgEtZ_sEDAqL8r37NAUM1y_wup-bnQf1DzPeu8Bfc1ouhgnqs1CZeoIxCzn6CQN4DsE16YTf2ATR_oLMwcI2SwZaJAnMljp0xx_AnkEnktzp4pYaU3SBZIeaLqD1Tfe6JOjB-N3NVgUnk7nyu0Qt/w300-h400/original_95662d42-5e44-4084-94f0-dd5bfe098938_PXL_20220713_152709646.jpg" width="300" /></a><span data-darkreader-inline-bgcolor="" data-darkreader-inline-color="" face="Nunito, sans-serif" style="--darkreader-inline-bgcolor: transparent; --darkreader-inline-color: #cac5be; background-color: transparent; color: #20124d; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 200; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> </span></span></div><span data-darkreader-inline-bgcolor="" data-darkreader-inline-color="" face="Nunito, sans-serif" style="--darkreader-inline-bgcolor: transparent; --darkreader-inline-color: #cac5be; background-color: transparent; color: #20124d; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 200; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIwPmdOOWyUaE-wxjJsbeY7uvtQ1tgb6x7YWSe6IDqGN5tcUuvxoRuwycz7RmB-FvpHg6nySdECd60oeiCRXI_ySPFZccD37SSjT8v2_Jahj-w18UU-DVkGf9gqm4vkwHtn7W3ShKUc4iHfHViOrFSp_SuIpuWCkr-o75mLCMMyWNcUD0KUDfAfvP3/s4032/PXL_20220713_152913799.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIwPmdOOWyUaE-wxjJsbeY7uvtQ1tgb6x7YWSe6IDqGN5tcUuvxoRuwycz7RmB-FvpHg6nySdECd60oeiCRXI_ySPFZccD37SSjT8v2_Jahj-w18UU-DVkGf9gqm4vkwHtn7W3ShKUc4iHfHViOrFSp_SuIpuWCkr-o75mLCMMyWNcUD0KUDfAfvP3/w300-h400/PXL_20220713_152913799.jpg" width="300" /></a></div></span><p> </p><p>Love, in residency at Buda Kortrijk (2023)<br /><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtNpxwieSjGGTHgv7BJUKTkrYnj4X-zp7c3XiUNudNW2vHor417ExoCfIkm7ouo_h37cT4kg6hz-632YSOEvjva9Sqfrhxg_YDVQfDeJU3CPGm3npB_O_B_4L7lkhoGpRsy0a1M7gS1Ig-sLZCaOVhjNtvOlJZtq5FwF4QYwQYUI9haXVc4ATHO781fJg/s2902/PXL_20230705_160919224.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2902" data-original-width="2176" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtNpxwieSjGGTHgv7BJUKTkrYnj4X-zp7c3XiUNudNW2vHor417ExoCfIkm7ouo_h37cT4kg6hz-632YSOEvjva9Sqfrhxg_YDVQfDeJU3CPGm3npB_O_B_4L7lkhoGpRsy0a1M7gS1Ig-sLZCaOVhjNtvOlJZtq5FwF4QYwQYUI9haXVc4ATHO781fJg/w300-h400/PXL_20230705_160919224.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1quNBcYvhOaGvI14VVA1eQlq8J_BidtzCraVxiHRLmzsV5y4mvwDeU1szVgo8OHY2V5XVGbI87fXXAFxN7y5KGlmcEIZZCVl_u_fb8xPke1j1Ka9u5uMUinc9-ujh_Ht70bDvlr7UcaP1oM_jRH0Bn2GfTcV5vkCyRBoQ1tHb91oD3CtjVjRQZ_JoXEg/s1387/PXL_20230705_160657634.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1387" data-original-width="1040" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1quNBcYvhOaGvI14VVA1eQlq8J_BidtzCraVxiHRLmzsV5y4mvwDeU1szVgo8OHY2V5XVGbI87fXXAFxN7y5KGlmcEIZZCVl_u_fb8xPke1j1Ka9u5uMUinc9-ujh_Ht70bDvlr7UcaP1oM_jRH0Bn2GfTcV5vkCyRBoQ1tHb91oD3CtjVjRQZ_JoXEg/w300-h400/PXL_20230705_160657634.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjig0jKWJXUOpxGgHc1HXcZdt1aYvCEVUHOKvFNMM9soWCh7JjAZvhWXLgoJvqIh3SClPkkYZ6LlKEmqqg_sTHL7OTV_f7RWv9-kbivDP8nVLTx6P5zir7eu8w6Zu1HUue7BndT0bLT3Gqu7HCMm6q0xLpAE78RMoSbvV9K-uu3qmblAxFEMlpvZUwirzs/s2071/PXL_20230705_152553250.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2071" data-original-width="1552" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjig0jKWJXUOpxGgHc1HXcZdt1aYvCEVUHOKvFNMM9soWCh7JjAZvhWXLgoJvqIh3SClPkkYZ6LlKEmqqg_sTHL7OTV_f7RWv9-kbivDP8nVLTx6P5zir7eu8w6Zu1HUue7BndT0bLT3Gqu7HCMm6q0xLpAE78RMoSbvV9K-uu3qmblAxFEMlpvZUwirzs/w300-h400/PXL_20230705_152553250.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihR74HFLdB5EHtQDgvDpACvUXbsG-2fo2jdInuPZRxgio7Jb71KGqZ5S71_nAyJJm5sE0yo0TAOgELlzFEzHrAwGUnU_IS-DfZk5_mMx-IkODUIObWIm0bS6u-j9zIy5P1ZwV0WfenO-eupl5nYXHFwUyhey_EkUpZVcpm_1P6HdOxhmleEBIW9z6LSq0/s1521/PXL_20230705_152216951.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1521" data-original-width="1140" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihR74HFLdB5EHtQDgvDpACvUXbsG-2fo2jdInuPZRxgio7Jb71KGqZ5S71_nAyJJm5sE0yo0TAOgELlzFEzHrAwGUnU_IS-DfZk5_mMx-IkODUIObWIm0bS6u-j9zIy5P1ZwV0WfenO-eupl5nYXHFwUyhey_EkUpZVcpm_1P6HdOxhmleEBIW9z6LSq0/w300-h400/PXL_20230705_152216951.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBcspf1LIi3y3jONLKj1VHnur5MsRraq5EV8m29EZjGajw2UHyf-pG13Olm55eb4YgeWni6ltdG9mdOriWa8Ibzo4fS5IvqDzQ7lxfEigX7TthIM0BCqia8dXpl5rP4pIRSeolTdgwQyN6L6oE3vFpQqOEGOUeHQCpocyXabtV_PcJzA4Cm470G770xXc/s3821/PXL_20230702_144828953.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3821" data-original-width="2866" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBcspf1LIi3y3jONLKj1VHnur5MsRraq5EV8m29EZjGajw2UHyf-pG13Olm55eb4YgeWni6ltdG9mdOriWa8Ibzo4fS5IvqDzQ7lxfEigX7TthIM0BCqia8dXpl5rP4pIRSeolTdgwQyN6L6oE3vFpQqOEGOUeHQCpocyXabtV_PcJzA4Cm470G770xXc/w300-h400/PXL_20230702_144828953.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguuyb9x67DmdxXSbDOXfYSW0JT2b1Pdd2GcHuQVtwHwqZ5koKPw34OMJtBms0DOIu2tRW8kj7mNRzzGvugdniR3Aaj4C0AdUbciKrI-C4ZiZQelJYptCEXAXv4VH8jUJC0u_ReVvPBxBWXUHsjkMroG779u4HEI_qQPZWdVXNfopA6OAmW4cIW3D1xK5Y/s4032/PXL_20230701_144604096.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguuyb9x67DmdxXSbDOXfYSW0JT2b1Pdd2GcHuQVtwHwqZ5koKPw34OMJtBms0DOIu2tRW8kj7mNRzzGvugdniR3Aaj4C0AdUbciKrI-C4ZiZQelJYptCEXAXv4VH8jUJC0u_ReVvPBxBWXUHsjkMroG779u4HEI_qQPZWdVXNfopA6OAmW4cIW3D1xK5Y/w300-h400/PXL_20230701_144604096.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3Jx7ElmWd-2QLwFJm-ysexehU1HC1ovpXJLyP0-Oj458VpaXmjXXOxnflU8hiqaQrWXthVeLtX455iI7Nvqa7q_S9Qt6hfiJrY6wQyK90X235tGrZxN5VLDIYMFAKTglhO7Y66nmbO3H7I4Hx5PlyV1CE3iP788BXaeM3Bx6mQ4HuvcQT_pGPoeNqPYk/s4032/PXL_20230627_163700814.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3Jx7ElmWd-2QLwFJm-ysexehU1HC1ovpXJLyP0-Oj458VpaXmjXXOxnflU8hiqaQrWXthVeLtX455iI7Nvqa7q_S9Qt6hfiJrY6wQyK90X235tGrZxN5VLDIYMFAKTglhO7Y66nmbO3H7I4Hx5PlyV1CE3iP788BXaeM3Bx6mQ4HuvcQT_pGPoeNqPYk/w300-h400/PXL_20230627_163700814.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9ZX4CM0etnXNudvf0Mb1QsweEGVmM6w8VXD_gnPe2b07EYXB6fZKyTddsm4rVEq1UP4K7eN8pi_CqriKE7vA6tbcPiulcoMWhQAwygFnz5IFLD3Klnjpgl9cITLsiS1T4bXzi4THCw8tHXkA2YuZvPUhg0cR0yHjuNx_JZIi4wbViGboczfYaBh9E3vk/s3591/IMG20230705175244.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3591" data-original-width="2692" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9ZX4CM0etnXNudvf0Mb1QsweEGVmM6w8VXD_gnPe2b07EYXB6fZKyTddsm4rVEq1UP4K7eN8pi_CqriKE7vA6tbcPiulcoMWhQAwygFnz5IFLD3Klnjpgl9cITLsiS1T4bXzi4THCw8tHXkA2YuZvPUhg0cR0yHjuNx_JZIi4wbViGboczfYaBh9E3vk/w300-h400/IMG20230705175244.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTbZv3mQlSkZCZDTeF9aT8lHWbwp8RQz17q10zb6FAIzJsq8fu3lh11IptNfibsKAVa_eQU1XkLHIL1MB9ahZ6JRG8zURaweH6KpxNWXjWX01nYAU_3fHmbZJsDKEpnAQUWNOGohr7WgWFEIRWsj-akj7w63YIY2S8TqdhXTOyAbSATKHUZwoPvbI7NSk/s3367/IMG20230705175219.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3367" data-original-width="2524" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTbZv3mQlSkZCZDTeF9aT8lHWbwp8RQz17q10zb6FAIzJsq8fu3lh11IptNfibsKAVa_eQU1XkLHIL1MB9ahZ6JRG8zURaweH6KpxNWXjWX01nYAU_3fHmbZJsDKEpnAQUWNOGohr7WgWFEIRWsj-akj7w63YIY2S8TqdhXTOyAbSATKHUZwoPvbI7NSk/w300-h400/IMG20230705175219.jpg" width="300" /></a></div><br /><p></p><p>Love, in residency at Centrale Fies (2023)</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP8fn3dnhr5a48Owo0PVGQ0mIDwi8AEB59SqsleiwdTnFs_oVAE1FYtcwsey5OBYCEFsfA2BAX821mktz2xG0E0q8hgG7jJnA_bt8BDsMitcUJ8aheRA6Vh4hPmZwKSkFvI1qFPmVGMih4CiXVWJiGXkftvvtuc7MhzVFFE0ikN8IbXPeCyKUiWSRp4mU/s3643/image.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3643" data-original-width="2731" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP8fn3dnhr5a48Owo0PVGQ0mIDwi8AEB59SqsleiwdTnFs_oVAE1FYtcwsey5OBYCEFsfA2BAX821mktz2xG0E0q8hgG7jJnA_bt8BDsMitcUJ8aheRA6Vh4hPmZwKSkFvI1qFPmVGMih4CiXVWJiGXkftvvtuc7MhzVFFE0ikN8IbXPeCyKUiWSRp4mU/w300-h400/image.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7tLMItdI391ZUHlH725LsclCrp3IFdutqgdzmRyvCsTd900b6EuhUWVfignSWiHlOfDoB5ItP-oyxmY23r5RNPwvYFy6JUnOoycLjeG7QbyFAwX7rNy-XIzIpFJwnxu1Yf23b95q7-TKvhH6AqiGPkJ_B3dTs2x13rLSxsEOZ1V81XTvgy3qhqK4a6Eg/s3889/PXL_20230613_143615969.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3889" data-original-width="2917" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7tLMItdI391ZUHlH725LsclCrp3IFdutqgdzmRyvCsTd900b6EuhUWVfignSWiHlOfDoB5ItP-oyxmY23r5RNPwvYFy6JUnOoycLjeG7QbyFAwX7rNy-XIzIpFJwnxu1Yf23b95q7-TKvhH6AqiGPkJ_B3dTs2x13rLSxsEOZ1V81XTvgy3qhqK4a6Eg/w300-h400/PXL_20230613_143615969.jpg" width="300" /></a></div><p> </p><p>Love, in residency at TFB Berlin 2022, 2023:</p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQbkEbLKGe5r-q0wvG4J_eNphiV2jvFt53odWTQoY08uy_LCrTGWL-CRjdB4vfENB9C4l7-lHc3CI8Eu1GkGlTw37GIvn_N0XnFyrQM0ru_Py_goDcv8kgf5nzmUhVYaYK1FJqtaz4KbQ80R6iqR15osTwg-txv-8nJsJ19MC41dQy_YU4i3yzZ3lFT8E/s2897/image.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2897" data-original-width="2171" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQbkEbLKGe5r-q0wvG4J_eNphiV2jvFt53odWTQoY08uy_LCrTGWL-CRjdB4vfENB9C4l7-lHc3CI8Eu1GkGlTw37GIvn_N0XnFyrQM0ru_Py_goDcv8kgf5nzmUhVYaYK1FJqtaz4KbQ80R6iqR15osTwg-txv-8nJsJ19MC41dQy_YU4i3yzZ3lFT8E/w300-h400/image.jpg" width="300" /></a></div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhboCnaR2eVQOCH2J9OoJDF9zJSrfj-atu8_JdakZ4msN5c4rySsfmAB3hStu-972co6sXfC7VB9mHJARxV8SqJ4iKcY125gdFBzfkvIp7HJCQod6PLvhOq6HuZXwM0FLQBHhjsRzHtTu8RHDkq9Oe6_i_h-lnE6WtdIIWmoocHQ6nkYcoGSUhxeY9j/s3999/PXL_20221221_134247388~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3999" data-original-width="2999" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhboCnaR2eVQOCH2J9OoJDF9zJSrfj-atu8_JdakZ4msN5c4rySsfmAB3hStu-972co6sXfC7VB9mHJARxV8SqJ4iKcY125gdFBzfkvIp7HJCQod6PLvhOq6HuZXwM0FLQBHhjsRzHtTu8RHDkq9Oe6_i_h-lnE6WtdIIWmoocHQ6nkYcoGSUhxeY9j/w300-h400/PXL_20221221_134247388~2.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitT6IwR1GdH25buxyJVZofx8Iuw3PfnTTSUOHAk0qhhDaD8xhtr-mJ9CAyoI0VbwI3UwRpY9SRwR4H0zA3CdRIyHszOiZbBhOpsBGr_D1gPFNMbchIS8XA05cWChS_HNqrmKCXvxPKCh6RCnafGIqehAwCuFQ3FC1gWH54Z1oR2xLjIjqnPNzviHWt/s3345/PXL_20221221_134656028~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3345" data-original-width="2508" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitT6IwR1GdH25buxyJVZofx8Iuw3PfnTTSUOHAk0qhhDaD8xhtr-mJ9CAyoI0VbwI3UwRpY9SRwR4H0zA3CdRIyHszOiZbBhOpsBGr_D1gPFNMbchIS8XA05cWChS_HNqrmKCXvxPKCh6RCnafGIqehAwCuFQ3FC1gWH54Z1oR2xLjIjqnPNzviHWt/w300-h400/PXL_20221221_134656028~2.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQAexVoA_W-CMYS1vhJUPhWFs9uSSfqNWpnZsSZZ-EhaMyPnDeltovKK41YUAo3pUOL-q5AJq-xYgG7OTy2rFnrzOSq6IP7Eu84HZ2BIhy2ICbmUoy22kvkBJA5I0WPIxWs61EH6Vq20P2ylMoMIhLTs4zCWQNihUOAd9k8KsuNh24vMELpgOsaWc3/s3108/PXL_20221221_134749028~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3108" data-original-width="2330" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQAexVoA_W-CMYS1vhJUPhWFs9uSSfqNWpnZsSZZ-EhaMyPnDeltovKK41YUAo3pUOL-q5AJq-xYgG7OTy2rFnrzOSq6IP7Eu84HZ2BIhy2ICbmUoy22kvkBJA5I0WPIxWs61EH6Vq20P2ylMoMIhLTs4zCWQNihUOAd9k8KsuNh24vMELpgOsaWc3/w300-h400/PXL_20221221_134749028~2.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip2M5oxtDnGF4th-nGeq7aVwvDiQbMC6YNJIlDlQCWb-uiJprZSY_oZ4mheGvLOP7rwKbSwO2eHvUWl5duvbPk5p-aDXJ0KjYV9hnvu9lfOeb-Qqso9qR4hBkSl0XfQKcaiSz-SVU16nKAOTLoC79b5GUJM1gzPfgLchzPvOdJ46I2Ob5dMdaQBtTg/s3362/PXL_20221221_141405759~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3362" data-original-width="2520" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip2M5oxtDnGF4th-nGeq7aVwvDiQbMC6YNJIlDlQCWb-uiJprZSY_oZ4mheGvLOP7rwKbSwO2eHvUWl5duvbPk5p-aDXJ0KjYV9hnvu9lfOeb-Qqso9qR4hBkSl0XfQKcaiSz-SVU16nKAOTLoC79b5GUJM1gzPfgLchzPvOdJ46I2Ob5dMdaQBtTg/w300-h400/PXL_20221221_141405759~2.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4FUmIHq26HAJTXds6QJ-q9SmfSsP_-J5SWDmDqiuJToiLMQBA8owj24FWrJhWke_x7xmuTVkAIsHgZ4zhsZuwyhe8qSJBpEHlKZ6retr1RGbN4op4qTLtTUpySftOkOAUvPpJz86z-BzoFozKwyP4JDK9Zmqadg4sB_XmPkY4DrOBjWrHNUKUT4tP/s4032/PXL_20221221_142650169~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4FUmIHq26HAJTXds6QJ-q9SmfSsP_-J5SWDmDqiuJToiLMQBA8owj24FWrJhWke_x7xmuTVkAIsHgZ4zhsZuwyhe8qSJBpEHlKZ6retr1RGbN4op4qTLtTUpySftOkOAUvPpJz86z-BzoFozKwyP4JDK9Zmqadg4sB_XmPkY4DrOBjWrHNUKUT4tP/w300-h400/PXL_20221221_142650169~2.jpg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmMuEtzc-5fgxBqyKD2Rbl5YFBU1RQazCMvQf9OlisT0FfX78kFThnLBb6pTXzulH2IykDk9E7f3OXaeORM7azIEjjTFbjEouSB4ecjL-4VrmpQ2cozy0Uq7LzaIvti1zY6BsKm1z01WemLSNKYLZvS-JDSfKBwHv1w4-EHnNE24oQckPEoEbwq_jX/s3704/PXL_20221221_144744207.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3704" data-original-width="2778" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmMuEtzc-5fgxBqyKD2Rbl5YFBU1RQazCMvQf9OlisT0FfX78kFThnLBb6pTXzulH2IykDk9E7f3OXaeORM7azIEjjTFbjEouSB4ecjL-4VrmpQ2cozy0Uq7LzaIvti1zY6BsKm1z01WemLSNKYLZvS-JDSfKBwHv1w4-EHnNE24oQckPEoEbwq_jX/w300-h400/PXL_20221221_144744207.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd1mzxFkmHRlYKBjp7C61LXfsBfiqMJJBgZjud0_rPArY0mamHmlBwD_3KKPx_KJbJz3-fjhck9pmM0CZF3PI4Yqt-uK2-hidn7WmHEby0EByJImAeDvN-pOqWe6sYwUbm0e-WYd96__EQ2pECU2ucefooA4_Z0WfnuXKqY9TlzB2w0r8ik6hwUYoq/s4032/PXL_20221221_144920079.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd1mzxFkmHRlYKBjp7C61LXfsBfiqMJJBgZjud0_rPArY0mamHmlBwD_3KKPx_KJbJz3-fjhck9pmM0CZF3PI4Yqt-uK2-hidn7WmHEby0EByJImAeDvN-pOqWe6sYwUbm0e-WYd96__EQ2pECU2ucefooA4_Z0WfnuXKqY9TlzB2w0r8ik6hwUYoq/w300-h400/PXL_20221221_144920079.jpg" width="300" /></a></div><p> </p><p>Love in the frame of Art Opening at the supermarket, Bucharest, 2021:</p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEWoXqj5Hs5JOW_1Y79VH_iyH2fTJc20z_X580gBJ8FDiPMyq3bP11zViEktMMQbN_4CgGq9a-bYkj1xqFHrzpa-KkfJAJxAFCzUXsWAfqwhEkSQ2W4RGXkLklAnGRqepOt3788IsyFAIs_J9vNbpMHFShGPLTeiSM7QUZ0hSV4FmsUtAtHD8VRIzf/s2934/PXL_20211017_145704008.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2156" data-original-width="2934" height="294" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEWoXqj5Hs5JOW_1Y79VH_iyH2fTJc20z_X580gBJ8FDiPMyq3bP11zViEktMMQbN_4CgGq9a-bYkj1xqFHrzpa-KkfJAJxAFCzUXsWAfqwhEkSQ2W4RGXkLklAnGRqepOt3788IsyFAIs_J9vNbpMHFShGPLTeiSM7QUZ0hSV4FmsUtAtHD8VRIzf/w400-h294/PXL_20211017_145704008.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhPBTLNMZsojZQjQ1TnQWG5nZFoObw-odUHdsSd570wOasV4cHwCnY2il2aNdro2Rb5aoI2j5zmWuZLsS9U6kl3yUwZPWN8uWmieGIKtyFd1pscycdHa0_0JqgmL8K4WnqY0RpuzyoyHWJjtwSO9nGUSAmn1WZrxH5HezubUXEZY1N5_8L_pfepK4r/s2917/PXL_20211017_145719200.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2917" data-original-width="2187" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhPBTLNMZsojZQjQ1TnQWG5nZFoObw-odUHdsSd570wOasV4cHwCnY2il2aNdro2Rb5aoI2j5zmWuZLsS9U6kl3yUwZPWN8uWmieGIKtyFd1pscycdHa0_0JqgmL8K4WnqY0RpuzyoyHWJjtwSO9nGUSAmn1WZrxH5HezubUXEZY1N5_8L_pfepK4r/w300-h400/PXL_20211017_145719200.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFqkNaNjHPzbS9tsTMtcIGTZtHS8g4dCfZmUXJTlomaBk9eMCewsP8GBJf504a3rN7GkzdCdGLN1h6EVPufXKbqRMVmyQTD42Jeicrj-6gFOtO8qiLANqKagvPmE21kP6DKgbtI3NBDl0i-K3XBFE4tsmMkQT_3ns3eIgZAUWECWzyrQ3oKuV5pHpB/s758/20211017_180142~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="758" data-original-width="620" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFqkNaNjHPzbS9tsTMtcIGTZtHS8g4dCfZmUXJTlomaBk9eMCewsP8GBJf504a3rN7GkzdCdGLN1h6EVPufXKbqRMVmyQTD42Jeicrj-6gFOtO8qiLANqKagvPmE21kP6DKgbtI3NBDl0i-K3XBFE4tsmMkQT_3ns3eIgZAUWECWzyrQ3oKuV5pHpB/w328-h400/20211017_180142~2.jpg" width="328" /></a></div><p><br /></p><p>Love at the Art Opening Izvor, Bucharest, 2021:</p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGlbil0CmxCBNlkh2bbTO-Z-WBAwyyNd2uge3peBsYcaA35b50Q3Fni0CV0WmAAdU5f6l5JaUZf-eYWBSdpN8jYcre2P1FIeXBle2_-DEujnHhlrUjppjiM4dBVEeYqh-Kb7dkJknRqFNqR-4lMoKjNyUHfOAhlFY8UU81xwGECoVm8DJ6m1R1One-/s1276/PXL_20210603_142750604~3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1041" data-original-width="1276" height="326" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGlbil0CmxCBNlkh2bbTO-Z-WBAwyyNd2uge3peBsYcaA35b50Q3Fni0CV0WmAAdU5f6l5JaUZf-eYWBSdpN8jYcre2P1FIeXBle2_-DEujnHhlrUjppjiM4dBVEeYqh-Kb7dkJknRqFNqR-4lMoKjNyUHfOAhlFY8UU81xwGECoVm8DJ6m1R1One-/w400-h326/PXL_20210603_142750604~3.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk1nqfOPQg4KdLj4GEAYV0TsqbjU9_3AQgLHjjprjKjUNUxmr6mJigLSF5_uYmB90a0hzNLPsDV9uELWxcz8DHGRP8yu5CZe892ZH7wPOndedqIATtmhO1FjERJ9Z23Mmv9SUq4rElm55LL5J9YVaXjJWXwITp_K9ZF_rSp0IxFnOIed1qGx8OCYVw/s3618/original_54d75563-34f2-4be4-9d1e-0c65d74db33d_20210603_172859~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3618" data-original-width="2591" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk1nqfOPQg4KdLj4GEAYV0TsqbjU9_3AQgLHjjprjKjUNUxmr6mJigLSF5_uYmB90a0hzNLPsDV9uELWxcz8DHGRP8yu5CZe892ZH7wPOndedqIATtmhO1FjERJ9Z23Mmv9SUq4rElm55LL5J9YVaXjJWXwITp_K9ZF_rSp0IxFnOIed1qGx8OCYVw/w286-h400/original_54d75563-34f2-4be4-9d1e-0c65d74db33d_20210603_172859~2.jpg" width="286" /></a></div><br /><p>Love in the frame of Unofficial Unworks at Berardo Museum Lisbon, 2020:</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSEGVd5rpbIbDBGwdu9pkK5jNkFuJrdmICCrnzh8AX-FIIT2kJbTmCjQZscR8NMlMkacYilAfIHuLJpJkUnbbjSZN-14-DzpJ69LaxvI0gjgyEBUhceVt97UgdGXbbR5JwNCOdE8otxyfOldq315FsYEPsLyL2sJglIfJgGQiHlk9SjkF5C5yLaMa-/s979/20200706_182731_exported_193536_1594457780473~3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="682" data-original-width="979" height="279" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSEGVd5rpbIbDBGwdu9pkK5jNkFuJrdmICCrnzh8AX-FIIT2kJbTmCjQZscR8NMlMkacYilAfIHuLJpJkUnbbjSZN-14-DzpJ69LaxvI0gjgyEBUhceVt97UgdGXbbR5JwNCOdE8otxyfOldq315FsYEPsLyL2sJglIfJgGQiHlk9SjkF5C5yLaMa-/w400-h279/20200706_182731_exported_193536_1594457780473~3.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3B0O1d9VqWBwRpZuTiDMMf9qC-s2FBQkiYnmkqL67ugu372cKcjT0qd4fGOemTa3FrcIbdGfNV7cgq9FbVEjO24PYuDXcjkmimrcwM0NIBTg4x5PaSgFuX18REr-3g4OuKYsA5JafdwGbkqoO3kZYYKlaK9M8_TwzzTkwaGFULhxJdAcpMF2OAaHU/s1280/20200706_182731_exported_310613_1594457862915.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3B0O1d9VqWBwRpZuTiDMMf9qC-s2FBQkiYnmkqL67ugu372cKcjT0qd4fGOemTa3FrcIbdGfNV7cgq9FbVEjO24PYuDXcjkmimrcwM0NIBTg4x5PaSgFuX18REr-3g4OuKYsA5JafdwGbkqoO3kZYYKlaK9M8_TwzzTkwaGFULhxJdAcpMF2OAaHU/w400-h225/20200706_182731_exported_310613_1594457862915.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU-bLI96LRePprbkSI_3-LHcV6j1O_6jZbX4AZy4-KZW0i-Nsw1CuWUr9XV946bzDb3i-AlKB3_14I-FSPDmeRAbrqyyrq8q_VzwHokh6A9ixTyaZj5gjmc_VAiYDNkBLpwcGoCsH_IAoEQwNzD0rFdtJyM1MsjUjqa0TCPYlGrS9fNQxs5RhdW57N/s1158/20200711_180806_exported_424426_1594550837096~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="699" data-original-width="1158" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU-bLI96LRePprbkSI_3-LHcV6j1O_6jZbX4AZy4-KZW0i-Nsw1CuWUr9XV946bzDb3i-AlKB3_14I-FSPDmeRAbrqyyrq8q_VzwHokh6A9ixTyaZj5gjmc_VAiYDNkBLpwcGoCsH_IAoEQwNzD0rFdtJyM1MsjUjqa0TCPYlGrS9fNQxs5RhdW57N/w400-h241/20200711_180806_exported_424426_1594550837096~2.jpg" width="400" /></a></div><br /><p>Love in the frame of Unofficial Unworks at supermarket, Lisbon 2020:</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0mVX_BS9MVoonsZqLXl4lsvnjIhRdjFH1Ke85kescoFwCtd9mXN2s-7AYeci6JSbpfvS8BwP62yyTo0ufwhNs191kbOyjh0ZddOssC48cB4VCQ9mzTszdhEbkvlKUY5rQgy7L3WFDP5wzXmXk95um5kgWaqvQXunh0bx8wf58pqSufbQNbqCVUnrC/s1030/20200708_195336_exported_159214_1594460801754~3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1030" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0mVX_BS9MVoonsZqLXl4lsvnjIhRdjFH1Ke85kescoFwCtd9mXN2s-7AYeci6JSbpfvS8BwP62yyTo0ufwhNs191kbOyjh0ZddOssC48cB4VCQ9mzTszdhEbkvlKUY5rQgy7L3WFDP5wzXmXk95um5kgWaqvQXunh0bx8wf58pqSufbQNbqCVUnrC/w400-h280/20200708_195336_exported_159214_1594460801754~3.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD3Tek-QvzK93eGEbPw2YdUXI5VNczySN_WR6u2SxuAhVL-K9Ss5Ss8Ojk9fqW46_p4T9h7ltABLEmceNHe9sI7SXZzs440qVOPPfr5Jfnj__EUEl_NMt4GkYMye5uLwvImxD_k0ZAm5zK47KL6kP8aIdsePbC3Sxb3M5MF1Yg0mc8DANdlRG6Wdra/s1280/20200710_162948_exported_43712_1594409960980.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD3Tek-QvzK93eGEbPw2YdUXI5VNczySN_WR6u2SxuAhVL-K9Ss5Ss8Ojk9fqW46_p4T9h7ltABLEmceNHe9sI7SXZzs440qVOPPfr5Jfnj__EUEl_NMt4GkYMye5uLwvImxD_k0ZAm5zK47KL6kP8aIdsePbC3Sxb3M5MF1Yg0mc8DANdlRG6Wdra/w400-h225/20200710_162948_exported_43712_1594409960980.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPm2Wp8kp9dyGuSYX_xUAYoRkHLJw998z5ubdBIHqOnGr4lWvLqqJY6SdRiWlE_cPIz36grA2sd_ggJim3bGyd_YZ8wGZ03I9kk-bI11f-wnIlUGS5LxhqjoBGpACe3YkBA_iTdAwpLcEUP5i85h5RPpr_YLS0tgHWl6mu7fdUIALbgOChk-sTO5ok/s901/20200710_184757_exported_154005_1594460157019~3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="901" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPm2Wp8kp9dyGuSYX_xUAYoRkHLJw998z5ubdBIHqOnGr4lWvLqqJY6SdRiWlE_cPIz36grA2sd_ggJim3bGyd_YZ8wGZ03I9kk-bI11f-wnIlUGS5LxhqjoBGpACe3YkBA_iTdAwpLcEUP5i85h5RPpr_YLS0tgHWl6mu7fdUIALbgOChk-sTO5ok/w400-h320/20200710_184757_exported_154005_1594460157019~3.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis0G74PP0TQcaPxsGMhv4MLRzdBFW7RxxmCwCH_7wp69FROpmQ7iA8vTQJRTM2bmnGrfgScoKuD8TX87dy5VKDFEXMTcdryMU9e3SMCEZNiznui2_vmVSxcDL-vsgTCzoteuFTYHLr62CFn92uuYYOe87IqKH-8lseTswoRxgsDXmVezMfM-umPxde/s1006/20200710_184757_exported_139285_1594459992567.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1006" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis0G74PP0TQcaPxsGMhv4MLRzdBFW7RxxmCwCH_7wp69FROpmQ7iA8vTQJRTM2bmnGrfgScoKuD8TX87dy5VKDFEXMTcdryMU9e3SMCEZNiznui2_vmVSxcDL-vsgTCzoteuFTYHLr62CFn92uuYYOe87IqKH-8lseTswoRxgsDXmVezMfM-umPxde/w400-h286/20200710_184757_exported_139285_1594459992567.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBEXqfsDPThsmYNTzV-D-METyZVki55FKhCUfE4eMdR8qUbVC4oUUof_jmuF-2s1DPU_2djRWQQgfkm5a_fOUugaEYZ-cYgUcJdIN5Qu6jIJJ_076aiUve4WLcQiqVIuKW7yVIIaky9MebuBxBuUgh81ozLk-lN2eVlXhgUhFmelrIrBDGHtHNPygM/s1093/20200710_192842_exported_81344_1594408962142~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1093" height="264" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBEXqfsDPThsmYNTzV-D-METyZVki55FKhCUfE4eMdR8qUbVC4oUUof_jmuF-2s1DPU_2djRWQQgfkm5a_fOUugaEYZ-cYgUcJdIN5Qu6jIJJ_076aiUve4WLcQiqVIuKW7yVIIaky9MebuBxBuUgh81ozLk-lN2eVlXhgUhFmelrIrBDGHtHNPygM/w400-h264/20200710_192842_exported_81344_1594408962142~2.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRSJBgIrj4PlVXglv0OGQ9_SLPBUyS6pvHUNUGb7v_UhuVx7ZtrtOVfZLSAVZQ_SgEbPXqI11qh63SUHCPVDs9DSWl9CJQMuSJ6hk3uH4l78k9ZNBNiKJ03rWcca0jLBYK3_gRivXn-9O_rWzRFuBqB9adglw94sNiF5WKxATWD6sEpOf0HeRqmWAk/s1017/20200710_192842_exported_98816_1594409112876.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1017" height="284" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRSJBgIrj4PlVXglv0OGQ9_SLPBUyS6pvHUNUGb7v_UhuVx7ZtrtOVfZLSAVZQ_SgEbPXqI11qh63SUHCPVDs9DSWl9CJQMuSJ6hk3uH4l78k9ZNBNiKJ03rWcca0jLBYK3_gRivXn-9O_rWzRFuBqB9adglw94sNiF5WKxATWD6sEpOf0HeRqmWAk/w400-h284/20200710_192842_exported_98816_1594409112876.jpg" width="400" /></a></div><br /><p><a href="https://docs.google.com/document/d/1uym6MBNFei3fzYuqUoueWrobUIl6ouiKdDOuz9wpq24/edit?usp=drivesdk" target="_blank"><b>Love, notes from inside - documentation as text</b> </a><a href="https://www.fflueras.ro/2021/08/love-text.html" target="_blank"><br /></a></p><p></p><p><br /></p><p></p>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-8367986159544087042021-11-05T13:55:00.016+02:002023-03-06T14:54:28.363+02:00Art Opening 3 (Lisbon) <p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg72t8ULbMkYtOJ5eSndyJBe8rml6JOxIiAAS5zqceQhbqXRIM-O7qg0n2ouFofiqoLvICBJgn7-n-AN2Dw1AN09Cuvm3jHYUmLpuLHp8PmYp9Z3H0o8XIHrbM39O2bMZxhi5CxT3THOQoV/s2417/PXL_20211111_164003406%257E2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2268" data-original-width="2417" height="375" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg72t8ULbMkYtOJ5eSndyJBe8rml6JOxIiAAS5zqceQhbqXRIM-O7qg0n2ouFofiqoLvICBJgn7-n-AN2Dw1AN09Cuvm3jHYUmLpuLHp8PmYp9Z3H0o8XIHrbM39O2bMZxhi5CxT3THOQoV/w400-h375/PXL_20211111_164003406%257E2.jpg" width="400" /></a></div><p dir="ltr" id="docs-internal-guid-ea26ba8b-7fff-5e15-2b15-805f3137971d" style="line-height: 1.8; margin-bottom: 6pt; margin-top: 0pt;">You're invited to bring works (any medium), practices or just yourselves. The event might go towards exhibition, performance, workshop, intervention, or more likely, a mix of them. Art Opening appears uninvited in art and non-art spaces, adding an extra layer to their ordinary function – producing meetings between two types of audiences, attentions, situations, performers. </p><p dir="ltr" id="docs-internal-guid-ea26ba8b-7fff-5e15-2b15-805f3137971d" style="line-height: 1.8; margin-bottom: 6pt; margin-top: 0pt;">Explicit and implicit restrictions determine what kind of art is possible, by whom, for whom, if and how we can be together. Artists are more and more rewarded for conformism, for interiorizing institutional mindsets, unquestionable "correct stances" and pre-established perspectives. In this art closure atmosphere, Art Opening aims for temporary zones of possibility, for art openings at the levels of formats, contents and aesthetics. </p><p dir="ltr" id="docs-internal-guid-ea26ba8b-7fff-5e15-2b15-805f3137971d" style="line-height: 1.8; margin-bottom: 6pt; margin-top: 0pt;">One of art's capacities is to question the normal and to explore alternatives, to deviate from conventions, regulations, measures, restrictions, mandates and protocols. In a time when bodies are seen as sources of infection and disease, and we're preferred as online disembodied presences, turned against each other, Art Opening is a reminder that bodies are also sources of affects, intuitions, connection, presence, joy, creativity, love, sensibility, without which, there is no 'life' to be saved.<br /></p><p>*You can disagree, and still be very welcomed to the Art Opening. Against the current atmosphere, Art Opening embraces the plurality of views. </p><p>With Evie Cousins, Maria Draghici, Florin Flueras, Piotrek Szwagrzyk, Eliza Trefas.
Lisbon, Miradouro da Senhora do Monte, Nov 11. <br /></p><p></p><p></p><p><a href="https://www.fflueras.ro/search/label/Art%20Opening" target="_blank">Previous Art Openings</a><br /></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi54N9YkXMWO8VlDEh-rtQghjdJ5HgffaS3ICBxBaOIKdokJOOIjulkf9UgYhL57E_pILMUBCjW-FD3ggXPrrjeWkFSjc2HvwPdt2S0D3UrvRcxlxN4PYIqyrhyhzv8YaxDoZEpfEYAnYn/s4032/PXL_20211111_180248504.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="2268" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi54N9YkXMWO8VlDEh-rtQghjdJ5HgffaS3ICBxBaOIKdokJOOIjulkf9UgYhL57E_pILMUBCjW-FD3ggXPrrjeWkFSjc2HvwPdt2S0D3UrvRcxlxN4PYIqyrhyhzv8YaxDoZEpfEYAnYn/w225-h400/PXL_20211111_180248504.jpg" width="225" /></a></div><br /><div class="separator" style="clear: both; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibcc39165wN-NPGDO9EtC6X2vgMdHikV-j8F9YQN30HM6jf-2fRhBYrzwu5n6AtocX62Q-ku9_w-HkaWAreQR4NU8GzyHmjLPGXYxvGlaT16axBIEmf8MKdYrro1vmXyoD2G6TtGmUsxUo/s4032/20211111_170158.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="2268" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibcc39165wN-NPGDO9EtC6X2vgMdHikV-j8F9YQN30HM6jf-2fRhBYrzwu5n6AtocX62Q-ku9_w-HkaWAreQR4NU8GzyHmjLPGXYxvGlaT16axBIEmf8MKdYrro1vmXyoD2G6TtGmUsxUo/w225-h400/20211111_170158.jpg" width="225" /></a></div><br /><p></p><br /><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p><br /></p>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-67018301302464860722021-10-12T12:27:00.013+03:002023-03-06T14:54:42.237+02:00Art Opening 2 (at supermarket) <p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQAZ67Zdk05aRCGnlb8ZSb4oQPAic_9auT9YYzLL2E6EohcR9cZhyphenhyphenER4P8oUbai_LxDxQV8t2YMpVY5Z-ObHE8MQVUv4rHMYQa7I_28Faxl76gJ55qO8cPXJtR8Q5PwC2jE2ZHvBLavBri/s3740/PXL_20211017_144520635.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2268" data-original-width="3740" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQAZ67Zdk05aRCGnlb8ZSb4oQPAic_9auT9YYzLL2E6EohcR9cZhyphenhyphenER4P8oUbai_LxDxQV8t2YMpVY5Z-ObHE8MQVUv4rHMYQa7I_28Faxl76gJ55qO8cPXJtR8Q5PwC2jE2ZHvBLavBri/w400-h243/PXL_20211017_144520635.jpg" width="400" /></a></div><p>Art Opening proposes to meet in one of the few places where it is still possible without exclusion, at the supermarket. You're invited to bring works (any medium), practices or just yourselves. The event might go towards exhibition, performance, workshop, intervention, or more likely, a mix of them. Art Opening appears uninvited in art and non-art spaces, adding an extra layer to their ordinary function – producing meetings between two types of audiences, attentions, situations, performers. <br /><br />Explicit and implicit restrictions determine what kind of art is possible, by whom, for whom, if and how we can be together. Artists are more and more rewarded for conformism, for interiorizing institutional mindsets, unquestionable "correct stances" and pre-established perspectives. In this art closure atmosphere, Art Opening aims for temporary zones of possibility, for art openings at the levels of formats, contents and aesthetics. <br /><br />One of art's capacities is to question the normal and to explore alternatives, to deviate from conventions, regulations, measures, restrictions, mandates and protocols. In a time when bodies are seen as sources of infection and disease, and we're preferred as online disembodied presences, turned against each other, Art Opening is a reminder that bodies are also sources of affects, intuitions, connection, presence, joy, creativity, love, sensibility, without which, there is no 'life' to be saved.<br /> </p><p>*You can disagree, and still be very welcomed to the Art Opening. Against the current atmosphere, Art Opening embraces the plurality of views.<br /> </p><p>With: Atoma, Michel von Balko, Traian Cherecheș, Silvia Costin, Evie Cousins, Cătălin Diaconu, Mihai Dragomir, Denisa Duran, Florin Flueras, Smaranda Gabudeanu, Adriana Gheorghe, Cătălina Gubandru, Vasile Leac, Virginia Negru, Răzvan Pascu, Bogdan Teodorescu, Eliza Trefas. <br /><br />At Mega Image Eva, Bucharest 2021 Oct 17.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlwcKTQktVXr-PTa4Q6X43K-eDj8XjkidckXh0ta_0b1O7QlaNVqHm37X_3bKzc99GvWHmitT8V4Bx8EiauQy6jEMn7AFCF7B3YFWxahmzPWgRv9d9ybmlTImHMjfSvfZkGR04s7fojZcF/s1496/IMG_20211017_230426_193.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1496" data-original-width="1122" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlwcKTQktVXr-PTa4Q6X43K-eDj8XjkidckXh0ta_0b1O7QlaNVqHm37X_3bKzc99GvWHmitT8V4Bx8EiauQy6jEMn7AFCF7B3YFWxahmzPWgRv9d9ybmlTImHMjfSvfZkGR04s7fojZcF/w300-h400/IMG_20211017_230426_193.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSXcxYzuh_HNHg6mrFEYtPbommAa6dmhAFQvD664AhssOUCckEULgN19YFC_OyoAUiKrZBHm2MN1qULD5YaBOITBgk1Ec4uJ7rlv2g_EQCpQ5bTrVVLMdTzvzEAc4dXy0l4YIBiOcwCjAk/s2395/PXL_20211017_141508765.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2395" data-original-width="2194" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSXcxYzuh_HNHg6mrFEYtPbommAa6dmhAFQvD664AhssOUCckEULgN19YFC_OyoAUiKrZBHm2MN1qULD5YaBOITBgk1Ec4uJ7rlv2g_EQCpQ5bTrVVLMdTzvzEAc4dXy0l4YIBiOcwCjAk/w366-h400/PXL_20211017_141508765.jpg" width="366" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh11ogyj5ovbwSRT4hiLCJ5ai9BceKCSqXCgTVb5q_GN-NfPTX5GtbpguOa2D_MCWi4abRClML28Q9B0zUBYGAVtSHf9wpuE9yzjO9gQFzIohHwuI5IUjGyXIfk5ysLq1li_sBlvbolMPo3/s2939/PXL_20211017_141628728.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1959" data-original-width="2939" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh11ogyj5ovbwSRT4hiLCJ5ai9BceKCSqXCgTVb5q_GN-NfPTX5GtbpguOa2D_MCWi4abRClML28Q9B0zUBYGAVtSHf9wpuE9yzjO9gQFzIohHwuI5IUjGyXIfk5ysLq1li_sBlvbolMPo3/w400-h266/PXL_20211017_141628728.jpg" width="400" /></a></div><br />ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-78670469928821278032021-08-04T12:35:00.017+03:002022-06-08T22:24:39.011+03:00Love (text) <div class="separator"><a href="https://www.blogger.com/#" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOeqU1FSzt0bIQ9DIsw_YcoWFC2MDyc_4DCAwbA37r1Xf7cLEbeHItyR7zzxK7omxKZUYcmhWXaXPZgXvCGkxPcrSu7TX5737i88sEZ0-4FgcKcfSrQ5jDLaInLrq8Vk0Iv-XVGPwdP09f/w400-h300/20200710_184757_exported_139285_1594459992567%257E2.jpg" /></a><br /></div><p data-pm-slice="1 1 []"><br /> <i>With inserts by Eliza Trefas (ET). </i></p><p data-pm-slice="1 1 []"><i> </i></p><p data-pm-slice="1 1 []">""Love" explores practices for embodying love – hypersensitivity, ecstatic affects, overwhelming feelings, subtle affective connections with things around… The sensitized love bodies are inserted in "inappropriate" contexts – from art spaces to supermarkets and anything in between. The audience mingles with people who are unaware of the performance. Meetings are produced between two types of audiences, attentions, situations, performers, two degrees of performing and experiencing. Because affects are contagious, the atmosphere can get love charged. Temporary zones of possibility might open. Artworks are usually visual, sound or conceptual. Love is affect based." Florin Flueras, Love, 2021.</p><p>I wonder if people see that I'm changed. Maybe from outside, it just looks like I'm walking slowly, and I'm in a strange state. But I'm carried away by this affect. I'm walking without aim in this small parking lot. I'm quite close to that sensation in my dreams when I'm lifted by a strange and very familiar force and start to float. I see differently. There is beauty around, except for the big bushes here, they are very dark, I feel their darkness. It acts on my skin. I'm turning around to let my body catch more. Darkness is everywhere now. Beautiful darkness. The shadows of things are more present than usual. The trees around this parking lot are shaped mainly by their shadows. My shadows send shivers on my spine and the entire body. My body moves slowly to capture these dark affects. I see why Don Juan said to Castaneda that shadows are much more than what they seem. I'm connected with my shadow for the first time in my life. Sometimes, depending on my distance from the lighting poles, it disappears and I pick another one.</p><p>Some spiritual traditions talk about a fear & control vs love dynamic, we always have the choice between the two sides and everything is decided by that. It might be a simplistic view, but it is surprisingly actual now, when our lives and politics are so much fear & control based. Although "fear" is somehow twisted to mean "love". The twist is possible because "love" is exhausted and perverted, it can mean anything, from sex to empty corporate "care" slogans. What is disappearing from "love" is the actual body experience of it. From everyday actions, to contemporary dance and performance, the default perspective is of a body as instrument, as tool. We control and put our bodies to work, to do things, to create images, to express ideas, we discipline and choreograph them. Love reverses these deep cultural tendencies and goes the other way, from body to mind. From body as matter, image and representation to body as affect, as "love body".</p><p>I stopped in the middle of washing the dishes. Suddenly the water felt a bit strange, like something alien coming here. And my body started to affectively communicate with it and a bit with the dishes too, and with the leaves in the glass here. My gestures deviate from dish-washing movements. My body adjusts its posture to better interact with the water. It came to my mind that it comes from Argeș river, which springs in the Carpatian mountains. Reason kicks in, and I feel guilty about wasting water. I stop it. I became aware of the heavy rain outside. My body turns around and slowly goes towards the window. The rain brings the watery affect and something extra from the sky. It slowly moves my body. I became watery, fluid. "The water spirit", not long ago this would have sounded funny or silly, but here I am. I start to be a bit concerned about where this love practice takes me. Anyway, with this writing and worrying my water affect diminishes in my body and my reason starts to take hold again. I go to clean the dishes.</p><p>In our globalized culture it's more and more difficult and ridiculous to communicate with plants, fungi, animals and other beings. Beings become more and more on the side of objects than subjects. We started to see ourselves as complex matter and chemistry organized according to the (Newtonian) physical laws, as objects. Physicalism requires our most direct and the only undeniable experience, our consciousness, to be seen as an illusion. The presence of consciousness, of subjective experience, is a "hard problem". The solution, if you want to keep with that kind of science, is to eliminate it. Materialism may be the main reason why we stopped feeling plants, animals, nature, and we stopped feeling ourselves too. Through this perspective everything is objectivized, to be analyzed, exploited and consumed. </p><p>"I don't see product by product as I usually do, but I integrate this place as a whole. It looks different. It makes sense. It feels so good to be in a shop without having to be busy with the products, with all the reading of prices and ingredients, without seeing anyone, walking in a way as to purposely avoid people and make space for them to pass. I don't create this space anymore. I am standing at the intersection between four corridors, where usually many people walk by at all times. Now they have to pass very close to me, we have a one-second body meeting. I cannot change my spot, I feel a perfect harmony somehow standing in this very place at this very moment in the shop. I don't even want to buy what I wanted to buy anymore, I just like being here. I wonder what will move me. I like more and more that people have to pass so close to me. It can feel a little awkward and uncomfortable for them, but for me it became very normal. I feel drawn to observe how people are in their bodies, their ways of embodying themselves. It's so pleasant, I wonder if I am ever perceived with a similar attention. I am still feeling the perfect harmony. A very innocent and casual love affect is like an aura around me. Now I am starting to feel a little weird because the employees passed me a lot of times, they might be noticing something is going on with me, but I am still not moved from here. I feel the aura of affect extending further in the shop. I feel that I am entering people's bodies through this affect, and people's bodies affect me back. I don't know how many people and how much love there could be in the shop right now. The amplification of love moves me away. I don't know where I am taken. Would I be carried around to a specific place, person, shelf, sign, product? I am wondering what it will be that I will get attracted to. Suddenly the shop and the products gained something almost divine. What a landscape. I look at products and shelves as if I see art. And I somehow do. My new day-to-day exhibition. I am a visitor, I don't feel like a customer anymore. Products are all equal and they lost meaning, they are just wonder objects, artworks to be looked at, felt, experienced. My basket is still empty after 20 minutes. Imagine you'd be carrying a basket with you in an art gallery too. Will I finally buy what I came here to buy? I don't know, I don't really mind anymore."(ET) </p><p>The habits of interacting with the world are the ones developed in relation with our own bodies. Do we listen to them, or do we just impose our will on them? We can replace "body" with "nature", and we get our ecological mindset. Ecology is an expansion of the internal ecology. Nature, reality start there. Ecological is to listen, anti ecological is to control. Fear makes you want to control, love to embrace. Ecology, like anything else, got perverted by capitalism. Now everything is greenwashed, the most nocive businesses are eco, green and sustainable. Like everywhere, it's a lot of PR tricks and propaganda. The "eco solutions" become increasingly irrational, more domination and control over the environment, more unloving into the world. </p><p>I reached out from my balcony and I softly caught a leaf of this tree here. Something is passing from the tree to my body. It's not just my imagination. My chest is warming up. Even more crazy, somehow this leaf through the body of the tree connects me with the earth, with the entire nature. Now my forehead is touching some leaves too. It's strange, but it happens. The fact that I have the phone in my other hand and I write this attenuates a little the ridiculousness. My body is slightly moved by these affects that come through the tree. Maybe my imagination is too rich, but nevertheless, if the feelings are real, the experience is real.</p><p>At the base of the climate crisis and of the new normal, is an instrumental, use-oriented thinking based on an attack upon the environment, on the assumption that our life should be at the expense of others. The same anti ecological paradigm shapes medicine. Excessive hand-washing, overuse of antibiotics, aseptic cleanliness, vaccines, antivirals, other drugs and the lack of human contact destroys our body ecology, our immunity. The resulting allergies, autoimmune disorders and chronic diseases can be much worse than the infectious disease that we're fighting. When we are at war with bacteria and viruses, we are at war with our own bodies. From too much eagerness to fight microbial life, we end up fighting ourselves. </p><p>My body got charged, waves of energy, affects are moving it. Somehow, these movements are opening my perception towards the subtle movements of the trees around. It's like for every movement, my body finds a correspondence with something. My gaze is continuously caught by apparently random elements, but they feel relevant, something affective gets established between us. It's everything connected now, multiple uncontrollable micromovements in my body connected with everything. I got shivers down my spine. I'm one with everything, the energies of the world are passing through me, my energies are spreading through the world. It's not energy, it's love, everything is love. My body is disintegrating, it's moved by multiple affects. It's reorganized by nature. My affective modulations interfere with reality, with the world at large, all reality is affective, is love. </p><p>Instead of an antibiotic approach, we can go for coexistence. Even now, we can choose to trust each other and the power of our community, that we each have a role in building immunity together. This would be an ecological mentality, that we're together in an ecosystem and germs are very much part of it, are very much part of our bodies for that matter. In general, microbial lifeforms are not our enemies. We cannot survive without them. We are viruses and bacteria, more than human cells. We coexisted and survived with respiratory viruses for millions of years, and now we suddenly behave like human immunity does not exist. We should trust the power and intelligence of these ecosystems to regulate themselves, because, as studies are showing it, if we trust them more, they work better. If we listen and feel our bodies, ourselves in complex relationships with everything around, then we can start to trust this complex ecology and start to trust our bodies too, including their symptoms and diseases. Through an ecological perspective, you feel that things are meaningful, connected, happening for a reason, not just random events. </p><p>I have to lean on this electric hob, this affect softened my body too much, I'm completely unstable. I love everything. It feels that I'm in the perfect place at the perfect moment. Everything makes sense. The noises that I hear, the shapes and colors that I see in this kitchen are perfect too, and this makes me extra happy. Even the sensations of softness and instability are making sense. I just hope that I will not collapse from so much happiness. I'm melting down, also emotionally, but in a good way, like some walls disintegrate. I'm ultrasensible. At least in my kitchen I'm allowed, I would feel more vulnerable somewhere less private. I'm on the floor. I'm very grateful and connected to it. It feels like I relate with everything through it. It's a quiet sensation, like I can stay here forever. I don't even feel guilty that I lose time, maybe because I'm working, I'm producing this text right now. I'm curious how much of my calm state is preserved in the text.</p><p>There is a correspondence and influence between the body's politics and society's problems. The apocalyptic exploitation and control of the planet starts with the control of the body, out of fear and of a "safety first" mentality. Any radical, meaningful change, political or not, has to start at its roots, at the levels of embodiment of the cultural and political. In many indigenous cultures the body is "dreamed" or made of affects and capacities, immaterial. This perspective is very difficult to entertain in our globalized physicalist worldview. The radically different perspectives from other cultures show us that other types of bodies and worlds are possible. </p><p>I'm eating this apple, but now I'm starting to feel that it somehow feeds me through my touch of it as well. And through my eyes, its color, shape, position, relation with other things, composition. It tastes stronger. I softly move it, or it rather initiates the movement. It feels like more energy is accumulating. It's like the apple helps me to connect better with nature, especially with these trees near the balcony. The hand with the phone is quite dead by comparison. Now that I said this, it gained some sensitivity. I touch this tree with the apple. It's not an apple tree, but it still feels right. I caught the small movements of the branch, the apple and my hand are following them. Through the branch and the apple, my body catches this feeling from the wind. It all stops at the phone, especially when I write. The apple is not in contact with the tree anymore. My body is in direct relation with this soft breeze. It keeps moving random parts of my body. I feel the affect behind the wind. I ate the apple. I feel its energy inside. It keeps moving my body softly, more than the wind. Now that I said this, the wind becomes more present. I'm moving with it. I'm connected with this tree, we're moved by the same wind. Everything is somehow related to the apple in my stomach. Its affect persists.</p><p>We can protect nature because "we have to", because of fear of sabotaging ourselves, or because when we become sensitive, we connect with it and love it. If you don't have this affective base that carves you an individualized, singularized path, your next best step is to automatically follow the trend in your bubble, to act mimetic, to do what "you have to". This is a dangerous position because you orient yourself according to the manipulable mass affects. Then you are obeying ethical codes because of indoctrination, woke requirements, medical faith or ecological imperatives. But this produces alienation from one's own affects and capacities, from our bodies – a mimetic subjectivity filled with exterior codes, rules and conventions. </p><p>I stopped with the broom in my hand while swiping the floor. I started to move the broom differently, more like caressing the floor. It spreads the dirt. It doesn't matter. What matters is my new connection with the floor. My chest is warming up. My body got extra sensitized, and I feel the broom like a safety grounding. It's quite helpful now, I feel that I melt down. Now I try to be more reasonable, to clean the floor more efficiently, at least to not spread the dirt. I'm down on the floor. I'm fascinated by the pile of dirt, there is a lot of cat hair in it. The broom is lying down next to the pile, it seems like all three, the pile, the broom and myself we're at peace now, close to each other. A quiet moment. We stayed like that for a while. My eyes started to swipe the floor. It's like different parts of the floor catch my gaze. My palm touches the floor, and my eyes are stopping the swipe to be able to write this. The same affective connection with the floor is now also through my soles of the feet. I'm affectively connected to the ground through my hand, eyes and feet. The rest of the body is slowly moving to adjust to this affect. A slight guilt passes my mind now, because Eliza is continuing the cleaning. My body is slowly moving towards utility again. But something stays, I feel my activity now, the perception is different. </p><p>When the inner love connection is not there, the perspective and behaviors come from the implicit authorities in our environments. The orientation becomes external, mimetic. Belonging to a certain group, identity becomes central. Congregating mimetic people around identities is very convenient for the power. They just need to be oversensitized to their supposed identities and oriented against each other. Divide et impera - identity politics. Identity politics creates social polarization. The human and through extension, the natural environment became divisions and conflicts, artificially created or enhanced in an environment patrolled by some snappy mean police type woke personalities. </p><p>I stopped in the middle of my dressing up. While putting my sock on my left foot. I entered this love mode and my activity lost its purpose. The utilitarian movements of putting my socks on were replaced by small body adjustments in order to increase my sensitivity to this affect that warms my chest. I'm almost in a meditation posture. The foot with half of a sock on is a bit in front. My cat almost touches my leg. She seems to be in a similar state of self-sufficient auto affectivity. My chest lost its warmth. It’s cold, I put my socks on.</p><p>The identity vs love opposition is central in the Samaritan story. Following a feeling in his body, he helped a beaten-up Jew, someone who should have been an enemy or at least invisible. He's acting against the strong codes and certainties of his culture. This was an inconceivable behavior at that time. Giving this example, Jesus wanted to end the old rule based on norms and identities and to set love as fundamental – to open a new possibility, for a post-identity society, where our relationships shouldn't be based on identities and norms but on this embodied sensibility, called love. A possibility later completely perverted by the church and the rest of society.</p><p>I'm in the street. I'm overwhelmed by this love. I have to stop. I have to make space for a passing car. I'm on the sidewalk now, moving very slowly. I may look like a zombie, but I feel the opposite of being dead, I feel very present and alive, like I suddenly see what’s around, and I'm connected, especially with the trees. I move on the streets guided by this feeling. Although the intention of getting home acts on my directions too. There is a general, universal love that I feel towards nothing in particular. My chest is warm, and I'm slowly turning around myself, and it feels like this warmth is traveling in all directions around. I'm turning the other way now and it feels like my body receives some subtle affective energy. It circulates through my body and waves of movement are passing through it. Somehow, my body affects the world. I don't know if it matters, or if it can change anything, but it's a nice feeling. Maybe I need to be able to believe more in this. And I feel the world in me, it's a feeling that travels through my skin like a charged shiver. I capture affects from all around. It's like my body is touched by everything around me. It goes under my skin as well. It amplifies, it feels like I'm possessed by love. That my body is affect, I'm moved by affect. And my affective form is in relation with other forms out there. I especially feel connected with the shapes of trees. It's like I start to finally see them, actually it's a kind of see-feeling, the eyes are involved, but it's rather affective what's going on, is not the ordinary seeing. I'm thinking that this can be my lockdown way of doing art.</p><p>Identity is affirmed in relation to the "current thing" that you are supposed to support, care and worry about, and in relation to the people that you're supposed to hate and cancel – the people who deviate from the "despotic empathy" (Irmgard Emmelhainz). In this environment, thinking and feeling become dangerous and are met with canceling. These identity based dynamics are strong enough now to make families, friends not want to see each other again because of opinions on a medical product. What once was in the domain of personal freedom, if and how you chose to medicate, now is constructed as a source of responsibility and identity. We're not allowed to listen to our own bodies, our own perspectives on body and health are not allowed. We have to surrender to the experts and behavioral specialists that govern, to "follow the science" identity, which means the Pharma experts, not the thousands that are very critical of them. Often, as in the above example, identity tends to become a core of irrational dark forces, impenetrable to reason or love. The identity enthusiasts can be like cult members, forming a mad society. The solution is not a fluid identity, this is just to play identity games harder. It's better to leave the identity games behind. There is something universally human in all of us, and the differences are superficial, we're all alike. In many indigenous cultures, "human" is extended to plants, animals and other parts of reality. </p><p>"I am not waiting for anyone, though in the way I feel now, I don't deny that someone could appear next to me at any moment. I look over the window and I feel that whenever I'd turn, something could make itself present to me. I am doubting whether I am still in my kitchen or the environment has changed, because I feel that something has altered. I see with different eyes. Everything seems still but alive, present, as if all the plants, trees, windows, buildings have also some kind of consciousness of their own. It's strange, I feel we are all watching or thinking or sensing the same thing at the same time, and we are all lateral elements to each other. I feel what I feel because we all feel this – a communal symbiotic body formed by all of us together at distance. The thoughts written here are their thoughts, too, our thoughts. I like this new body I'm part of, and they all do as well. There's a powerful connection between us and at the same time very calm. The wall in front of me doesn't separate us, I don't even perceive it anymore, so much that I can feel rooting through it with the environment. Fingers point to the ground to pour love out of their tips, down to the roots of the trees."(ET) </p><p>Identity etymologically comes from a "state of being the same". To be identified is to be pinpointed, to be stabilized in non becoming. An identity is difficult to escape because every thought, every decision is part of that identity, they come from what you are. Identity is a trap. The way out is to follow, listen to some sort of outside, like some special dreams or feelings. Guided by love, listening to your heart, following your intuition, means exactly this, to have the courage to open yourself to extra-ordinary influences. To exit the prison of yourself, of your identity, of what you know. It's the courage of letting the unknown move you. It's what love always does, to get you out of yourself. Love ignores the identity games. Faith is trust in love – to allow yourself to be guided by love.</p><p>I'm pulled by the chest diagonally up and far away. My body follows this, and it goes chest in front, my legs dragging on the floor a bit behind. I'm at the edge of the balcony, still pulled beyond. My preservation instinct kicked in and I stopped. My warm chest is over the edge. My hands are in front, wavering slowly. Now I'm back on the phone to write this. I'm pulled in another direction. I'm stopped by a wall. The affect is passing through the wall, it's like just a part of my body is stopped by it. Something, like an affective body, is going on through it towards this attractor that pulls me out. The coldness of the wall and the warmth of this love are mixing in my chest. My face is touching the wall too, and I'm breathing it. It is too solid, too real, and it's somehow winning over this subtle feeling. Now my chest and my eyes are moved and pulled from one tree to the other, and the rest of the body too. I'm moving randomly, messy, with many sharp changes in direction, with the chest in front and sometimes my hands too. I may look like a zombie. Now the attractor moved in the skies above. I'm lifted, too heavy to levitate though. I'm falling back into my body and I like this casual, normal, nothing fancy state. Maybe my perception is a bit clearer, but that's all, no more weird stuff. </p><p>The current reality is all about eliminating dissent. The possibilities of thinking and experiencing are greatly reduced. The official narratives are protected with walls of rationalizations, increasing the separation from experience, and canceling presence. Social neurosis. Love means having the courage to experience, to feel the other, the difference, the alien. It's radically open and in contact with bodies, experiences and environments. In a way, love is a meta-perspective. And we need this, to be able to transcend the "divide et impera", the divisions of identity politics. Different experiences, perspectives won't feel threatening anymore.</p><p>I'm on this grass between the sidewalk and the street. There are some tree stumps and weird mushrooms on the ground. It's not the place where you will normally walk, but in this affected state it makes sense. Now I'm walking between the cars parked on the street, it also makes sense, because I'm not really deciding. It's this affect that guides my body. It's a big difference in walking on grass and on this cubicles now. They're quite hypnotic. The patterns correspond with my affect and somehow determine my walking direction. I'm lucky that there are not many cars passing. Love is not necessarily the best guide in this car oriented city. A car had to slow down to wait for me to free the road. It's a strange continuity between the cubicle patterns and the tree shapes. I'm just spinning slowly around, and I feel open to affect and be affected. I just had to let another car pass. I hope nobody calls the police. I didn't know why this affect took me out of the sidewalk to the grass and then here on the street, but it all makes sense, in the end is love against machinic, computational. My body feels to affect all this artificial intelligence around, the algorithmic bodies on the sidewalk, in cars, offices and homes. </p><p>The suppression of love is the main schooling activity. The main lesson is that knowledge comes from experts, not from your own experience. You learn to trust and listen to authority, not to your body's feelings and intuitions. Illich pointed out how the same type of disembodying powers medicine. You unlearn and distrust your healing capacities and put your body in the hands of experts, to treat it as a machine. Medicine expropriates healing, and death too. You cannot die your own death anymore. In your last hours or days, your body becomes a battlefield on which experts and machines fight for your 'life'. A desperate battle is performed like a grotesque ritual. This attitude towards the body, grasped from the outside through the experts' mediation, is similar to the exploitive way of relating with nature and reality, through norms and calculated ecology – you measure your carbon footprints, and plan ways to instrumentalize and engineer nature more, in order to save it. This is anti-love.</p><p>"I can see everything around me as a result of divine love. The plants, some accessories, the shadow and the light, the tree outside, myself, the structure of the house and the way all these things are positioned in relation to each other, are a consequence of love. I feel gratitude for what exists, for the way I'm meant to function, for seeing perfection in what seemed to be random, incidental. Everything seems connected. The way my body placed itself, sitting in a corner of the room, facing the rest of the house, my left hand resting on my left knee. I have a small beat in my body from my breathing. We created a perfect relation between us, me and all I can see and feel around me. Now I'm overwhelmed. I feel a lot of sadness, I don't know why. I feel under a big, incommensurable power of the divine. I'm trying to accept it. I feel sacrifice, endurance, suffering as duties or acts of gratitude for love. I really don't know how to decipher or deal with this love. It's way beyond my power of understanding. My left hand is gripping the edge of a chair for a safety grounding spot. Otherwise, I have a big urge to just walk off on air."(ET) </p><p>According to Illich, God's Incarnation brought a new possibility of a love based being, outside of norms and identities – “not under the law, but under grace.”(Paul). The “expanded horizon” for love introduces a new type of freedom as possibility into the world, and a new type of evil – to neglect or pervert this love. Against Christ's project of eliminating the rule based life, the church started a process of institutionalisation and perversion of love, its transformation into rules. The good, the love, the faith were transformed into norms, services and commodities. By becoming imposed, love, charity, hospitality become radically perverted, destroyed. This process was continued and amplified by institutions like school, medicine… They dispossess humans of their capacities and practises of learning, healing, creating. The power of love, of the body to affect and to be affected was constantly captured and diminished. Institutionalisation "deaden the heart and shackle the imagination", it transforms everything into anti-love. Medicine leads this process. it became a totalitarian religion, with its life-god at the core, and it made people acquire medical, machine-like, bodies. People got disembodied, the sense of themselves lost and the connection between people’s feelings and nature dismantled – "the poetic, performative quality of existence was erased and forgotten in field after field." Institutionalisation "deaden the heart and shackle the imagination", creating a world "immune to grace". "The felt body was replaced by the external observation and manipulation of the anatomized body." Love, the possibility of love, people's "own sensual nature" was gradually replaced by disembodied despotic feelings that were coming from experts, dogmas and mainly from the show. The core of our being, the capacity to affect and to be affected, to love, was replaced by a despotic emotionality. Our world became the negative actualization of the Christ, the culmination of a new evil that appeared as a corruption of love – the Antichrist. This anti-love, antichrist process will probably quickly bring the Apocalypse. </p><p>I'm in this dark hallway and I feel like kneeling, because of this spiritual affect that passes through my body. I'm here next to these colorful shoes. And I'm thinking that everything can become a sort of altar, and any space can be a temple. I feel like leaning on the wall. The skin of my hand is touching and being touched by the cold wall, and my face too. My phone is also touching the wall, it's the only way I can keep writing. But this is not just a wall now, it feels that my skin is in direct contact with the world. I transmit my warmth and receive its coolness. The wall is my limit, the edge of the outside. I needed this materialisation of the outside, I can relate better with it like this. I'm in contact with everything. I stayed like that until I fell asleep on the floor in front of the shoe altar. I dreamt that I went backwards and I was floating in a dense darkness, maybe falling as well, you couldn't tell. At some point my body was permeated by darkness and a somehow material fear. I was trembling because of this dark affect, and I went into a strange supradreaming state. At some point I found what seemed the right thing to do, to accept and even accentuate my state, my trembling, my powerful fear. It felt right, like I was floating on top of darkness. </p><p>There is a perverse mechanism of annihilating radical experiences. Instead of doing the experience, you unconsciously do a mental simulation of it. On a larger scale, this is what happens in religions. Religions are born out of ecstatic, radical love experiences, but in time these experiences invariably become prescribed norms and dead dogmas. Jung said that exactly that is the function of religion, to substitute the wild, dangerous experiences with some tamed ritualistic surrogates. And somehow at a personal level we tend to do the same with every important experience. Currently, "love" can mean just some positive, well-meaning attitude that we force on ourselves. Love as embodied experience and practice is completely something else. </p><p>My body is disorganized by this affect, and this attracts the attention of dogs and people here. Everything becomes more beautiful. Maybe I just see it as disorganization, actually it's a different way in which my body is constituted, in relation to things around. Everything, every shape, every move is in relation with every position, posture and movement in my body. The tree branches moved by wind are completely in relation with my body moved by this affect. I'm connected with the environment through some subtle affective threads. I'm mainly affect, I lose mass, consistency, I become ethereal, I'm seamlessly fluidly moved by love. How is this possible, to perceive my body, myself as affect, not as meat and bones? For some Amazonian tribes this is normality. My body is moved by these affects, except my hands that are typing this. My writing is related to thinking, which, some say, it's an attack on the environment. But this is so only for disembodied thinking. I become more grounded but still there is a subtle affective current running through my body, and it's going into the phone, and maybe into the text and I hope that from the text to your eyes and through your body.</p><p>Experience pushes thinking. With the current obsession for safety and risk management, any mental "discomfort", and therefore risk of engaging with something different from the imposed ideas, is avoided, self(censored). Thinking disappears. We learn that thinking should be objective, disembodied, unrelated with our experience. Without embodying, what is called thinking is just a rearranging of external, experts' clichés. And this expert "thinking" is everywhere now, especially in academia. Expert thinking is always inside the fences set by governments, mass media and corporations. Without the primacy of embodied experience, thinking becomes computation. Body sensitivity opens the possibility of thinking. Thinking is not possible without love.</p><p>The love body is not into digital. I wanted to check something on the phone, but because of this affect-energy, I just started to stare at the phone and around, feeling the environment, the phone just a small object in it. After a while, I opened the document with this text. The phone is not a portal anymore, just an object, I'm the portal now. I'm connected with the world. Having this love in my body, I realize that I never connected with anything online. I felt now that through this text I might connect to you. It's a strange feeling in my chest, quite powerful, like some love went to you in the future. I'm not sending it, it's out of my control. And it's not future, it's now. And it feels that I also receive something back. The phone touches the floor, finally connected. </p><p>Disembodiment and desensitization requires increasingly powerful stimuli – drugs, "exciting" things on screens… and this reduces sensitivity even more, and other capacities as well. There are all those studies that show that videos and TVs are bad for your mind, while reading, because it activates embodiment and imagination, is good. Screens are more and more dreaming for us. New tech like VR disembodies even more, because it dreams for us more. On the same line, drugs are manipulating the mechanism of rewards, are feeling for us. Of course, you can try to intervene biochemically, to force your way somehow in a place where you're not. The problem is that these shortcuts are not working. It's like you're not allowed to cheat, these stimuli have a boomerang effect, and they ruin your sensibility, your capacity to love. The states, the well-being, the interesting experience, the health are preferable to be consequences of thoughts, attitudes, behaviors, effects of what you are and do, of your process, of your particular embodied experience.</p><p>"I get a constant shiver everywhere in the body. Goosebumps. I'm walking in a cloud of holiness. I let this cloud land on and into my body. I hold on to the ground and hope it stays with me. I'm hypersensitive to my own self. Any movement is too much, any thought too violent, I just exist here, becoming a small part of a collective consciousness. I feel at this moment there are a few of us in the world being aware of our common love 'body', holding the world together right now. I am connected with someone, and this someone knows I'm here. I feel a strong attraction to the ground, I am falling, curling towards it. I arrive lying sideways on the floor with my right ear listening to the ground. I'm being switched between being aware of my listening and being aware of my infant posture. There's something nurturing between me and the ground, there's a big innocent affection in the way I'm leaning with my head and palms into the floor. I really feel like a baby leaning against mother's chest. I feel so secure here on the floor. There's only me and the floor at this moment in the world. Nothing else exists now because I don't need it. Sometimes I open my eyes to write but when I close my eyes, not even me and the floor exists, the only thing left is the affect between us as a third, love body. There is no point in existing too much, as there is no point in not existing at all."(ET)</p><p>In our disenchanted technologized world, the mind is activated and encouraged over the body. Maybe that's why we all seem to need some tricks to slow down the tools that are constructed every day in relation to this world, our minds, and to give a bit of space to the body. Religions and spiritual methods were always aware that we, our minds, are in the way of body sensitivity. That's why practices like meditation and prayer were developed for quieting the mind and opening the body. </p><p>I started to drink water, but I closed my mouth. I just keep the bottle on my lips and feel the water. It transfers some fluidity to my body. It's like I'm in contact with the water element in general. I removed the bottle from my mouth. I'm looking at the water fascinated. The water element enters my body through the eyes now. There is something between my palm and the water, a light energetic communication. Suddenly I can see how the ideas of holy / energized water, that I used to make fun of, can make sense. I literally feel that my very activated hand, close to the bottle, transfers something to the water. My chest connects with all the water now. Somehow I feel that everything is unsolid, because everything can affect and be affected. I took a sip of the holy water now, and tried to feel how it acts inside me. I hope it becomes my body. I can feel its energy in my belly. I leave the bottle and start walking. There is still a connection with the water, my body registers it. Waves are passing through my body, spreading fluidity. </p><p>Prayer and meditation seed in ourselves awareness, inspiration, heart, faith – the habits of listening and following our bodies, souls, intuitions, of relating with something beyond ourselves, beyond control. When we quiet our minds, we can start to feel, to be present. To be affectively connected with the environment. They're practices of love. Meditation instills in us the habits of living in the present, of listening and being a spectator to our own processes, meta-awareness. Prayer tells us that we should put our faith in something that is beyond ourselves, something greater. They're huge challenges nowadays. We're constantly trained to control stuff and to believe in reason only. Or maybe we cannot believe in anything and reason is all that's left. </p><p>"I am not disturbed anymore by the noises around, by the kids running and screaming around me, they probably see me in a strange manner, but I am just part of (another) nature. I listen to them, and they begin to turn into simple nice noises, young abstract sounds. I am dwelling in the park. I feel good, I forgot about feeling cold, I got engaged in this warm affectivity. The world loses its meaning the deeper I let myself love. It sometimes acts like a soft sedative, a layer that disconnects or cuts some normative tension. It depends on the kind of gentleness each of us has in their nature, in their primal being. Not in the animal, but in the spirit. You can connect to this nature when you erase some of the urgency, the anxiety in the body, the rush of living life correctly, of loving correctly. The fear of not doing it (enough). I feel alright where I am now, like there is no day and there is no night, no time, or no better time to be. I got a feeling of safety and simplicity, with vague lucidity. The only thought I have is that I could be here forever. And maybe I've already been. I’m conscious, although it feels like something else is leading me. I sense slightly further than I usually do. The body has a sensorial and affective echo. My body leaves traces behind and steps three steps further in time. I feel I could predict the world, or affect its prediction."(ET) </p><p>A love attention can be activated by adding an affective perspective to everyday activities. It develops as a layer added to the current actions and behaviors, a second attention that turns everything into abstract love. It cannot be provoked, it's not in our control. It's like an exploration, you're more of a spectator, the attitude is of curiosity about what the love intention will bring up this time. More interesting and often amazing stuff emerges than what you can bring up by yourself. In time, this love attention can create a love body. Love body is not so much about the affect that comes from the body, but it is more about the body that comes from affect. The affect is producing and moving the body. The body is love – the affective layer is primordial. </p><p>I'm with the small shopping cart in one hand and the phone in the other, my body suddenly stopped my shopping activity at the fruit stands. My chest started to open and to warm up. I'm vulnerable, because I feel the place as extremely noisy and agitated, and the products too strident. Not the fruits though, I feel safer here next to them. I'm too affectively charged. Probably I seem lost, weird. I partially exited my state to pick some apples. Now I feel that I give myself to the world. I embrace everything. I feel sensitized to some sort of higher force. I understand why the saints in the icons are blessing like that with their hands, it really feels that there is some sort of energy spreading out of my hands. Some shoppers seem puzzled to see me like this. It becomes intense, I feel so much love. I feel that I disintegrate, that a sort of transcendence is imminent. That reality is just one possibility, the walls of reality are very thin. I'm ecstatic but also scared because I clearly feel that reality is a dream and that there is a way to open it like in lucid dreaming. That I could start to float, change the setting, the space, the time.</p><p>Love can feel as an affect between sensibilized bodies (human or not), a subtle sensing of the other in your body. We can welcome it or deny it, enhance it or suppress it, but love is impersonal, transpersonal, it doesn't belong to us. It's like air. It's not our air, it's out there, around us, and we can breathe it. Like an atmosphere between us. It is something objective that exists, a special affect that we can feel in our bodies when we're sensitive and open. Like an immaterial substance that permeates us sometimes, and changes our bodies. And you can be a little high, floating on this diffuse feeling. Although it's all around us, it's also rare, it needs a special sensitization of the body to be experienced. </p><p>The waves of love movements are producing pleasure and connections. What would the people think if they see me in this ecstatic state here on my balcony? Maybe it is contagious. That would be funny, the office workers in the next building start going like this. This thought helps maintain my light ecstasy. It's not like I control this, the sensation is more that I'm possessed by it. Now that I wrote "possessed" my body started to really feel possessed. Waves of affects are passing through me, moving my body quite chaotic, and extending out of my body. They are coming from outside. I'm one with everything, the same love is everywhere. We can be more or less aware of it, usually less, now I'm more, and I feel that the next step is to completely become love and to feel that everything is love. Maybe it's like in quantum physics, you can become matter or love, depending on your perspective.</p><p>Love and art are both very sensitive to faith. You just have to believe in them. And the trust is contagious, helps the others feel that there is something there. Love-confidence, art-confidence, not self-confidence. Maybe the aim of all is to increase love and the belief in love. Maybe that's why so many times, love has something to overcome, mostly some other values and beliefs. Art is often about finding ways of overcoming control, the fall in ourselves, in what we know. About allowing the beyond of ourselves to inspire us, the beyond ourselves to shape our moments. It is about a certain flow, about letting us be carried away by art / love intentions. They're not jobs, not matters of discipline and determination, but matters of soul.</p><p>"I grew taller. Somehow the apartment seems smaller, narrower and more rigid. The kitchen wall seems to lean diagonally towards me. I can move the house with my perception. Earlier I felt almost claustrophobic in here, I wanted to go out, to be able to keep on flying in case I'd start to take off. I felt like a big and sudden event could occur at any moment. Now I am walking leaning slightly towards my back. I'm being carried around by something. I am becoming aware of this thing supporting me from my back. Somehow I wish I'd see it, but I might make it disappear if I try to look. I start to walk backwards, guided by this entity. We are being stopped for a while by a pile of pillows at my feet. It disconnected from me. A bold sensation of reality has slinged back into my body. I grasped the wall, I don't know what will happen from here. I just stay like this for a while... I had this thought the other day - beauty means following what you feel. Love can feel the same, going where the heart leads, affectively, physically. Love is moving around the room, swaying in and out of my perception, a small feeling in the chest follows it. The wall gained my heartbeat, we are in sync now. The floor takes it, my shadow too, and it keeps on going further into the world through the ground. The floor under you contains my heartbeat. I like this, my heart beating under your ground. It's growing more and more, I really want to reach people everywhere. I'm happy this affect continues to grow, as powerful as it is, as fragile, and I don't want to... I got discharged. I am so heated up, it got very warm suddenly. I just walk around having the memory of the earth beating with my heartbeats. I'm back, my temperature normal again. I hope everything is in place where you are at this moment. Unless you're flying too."(ET) </p><p>There is really nothing more important than love. We all seem to know this. Love is all, we all seem to want it. We may like it in songs, in movies, but not in our lives. Because we feel that it will radically change them. Love is dangerous, it ruins calculations, expectations, plans, what we were supposed to do, our preferences, our stability, our order, it is the end of the world as we know it. Love pushes us towards the affective bases of reality, to follow our hearts and to leave ourselves behind. Love brings chaos. We don't want it, not at all. Better without it. Life will go on… Or maybe not, maybe when you block love the soul dries. Maybe the difference between life and non life is the difference between love and non love.</p><p>Changes in my body correspond with changes in the affective atmosphere of reality. A tree caught my attention now. My perception of it is more complete, multidimensional. I feel that I'm pulled somewhere far away, by another tree. It readjusts my body. Now I'm caught by my own body. It's an autoreferential loop. I got on my knees, in a kind of prayer. Somehow it makes sense, the energy was accumulating and started to give me anxiety. Now through this abstract prayer, anxiety changed into love. My chest is warm and the things in the environment are starting to rearrange based on love instead of anxiety.</p><p>According to Maslow's hierarchy of needs, you have to satisfy basic needs before finally taking care of the immaterial, spiritual ones like self actualization. Love practice proposes that you go directly for the spirit, for following your heart, your "idealism". In many religions it's said that in this way somehow even the basic needs and problems have a better chance of being taken care of. In Christianity, it's a sin to worry, or a trap. It means that you don't believe that God will take care of you. It's a sin also to try too hard to control, plan, to worry about the future, God will take care of tomorrow, you should deal with the present. It's a huge problem in the world today that almost everything is done for security and profit, and out of some sort of calculation. In our world, it sounds crazy or naive to just do things out of love. </p><p>"I'm hypersensitive to the city. I feel awe. I have this sensation I am a tourist or a newcomer again, my perception of this familiar landscape restarted. I've been here before, but I've never really seen. Now I'm not just looking at things anymore, I started to feel them through my body. I walk past a car and I feel that it's secretly alive, secretly knowing how I feel or what I do. I suddenly got stopped from walking. I'm in a weird spot, next to this stranger's car. It can look like I'm posing with it, though there is no one taking a picture, I hope I don't seem to be a threat. I just stay here. I feel turning into a love energy center point. I don't perceive the parking lot as before, it became an abstract place from where I sense everything. My hands are extending sideways now. I am becoming more alive and extra sensitive with every other object in my proximity all at the same time. I turn, looking around. Now I am facing the car, my left arm extends towards it to touch it but, instead, I become aware of my hand. I feel my hand charged with power. My hand is moving around like a shield, wanting to fill the whole parking lot with this power. It starts to move more and more, it becomes a sort of dance. I am almost running now in between the cars, but my direction changes. I am attracted, moved helplessly by different opposite affects. It's getting weird, I cannot really stop. But I want to love everything, to share love with anything! I wonder how far these affects could carry me around. I stop, holding on to a bar. From outside, I may look a bit overcasual. Fake casual. I am casual in my posture, but I contain something more. I look around again, with a more reduced perception than the one I had before, though I still see a bit of hidden meanings or hidden life in these 'lifeless', artificial man-made objects. Things are not anymore what they seemed to be before, simple texts, signs, navigation tools. The parking sign I'm next to and myself, both lost original meaning and gained another one. A meta role in this place. Everything is so alive, I feel as though everything has or is gaining awareness, joining a common awareness. This can drastically change one's relationship with the environment. There's a different attention, care, understanding through which I navigate this place now. I step differently, knowing that the earth under me is alive and aware of my place here."(ET) </p><p>Fear paralyzes the autonomy of individuals and societies. Fear is the main way of governing. Armies of behavioral experts and psychologists are working every day to inject more fear into our world, blocking the possibility of politics. In this situation, like in many dystopia and myths, love seems to be the only solution. Love is a radical outside of calculated possibilities, the supreme political and spiritual instrument. Ecologically too, only love seems to be able to break the present vicious circle of trying to repair the damage of manipulation and instrumentalization of nature with more of the same. Love can guide us out of the contemporary certainties, into a fertile unknown, creating openings where nothing seems possible anymore. "Love is as strong as death."(Song of Solomon) It's not something that you can simply learn, change is not enough, you need to be converted to love. As we saw in the case of religions, the paradox is that to follow the spiritual or religious ideas, norms and practices can be anti-love. Yet, we can follow the example of some saints and shamans to have the courage to create and follow our own love practices. </p><p>I was reading this book and my attention shifted to the way my hand is touching it, with affection I would say. It's a nice book, but in my current state it's difficult to read. It's very pleasant the way it is attached to my hand. My eyes are seeing the pages in their entirety, the text as abstract images. This situation extends to the other hand. The keyboard and the phone are becoming blurry too, the writing difficult. This might extend to you as well, affecting your relationship with this text. For a while it was impossible to write. Now I'm partially back. Some words in the book just catch my attention randomly, I read them individually, as stand alone meaningful. For, to, unknowing, shadow, by, overlooked, shape, incorporates, wave, else, and. I started to slowly walk with my two objects, trying to focus on writing this. Now that I said this, I feel that I present them, and some feeling extends from them to the world. They feel charged, my chest too, and this feeling is going into the world, like in some icons in which the holy book is presented. I looked in the book again and this line jumped out to me, "the soul is actualized as a body in another world".</p>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-59673145683924559782021-05-20T12:28:00.008+03:002023-03-06T14:54:56.594+02:00Art Opening 1 (Izvor park)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNV_guVvmHdpnRn-ucXTV9sA6M6PCP86vl9w1C6OW-TlxUe-E8FDjVBmqwhtGcOZMLcrpOR6UPCdo2XDQGPV40XglkgRxWGZXX5N9FSa5foQslr3_ay2UYwHinalkAyc-_MbKT9SN6ZIg/s2736/IMG_20210603_175506%257E3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2636" data-original-width="2736" height="385" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNV_guVvmHdpnRn-ucXTV9sA6M6PCP86vl9w1C6OW-TlxUe-E8FDjVBmqwhtGcOZMLcrpOR6UPCdo2XDQGPV40XglkgRxWGZXX5N9FSa5foQslr3_ay2UYwHinalkAyc-_MbKT9SN6ZIg/w400-h385/IMG_20210603_175506%257E3.jpg" width="400" /></a><br /></div><p>You're invited to bring works (any medium), practices, ideas, processes, and most importantly, yourselves. Art Opening appears uninvited in art and non-art spaces, adding an extra layer to their ordinary function. Meetings are produced between two types of audiences, attentions, situations, performers – two degrees of performing and experiencing. Depending on the participants' desires, the event might go towards exhibition, performance, workshop, discussion, intervention, or, more likely, a mix of them. <br /></p><p>As
measures, mandates and restrictions infiltrate every aspect of our
lives they are more and more influencing what kind of art is possible,
how it should be presented, how we should be together. It's difficult to
meet and create art events, with their spontaneous communities around
them, and, in the best cases, artists are paid to not do (live /
embodied) art anymore. Artists are professionally rewarded for compliance with pre-established perspectives, for interiorizing institutional mindsets and unquestionable "correct stances". We're in times of art closures, when everyone
seems to agree, including some of the art institutions and artists, that
art is "non essential". Art Opening is a space-time for art related meetings, a move towards embodied social closeness. It aims for temporary zones of possibility, for art openings at the levels of formats, contents and aesthetics. <br /><br />One of art's aims is to
question the normal and to explore alternatives, to deviate from shared
conventions, regulations, measures, restrictions, mandates and
protocols. In a time when bodies are seen as sources of infection and
disease, and we're preferred as online disembodied presences, Art
Opening is a reminder that bodies are also sources of affects,
intuitions, sensibility, creativity, joy, playfulness, connection, love,
presence, without which, there is no 'life' to be saved. <br /><br />*You
can disagree with this text and still be very welcomed to the Art
Opening. Against the current atmosphere, Art Opening embraces the
possibility of multiple perspectives, as all of the artworld, and the
world should do. <br /><br />With:
Roxana Ardeleanu, Flavia Bălan, Silvia Costin, Andreea David, Bogdan
Drăgănescu, Giles Eldridge, Florin Flueras, Adriana Gheorghe, Cătălina
Gubandru, Virginia Negru, Luca Popa, Bogdan Sibi, Alina Tofan, Eliza
Trefas, Alex Vrajitoriu...<br /><br />June 3, 17-21h, Parc Izvor Bucharest.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv9n6WZZIPqsf3gWqws99exWwmWb3JOGFO71U6FMfJ6erRdCcHwssWajqtM4hQYfwapKqL7kma-iyOqHjmMsVjBVbyImYk_5lGVGwRRHkbOa7MAUuoRt0zYbrnvYt308QndeLgKG9qy_4/s2505/20210603_182850-01.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2505" data-original-width="2268" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv9n6WZZIPqsf3gWqws99exWwmWb3JOGFO71U6FMfJ6erRdCcHwssWajqtM4hQYfwapKqL7kma-iyOqHjmMsVjBVbyImYk_5lGVGwRRHkbOa7MAUuoRt0zYbrnvYt308QndeLgKG9qy_4/w363-h400/20210603_182850-01.jpeg" width="363" /></a><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhghpVgmAtSiFmJsTkXbmw8rzfQG2_ZxU0NH66Zdfmax1FQ4tmMkr8igVvM5LhDK9JdxAKKH1D1qaOVP-2p8z9W301W1fTq3gKEJwXvxIRLbWevQr729GfLmpUz_qYeoupDjYteGt9iOHA/s4928/DSC_0172.JPG" style="margin-left: 1em; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjVVR8sn8VMwE3f-XAKcISNWjjxZ5Z5n6jtcC_409W8mKqsQndDRjdzSEEcaloNKoqBF7PES2OBFtucm9XUwzc7hwVSS6sdwKy_03WDzEpKOuhfb_DLjZ0gSgxA6ua4wyppv5wZ4jp40c/s2268/PXL_20210603_161240921%257E2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1970" data-original-width="2268" height="348" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjVVR8sn8VMwE3f-XAKcISNWjjxZ5Z5n6jtcC_409W8mKqsQndDRjdzSEEcaloNKoqBF7PES2OBFtucm9XUwzc7hwVSS6sdwKy_03WDzEpKOuhfb_DLjZ0gSgxA6ua4wyppv5wZ4jp40c/w400-h348/PXL_20210603_161240921%257E2.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWe_GBeroJ7FnGHnCafxS7Y2RNE8A-C_NKS2QzW4_DaROAhtLp7-RNgg1b9U9N3EdLyTknIiq-CUTF8E6_NRushlEoPb6bFi6f2xTcIWYTCsixUV9So9GhuWCb-U8n87ZHFLIqF8K4rd8/s2736/IMG_20210603_182422.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2716" data-original-width="2736" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWe_GBeroJ7FnGHnCafxS7Y2RNE8A-C_NKS2QzW4_DaROAhtLp7-RNgg1b9U9N3EdLyTknIiq-CUTF8E6_NRushlEoPb6bFi6f2xTcIWYTCsixUV9So9GhuWCb-U8n87ZHFLIqF8K4rd8/w400-h398/IMG_20210603_182422.jpg" width="400" /></a></div><br /><p>📷 Eliza Trefas, Cătălina Gubandru, Bogdan Sibi, Florin Flueras. </p>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-21057332033444604112020-12-22T10:22:00.009+02:002022-11-07T14:36:26.670+02:00Interview with Florin Flueras at the end of Rad.Ost residency in Sofia <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-YzCUIBYTAO-6CbK1xB6UIVXgMp-Dpt3NvihbxsJPqXXBFeKwQ9kvKdmO_ygD5HY7X_HMiwe2hbR3gEfbpHiPu-2fyf7YdmMRsBh_BH3fmYedtewf-5NGW54wVJvJDlyY4R0Lo_f2IEhg/s2757/IVN_3654.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1741" data-original-width="2757" height="253" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-YzCUIBYTAO-6CbK1xB6UIVXgMp-Dpt3NvihbxsJPqXXBFeKwQ9kvKdmO_ygD5HY7X_HMiwe2hbR3gEfbpHiPu-2fyf7YdmMRsBh_BH3fmYedtewf-5NGW54wVJvJDlyY4R0Lo_f2IEhg/w400-h253/IVN_3654.jpg" width="400" /></a></div><div style="text-align: center;">Artwork at Swimming Pool Sofia, photo Ivan Donchev<br /></div><p><br />Questions from Voin de Voin:<br /><br /><i>-What do we need to learn, know, practice, before we enter the stage of Unlearning, and why is it important?</i><br /><br />Our contemporary cultural certainties, paradigms, implicit knowledge, implicit perspectives are what creates reality, "the world". But the world becomes more unlikable by the day. It seems that what we learned, what we know as society and as individuals who compose it, has to completely change, we just have to unlearn, unknow and undo a lot, if it's not completely too late. The main certainties of society should be undone, especially nowadays when the remains of freedom are disappearing and the new normality becomes increasingly dystopian. <br /> </p><p>To "know" too much and too sure is a prison. A vicious circle, as Clarice Lispector was saying “I can understand only what happens to me, but only what I understand happens.” Somehow we should find ways to jump over what we know, over ourselves. We have to learn to admit that we don't know, and to open up a slight chance for a future, if it's not completely too late.<br /><br />-<i>What is the relation between imagination, physicality and therapy?</i><br /><br />I prefer "dreaming" to imagination. Dreaming in the sense of creating reality, as it is used in many indigenous societies. In current philosophy of mind and neurosciences is more and more present the idea, compatible with a lot of spiritual traditions, that everything is a sort of dreaming or simulation, even ourselves. That everything is virtual reality, in a way. And that this reality is very dependent on our perspective, consciousness. Quantum physics is also suggesting something like this. <br /> </p><p>According to hyperstition theory, you don't have to believe, you just behave as you do, and the fiction becomes real. Many mystics are saying the same, you just pray, meditate or do other spiritual practices, and the religious experiences will come. And from the experiences the belief. The body creates reality out of imagination. Then the question is what are the fictions that are better to believe in? Because clearly the current implicit beliefs (scientism, physicalism, and, according to Illich and Agamben, medical religion) that shape our bodies and realities are bad fictions.<br /> </p><p>There is a strong connection between body and mind. The body states affect the dreaming. And the other way around, the embodiment of dreaming opens the way for a different physicality. Psychoneuroimmunology and epigenetics are increasingly showing the high degree in which health and healing are connected with patterns of behavior, thinking and feeling. Immunity is strongly correlated with our attitudes toward ourselves and reality. And with our emotions, fear is an immunosuppressant. There are hundreds of researchers that are trying to bring this perspective in discussion, but they are burrowed under the discourses of fear and substances based medicine that is very profitable. But maybe we should diminish a little the faith in the new priests – the experts. For the most part of human history healing was considered an art, for good reasons.<br /><br />-<i>What is Art for you?</i><br /><br />I'm interested in art as practices that activate new ways of seeing, feeling, thinking, being. Practices that affect the edges of human behaviors and conventions. It is an idealized idea of art, in practice art is always powerfully shaped by the type of society in which it takes place. In our homo economicus based society the accent is a lot on art as products, objects and spectacle that can sell on the market. But still, there are many interesting artworks with interesting practices behind. And these practices, perspectives, thoughts that are implicit or explicit in an artwork, are what interests me. <br /> </p><p>Art can affect the available sensibilities, forms of thought and experiences in a certain environment, it can change the conditions of possibilities. There is a lot of art that breaks its own conventions, art that changes the idea of what art can be. These meta, transcendent operations are valuable in themselves, because they can be transferred to other domains as general capacities of seeing and acting beyond the conditions, possibilities, certainties of a given environment. And these meta-capacities seem to be clearly missing in our times when everything must change, but the only idea that we seem to have is to increase the dystopian elements of our reality. Nothing truly different in thinking and practice seems to be possible, we don't have the meta-capacities, the practices for seeing and acting beyond the default certainties that compose our world. Now this is even more so because it is becoming a crime to think and move outside the main perspective. But good art always operates outside the main perspective. <br /> <br /> </p><p>Questions from Viktoria Draganova:</p><p><br />-<i>Do you understand your practice also as a spacial practice? How far your projects or interventions mean to transform the space where there are taking place, and in which way? Tell us also more specifically about ARTWORK and how it appear in the space of Swimming Pool. </i><br /> </p><p>I'm interested in the abstractions that make the space. Every space has an abstract substrate constituted by its implicit conditions, axioms, gestures, affective atmosphere. That's the point where I'm interested to intervene. I see the space more like the zone in Stalker movie, alive, it can affect and be affected. This is also what quantum physics seems to say, that the objective reality, even time and space, are completely dependent on consciousness that observes it. The space is not fixed, it can change. It's usually stable because somewhere in the background we automatically know how to read it and how to integrate ourselves in it. I'm interested in practices and situations that affect the space itself – the substrate of what is possible to think, perceive and feel in a certain environment.</p><p><br /><a href="https://www.fflueras.ro/2020/06/artwork.html" target="_blank">Artwork</a>, at Swimming Pool, aimed for a space that is not so obviously readable, especially because of our ambiguous presence (gallery guards / Artwork method representatives / artworks), and the ambiguity of the situation, exhibition, somatic method launch, performance, workshop, therapy. The visitors / clients had to negotiate their presence there and readjust their automatic readings of the context. The challenges of the implicit readings and adjustments can open new possibilities in the space.<br /><br /><i>-How is your practice meant to transform institutions, or more generally, instituting itself?</i> </p><p> <br />Some of my works are in direct dialog with institutions and instituting. <a href="https://www.fflueras.ro/2020/02/unofficial-unworks.html" target="_blank">Unofficial Unworks</a> are appearing uninvited to important venues and institutions. As artists we mostly follow artworld's implicit codes, protocols, structures of validation, hoping to be seen, invited, appreciated, and in general, as people we conform to prevailing perspectives and certainties. Unofficial Unworks are playing with apparently untouchable institutional protocols, conventions, ignoring and going around the gates of access.</p><p> <br />There is a general atmosphere in the artworld, certain topics and aesthetics are in and others are definitely out. In <a href="https://artw0rlds.blogspot.com" target="_blank">Artworlds</a> (with Alina Popa) we tried to create alternative artworlds – complex compositions of people, concepts, processes, capacities – artworks as artworlds (Unsorcery, Black Hyperbox, The Clinic). We didn't call them institutions, because they were more than that, we called them esthetic entities or artworlds. <br /><a href="https://postspectacle.blogspot.com/" target="_blank">Presidential Candidacy</a> (initiated with Ion Dumitrescu) was again playing with the ambiguity of being an art institution and a political one. We did some of the presidential campaign activities before the legal terms, because we were "an art project". <br />Artwork continues in a way this playing on the territory of official institutions. But it's definitely a more ambiguous game this time. It has also a defying attitude towards institutionalization and professionalization. It implicitly says that you can do your own methods, therapies, spiritual practices, institutions. You don't need to submit and adapt yourself to the existing structures, like is usually the case in the spheres of health, spirituality, and in art as well.<br /> </p><p>Institutionally the space for thought and new ways of experiencing is diminishing fast. Identity politics created a policing atmosphere, and made the institutions very stiff and afraid. In non-commercial, public financed art contexts there is increasingly less space to ask questions, explore or create – you need to conform to pre-established themes and perspectives and interiorize bureaucratic mindsets more and more. And things are getting worse, the atmosphere is like the official perspectives cannot be questioned, criticized, discussed anymore.<br /><br />Questions from Alexander Manuiloff:</p><p> <br />- <i>Why artists should(or should not) travel to a foreign country? Is there any benefit of that, apart from making use of the funds that are available there? If yes - what is this benefit?</i></p><p> <br />As I see the trends now, this artistic traveling might stop soon. That would be a pity. It is very valuable to cut yourself from your home environment once in a while. For immersing yourself in a new work, to take distance from your habits can be a big help. And a new environment can bring new inputs, new situations.</p><p> <br />It is also important to interact with other audiences. And to audiences is important as well to meet international artists and proposals. It would be very sad to regress again to closed societies, to local inbreeding between artistic communities and proposals, to lack of dynamics, stagnation and provincialism. I see that a lot of online residencies appear. They could be helpful for artists to survive in this period of art as ”non essential work". But they are not a replacement for real residencies.</p><p> <br />In art, especially in performance, the embodied experience is very important. In performance there is a long history of going against representation, against spectacle, but the new online conditions are a regress to just that, disembodiment, and everything just image and representation. Now the entire society seems to be just spectacle. From the ways how media and behavioral experts maintain the fear, to our forcedly choreographed movements, presences and absences in public spaces, to our proximity avoidance gestures in our imposed costumes (masks). <br /><br />- <i>This is your first time in Sofia and in Bulgaria - is there anything that will you take with you from the context, the way of life, artistic practices and/or the milieu here?</i></p><p> <br />We're living in a globalized world, it's very difficult to find something truly different and truly inspiring, unless you go in the middle of Amazonia or something like that. There are poorer and wealthier countries, but for what I'm interested in my work, alternative forms of life, subjectivities, the differences between countries are too small to matter. The forms of life are quite omogen globally, so they don't become the subject of my work. Paradoxically, only the international artists can inject some deviations in this globalized subjectivity, shaped by current international policies, values and mentalities. </p><p> <br />The pressure to work with local issues or communities sometimes can be a way of keeping the artists apolitical. If there was any doubt, the recent events, the way how global policies and fears were globally implemented, the disappearance of any semblance of democratic politics, makes it clear that we're living in a globalized world, and in order to have any sort of political reach, you should work with global, universal issues, you have to meet this global power where it operates – at the level of production of subjectivity, of the new human, or trans-human, or whatever it is. All new politics need to have the human terrain ready, otherwise they don't hold. The current fear based measures and policies are possible because, as Ivan Illich noticed, a mutation happened from the 80s on, people were starting to have "medical bodies". But the forming of life can be the practice of artists as well. At least I'm very interested in this, and it's an universal project, not local. A very difficult one. </p><p> <br />Yet, the fact that we lived three months in Sofia, influenced our work and our lives. We liked being there. On the Bucharest - Sofia way, from the train you can see a lot of ruins, a lot of industrial abandoned buildings and machines overgrown by abundant vegetation. It had a post-apocalyptic vibe, but somehow a pleasant one. This lock in the past feels good, now when what we're accelerating towards, is much more dystopian. And Sofia too, maybe more than Bucharest, can feel a bit like a hiding place in plain view from the "advancements" of western civilization. This lock in a parallel present, or past, feels good, now when what we're accelerating towards, is much more dystopian. Sofia is close to Bucharest, and they share a balcanic atmosphere which I like, but fortunately it can also feel quite alien (our impossibility of reading chirilics for instance). We were glad to be in Sofia also because we had the privilege of still being immersed in the old normal for a while, the measures and people were more relaxed than in other parts of Europe, and that made the work possible, actually. Because it's really difficult to summon the motivation for doing art in the middle of full dystopia.<br /><br /><a href="https://www.fflueras.ro/2020/06/artwork.html" target="_blank">Artwork</a><br /><br /></p>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-59434373188598274912020-06-12T15:10:00.175+03:002023-11-06T13:28:45.786+02:00Artwork (2020-)<div>With Eliza Trefas, Martina Piazzi, Florin Flueras.</div><div><br /></div><div><b>Artwork in contemporary art</b></div><div><b><br /></b></div><div>Artwork is a method that borrows from somatic, spiritual, therapeutic techniques and aesthetics but it is centered on transforming <a href="https://docs.google.com/document/d/1jrzW0icydFUkIoX5C3tjW3s1Kz2mH9gWxgoQslflM58/edit?usp=drivesdk" target="_blank">artworks</a> into practices. It extracts and abstractly formulates conceptual and performative operations behind artworks. The operations are then embodied and applied to other spheres of life. Central to Artwork is the idea that artworks should be practiced, that art shouldn't just be seen, it should be lived. Why all the effort to create artworks just to be finished in products to be consumed? An artwork is the crystallization of a practice, it's also the documentation of a practice. If it's actualized in our bodies, it can also be a portal back to that practice. In Artwork, works that are done mostly to be looked at are activated in the bodies of visitors /clients /students, they're transformed into Artwork – an artwork and a new method at the same time. Artwork is ambiguous, it can appear as performance, therapy, exhibition, workshop, promotional event, text, artwork or a combination of these, depending on the context – art, philosophy, spirituality, therapy, education, literature. Ideally, people from many of these fields are brought together at the same event. Artwork is the meeting of these publics, conventions and perspectives around artworks as practices.</div><p><b>Artwork in performance and dance</b></p><p>In Artwork, works in any medium are transformed into practices and performances. Artwork embraces an ontology of art as performance – artworks are processes, rather than the products of those processes – they're generative performances through which works come into existence. Artwork takes the works from the products, objects, images, spectacle back to the performances and practices behind them.</p><p>Among the many forms Artwork can take are sessions in ambiguously set spaces, having an atmosphere between an art venue, a promotional booth for the Artwork method, and a studio for somatic therapy sessions. The performers can be seen also as gallery guards and Artwork method representatives, creating a complex and possibly puzzling situation – exhibition, somatic method launch, performance, workshop, therapy. Artwork crew can work with interested people, individually or in groups. People, ideally invited from different contexts (art, therapy, spirituality, philosophy, contemporary dance…), have to negotiate their presence there, choosing their degree of participation on the range Artwork client - spectator. For people choosing to be spectators, the sessions, with their mixture of performers and people attending them, might appear as performances. </p><p><b>Artwork in philosophy and spirituality</b></p><p>Our lives are formed by the culture in which we are, by our mental environments and embodied certainties. To shape them differently we need practices that act at the level of their structures – technologies of the self, forms of life experiments. They were the domain of religion, and they can feel disciplinary, rigid and inadequate now, many not updated in hundreds or thousands of years. If our practices are rigid, disciplinary, conventional… that's what we become. Forms of experience and practice that appear in dialog with contemporary situations and phenomena are proposed in art. It's the domain where new answers and the awareness of new problems appear. Many artworks explore new thoughts, new sensibilities and forms of experience. Not just for the sake of novelty but out of an involvement with personal and collective contemporary issues. Nietzsche saw the potential and the need to approach life through art but he noticed that, sadly, the artists are not applying their craft to it. Artwork aims to remediate this and to contribute to the urgent project of affecting the forms of life that enable the current realities. <br /></p><div><p>Contemporary art has at its core the drive to surpass itself, to deviate from the consensus and mess with its axioms, through works that expand what can be considered art. In art, and especially performance you can sometimes feel that body practices can give access to the meta-conceptual, to the levels where the implicit perspectives, realities are shaped. Artwork is interested in these meta-experiences, meta-practices that shape the quality of other practices, and what and how it is possible to experience things in general. We become what we do, our practices. We can be artworks.</p><p><b>Artwork in healing </b> </p><p>The therapeutic and transformative functions of art are often minimized and avoided because of the impression that they diminish an artwork, or expel it from the art field. Yet, some artists transformed their lives or parts of their lives into art. Artwork explores the opposite, the transformation of art into life – the embodiment of artworks based forms of thinking, feeling and acting. Artwork transfers to life art instruments, processes, practices, aesthetics, exploratory attitudes, and introduces an art sensibility and attention in everyday perceptions, in the senses, in what we already see, hear, touch, feel, do. Being centered on artworks, the Artwork method might appear as paradoxical and counterintuitive at times, deviating from the well meaning, enforced positive feel of most therapeutic approaches: Most somatic/spiritual practices aim at improving strength, balance, coordination, flexibility, appearance, Artwork, through works like Collapse Yoga, listen to the deep desires of the body for asymmetry, incoordination, weakness, relaxation, unbalance, abandon, collapse, freedom. Most somatic/therapeutic/spiritual practices aim at self-awareness and self-knowledge. Artwork, through works like Unimages, makes us increasingly unknown, stranger and puzzling to ourselves and others. Most practices seek normalization and control of emotions. Artwork, through works like Unexperiences, deviates affectivity, creating artificiality and playfulness in our states, opening us to meta-experiencing. Most practices aim for more clarity, light, safety. Artwork, through works like Fear Darkness makes the body sensible to darkness, amplifying its fear – the royal bridge to the unknown. Most therapies want to enhance the stability of our reality. Artwork through works like Undreaming approaches reality as a virtual reality, as dreaming that can be eventually Undreamed. Most somatic/spiritual practices idolize life. Artwork, through works like Unexist, connects us with death. Most practices speak about love as a nice abstract attitude towards nature and others that it's good to have. Artwork, through works like Love, is interested in embodying love – it actualizes love in the body, sometimes as an ecstatic, unbearable feeling. Most practices push for sociality. Artwork, through works as Pillar Artist, agrees with Simondon that we have to pass through the ordeal of solitude, to get to the "collective" – to form the necessary affects and capacities, the body that is truly capable of community. Most somatic/spiritual practices pursue "presence". Artwork, through works like Unhere, introduces disconnections from the time, place and situation in which we find ourselves, alienations that open the possibility of new connections.</p><p><b>Artwork in education</b></p><p>Artwork can also take the form of workshops, courses or retreats. Via experience people are introduced to artworks, to contemporary approaches of art. Artworks are activated in the participants' bodies to create experiences that provoke new thoughts, perceptions and feelings. Most of the selected artworks activate body affects, capacities, experiences that introduce perturbations, anomalies and twists in self-presentations, perceptions and conventions. The participants will be also invited and assisted in creating their practices based on artworks. They can be as performative /somatic /spiritual /therapeutic as each of the participants desires and they can be ritualized to become everyday practices. This sets the conditions for one of the aims of Artwork, the participants to create their artworks as well.</p><p><b>Artwork at fairs</b></p><p>Artwork can appear at art fairs, alternative healing fairs, educational fairs, conferences… At the booth, information and short Artwork sessions can be provided. Posters, flyers, booklets advertise Artwork events, Artwork philosophy, Artwork texts, Artwork sessions, Artwork retreats, Artwork embodied art education, Artwork healing, Artwork spirituality, and the Artwork artworks that can be activated in people's bodies and lives. </p><div><b>Artwork in writing</b></div><p>For each work actualized in Artwork will be a text. The texts are based on notes written from inside while practicing the artworks. They combine the style of explorers' live diaries with theoretical inputs associated with those explorations. In the past, the unknown was spatially distributed, the extraordinary was geographically accessible. There were fantastic stories and speculations about places like Antarctica, Amazonia… which were firing the imagination of explorers. There were alien cultures and subjectivities that had the power to activate possible exits from the implicit certainties of one's time and space. Now cultures are more and more homogeneous. It feels like there is nothing to explore, that we already know what is, and there is nowhere to go. In this situation, art can be one of the last possible explorations still available to us. Contemporary art has at its core the drive to surpass itself, to deviate from the consensus and mess with its axioms, through works that expand what can be considered art. It's where new territories can be explored.</p><p>Drafts from a future Artwork book:</p><p><a href="https://docs.google.com/document/d/1C8hVJGzQ5DnQ0AXAW0nk4NoF_1H7uNmP_rEe3ytnUP0/edit?usp=drivesdk" target="_blank">A</a><a href="https://docs.google.com/document/d/1C8hVJGzQ5DnQ0AXAW0nk4NoF_1H7uNmP_rEe3ytnUP0/edit?usp=drivesdk" target="_blank">rtwork, notes from inside</a></p><p><a href="https://docs.google.com/document/d/1uym6MBNFei3fzYuqUoueWrobUIl6ouiKdDOuz9wpq24/edit?usp=drivesdk" target="_blank">L</a><a href="https://docs.google.com/document/d/1uym6MBNFei3fzYuqUoueWrobUIl6ouiKdDOuz9wpq24/edit?usp=drivesdk" target="_blank">ove, notes from inside</a></p><p><a href="https://docs.google.com/document/d/1_dhpwmodGiRef3vhEQevpqpLO4Q7IDbajfLDBQV4j6E/edit?usp=drivesdk" target="_blank">Unhere, notes from inside </a></p><div><div><div style="text-align: left;" trbidi="on"><a href="https://docs.google.com/document/d/1xbDum9xQyQXQ_vt_BBFIRojS2w0rcyr05-jjRkEWl5E/edit?usp=drivesdk" target="_blank">Artist at Work, notes from inside <b><br /></b></a></div><div style="text-align: left;" trbidi="on"><br /></div><div style="text-align: left;" trbidi="on"><a href="https://docs.google.com/document/d/1jAQ49EEQzvQesDOUYfuLzyz1OJfWgfUgt3idfmFBXEY/edit?usp=drivesdk" target="_blank">Unexperiences, notes from inside </a><b></b></div><div style="text-align: left;" trbidi="on"><br /></div><div style="text-align: left;" trbidi="on"><a href="https://docs.google.com/document/d/1knTfvBXjUuFx8UL0JdF09rpIDwRSAgoyzthHZjnBAPk/edit?usp=drivesdk" target="_blank">Unimages, notes from inside</a> <b><br /></b></div><div style="text-align: left;" trbidi="on"><br /></div><div style="text-align: left;" trbidi="on"><a href="https://docs.google.com/document/d/1RdBx9_km_wSOk0y-892G_niACCQXrlQ4KkhNSO7Yc6M/edit?usp=drivesdk" target="_blank">Collapse Yoga, notes from inside </a></div><div style="text-align: left;" trbidi="on"><br /></div><div style="text-align: left;" trbidi="on"><a href="https://docs.google.com/document/d/1eoTBSo8qgxRvz1dfAnLVTYSL9fu00hREAOcj5Ah7b_w/edit?usp=drivesdk" target="_blank">I Am Making Art, notes from inside </a></div><div style="text-align: left;" trbidi="on"><br /></div><div style="text-align: left;" trbidi="on"><a href="https://docs.google.com/document/d/1zOvGZL16DsHy0gIMUk4XVfxvwDS0_jHWoWJdy3zJj18/edit?usp=drivesdk" target="_blank">Drawing, dying - notes from inside </a></div><div style="text-align: left;" trbidi="on"><br /></div><div style="text-align: left;" trbidi="on"><a href="https://docs.google.com/document/d/1K-0ka-b3P9fmkdgsmTyyQeufKQNx-i0vakeaX2FWEGA/edit?usp=drivesdk" target="_blank">Civic Sorcery, notes from inside </a><br /></div><div style="text-align: left;" trbidi="on"><br /></div><div style="text-align: left;" trbidi="on"><a href="https://docs.google.com/document/d/1Prwgt8esgRtypbH7qk5-LKkqpEbLEihcSYDmPAySXFo/edit?usp=drivesdk" target="_blank">Undreaming, notes from inside</a></div><div style="text-align: left;" trbidi="on"><br /></div><div style="text-align: left;" trbidi="on"><a href="https://docs.google.com/document/d/1pbXVrkqXfuBZ9EPysLvjrLW-LEIZ6a_FjrcAg4U8miQ/edit?usp=drivesdk" target="_blank">Weekend, notes from inside </a> <br /></div></div><div><br /></div><div><a href="https://docs.google.com/document/d/1IlqfnBlvjA6-3T100WtHcHDUOJDiXx7z8GSu-McgMwM/edit?usp=drivesdk" target="_blank">Fear darkness, notes from inside<br /></a></div><div><br /></div><div><a href="https://docs.google.com/document/d/1euon6OB9hluXmgEJ6s8rUi5ZAZwodZej31IRvR0eZTM/edit?usp=drivesdk" target="_blank">Society of Postspectacle </a> </div><div><br /></div><div><a href="https://docs.google.com/document/d/1CFrE_onBaFad_H_qTY4v2YumSCytVbgUoTuxXdgeaKI/edit?usp=drivesdk" target="_blank">Mourning chants</a><br /></div><div><br /></div><div><a href="https://docs.google.com/document/d/1FOicFlr0l2sZRjMeM_tZDxSc0A0tcdbTV0uklM5q4nc/edit?usp=drivesdk" target="_blank">Collective Actions Group, notes from inside</a> <br /></div><div><br /></div><div><a href="https://docs.google.com/document/d/1Us5Psz0IUF_TcoTjGew1St_MOe0X_2kXCZiU8j2NaX4/edit?usp=drivesdk" target="_blank">Point Pet, notes from inside</a></div><div><br /></div><div><a href="https://docs.google.com/document/d/1C8hVJGzQ5DnQ0AXAW0nk4NoF_1H7uNmP_rEe3ytnUP0/edit?usp=drivesdk" target="_blank">List of incorporated artworks </a></div><div><br /></div><div style="text-align: center;">Artwork at /SAC Bucharest (co-organized by Solitude Projects Bucharest & CNDB Bucharest) 📷 Petre Fall & Florin Flueras</div><div class="separator" style="clear: both; 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margin-right: 1em;"><img border="0" data-original-height="3262" data-original-width="4903" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNykPss4bogqJzpLvq2nofRZRxo3GtgwRtSaO8bccbhnesfaIqrPt_-6Ud68Ptvcha3TAtHmhrJWPUlYYK2NhYK4Rr0amiiQRztaQeVg0T8hS42qZK6J1skpW3Hd5TwjwApyV4V189FA1CAaEvLWITRdccUzIuwFnXgqfxvum5t_v0ocs6kzxE9PPxP_o/w400-h266/DSC_8248.jpg" width="400" /></a></div><br /><div style="text-align: center;"><br /></div><div style="text-align: center;">Artwork at WOK Warsaw (invited by Inszper) (2023):</div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcpxBT6_bw696NE6Mbx0kowa2F9p_cvvtFIiAQZm5rcBk4e9tS0OOhjgRPbAeLfcKNNgyI0RGC0rVyAtMzgTwYQ2MRUJK5AoG_4AJxfz5JBuun-ymhVADgmYVC27VD9M3GiicuiQNnxPARtIZZWNG302eeTxoC-V4W35OysJwrb6EpyfUlvu9evGVnvcM/s4578/_DSC5416.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2575" data-original-width="4578" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcpxBT6_bw696NE6Mbx0kowa2F9p_cvvtFIiAQZm5rcBk4e9tS0OOhjgRPbAeLfcKNNgyI0RGC0rVyAtMzgTwYQ2MRUJK5AoG_4AJxfz5JBuun-ymhVADgmYVC27VD9M3GiicuiQNnxPARtIZZWNG302eeTxoC-V4W35OysJwrb6EpyfUlvu9evGVnvcM/w400-h225/_DSC5416.JPG" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaf3H-q6NKCpSWhsvJ-0OJJyaE7BoyHu7NyPB59xJpAKy6Xg7wtOAarBwXvCBw7-eustQk-5Q0wByo9lMb7C6bmza-JGct3-MZGYb4_YyFDBkedtvbmiRdsxsjt9P-UAj1kBWyF6lBx5eHvvExn-OvGRyCfusyhKIUBohk4SslF9-bBA2vjvMmygjmNiU/s1776/_DSC5586.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1331" data-original-width="1776" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaf3H-q6NKCpSWhsvJ-0OJJyaE7BoyHu7NyPB59xJpAKy6Xg7wtOAarBwXvCBw7-eustQk-5Q0wByo9lMb7C6bmza-JGct3-MZGYb4_YyFDBkedtvbmiRdsxsjt9P-UAj1kBWyF6lBx5eHvvExn-OvGRyCfusyhKIUBohk4SslF9-bBA2vjvMmygjmNiU/w400-h300/_DSC5586.JPG" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8moyxEC9Pc6wCKZDFpJPk-E72R-7H015VSaaQo80UxqzJyqqZer1oNZW0fQb6vHTCDPMhIup7ttlEP9GWpHAxWduPLAPYQfUhYXbDhX4yklV_vsM6NGsBAdg6MjnAtB0lHJ5yPyav2vVRN8Oh7mg3Pw93T1wbgpX-EjdMwpv4QAkAgAqplpJXOtRVeFE/s3466/_DSC5478.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1950" data-original-width="3466" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8moyxEC9Pc6wCKZDFpJPk-E72R-7H015VSaaQo80UxqzJyqqZer1oNZW0fQb6vHTCDPMhIup7ttlEP9GWpHAxWduPLAPYQfUhYXbDhX4yklV_vsM6NGsBAdg6MjnAtB0lHJ5yPyav2vVRN8Oh7mg3Pw93T1wbgpX-EjdMwpv4QAkAgAqplpJXOtRVeFE/w400-h225/_DSC5478.JPG" width="400" /></a></div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGFeEg0aMnxfhfLq1ekux37byGYUOGU56W_DVpqLmtZ-yXPC_AVFlnO0iwu6jEjlLd6aXRqX8ToAdd__Tzvk9wP3zmlHdDTfDh-u20H4ZgfN_Apf28PkF0pro7rfHtuFMC8__XfdsnWVQHadPKBSP0P_KbMyE8d1sxyL1n_r69NixAR6AK4qvAWI2Js2o/s2495/PXL_20231027_151339536.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2495" data-original-width="1937" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGFeEg0aMnxfhfLq1ekux37byGYUOGU56W_DVpqLmtZ-yXPC_AVFlnO0iwu6jEjlLd6aXRqX8ToAdd__Tzvk9wP3zmlHdDTfDh-u20H4ZgfN_Apf28PkF0pro7rfHtuFMC8__XfdsnWVQHadPKBSP0P_KbMyE8d1sxyL1n_r69NixAR6AK4qvAWI2Js2o/w310-h400/PXL_20231027_151339536.jpg" width="310" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVDiO4TDcT7UMsdaFYIhMu7tiSOq4evcDAlcj7AozKrvL9mVPL3a_uoj37-R8AldrmXZm5o8v8EVdpgjWd7B7Zc8Z0zR2UxM_tDokaa2OBy4su9VH51YP0oSK3s_qmUy53pP6lk2rDsEuT6fMGVATWC4iV2ucVdFNK3WvUkvVHTZGYuLRguhc2n6WNMz4/s2971/original_2d1d386d-cc51-46d7-99ff-a22e69bf84a6_PXL_20231027_163531474.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2971" data-original-width="2227" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVDiO4TDcT7UMsdaFYIhMu7tiSOq4evcDAlcj7AozKrvL9mVPL3a_uoj37-R8AldrmXZm5o8v8EVdpgjWd7B7Zc8Z0zR2UxM_tDokaa2OBy4su9VH51YP0oSK3s_qmUy53pP6lk2rDsEuT6fMGVATWC4iV2ucVdFNK3WvUkvVHTZGYuLRguhc2n6WNMz4/w300-h400/original_2d1d386d-cc51-46d7-99ff-a22e69bf84a6_PXL_20231027_163531474.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaSeGybW9f-ZX8Aa-yV3kWwjX33tM4Lgm2lmQGhZZQmVZfRQ6bydP4cIK4AyFSEKmG4_Mu0wY5RHSfRGDI9kyudaUJwmug9MCZ8q4TBnzSLcIXb4CVi5Z-OKlBH7U4AH7pFqPdxnbaLb20AFBsTR5MqRF-NEr7WRl52vetvrTfho0PvUMBOlodETnTBVw/s3386/20231027_195458.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3386" data-original-width="2539" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaSeGybW9f-ZX8Aa-yV3kWwjX33tM4Lgm2lmQGhZZQmVZfRQ6bydP4cIK4AyFSEKmG4_Mu0wY5RHSfRGDI9kyudaUJwmug9MCZ8q4TBnzSLcIXb4CVi5Z-OKlBH7U4AH7pFqPdxnbaLb20AFBsTR5MqRF-NEr7WRl52vetvrTfho0PvUMBOlodETnTBVw/w300-h400/20231027_195458.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc1Jsp-SDcg0OAFsaVlACMFHxxmRdjtA_rsAYIHk1Jyc4GttO3bUAaopS2-4tLl78TKGDylmWjB9tug-jJ2sv20ZTWwve_06JDvcERxDVPcpAuNauymbPensnXeFct-JeBgGTmCfLvuhXLWfqt7m2j37EfJYaeFKZ09c2naaD52HPXljHlRBrGax3PpEs/s4032/original_63c3da50-41f7-4c18-ab75-d52719e8f6e9_PXL_20231027_181933455.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc1Jsp-SDcg0OAFsaVlACMFHxxmRdjtA_rsAYIHk1Jyc4GttO3bUAaopS2-4tLl78TKGDylmWjB9tug-jJ2sv20ZTWwve_06JDvcERxDVPcpAuNauymbPensnXeFct-JeBgGTmCfLvuhXLWfqt7m2j37EfJYaeFKZ09c2naaD52HPXljHlRBrGax3PpEs/w300-h400/original_63c3da50-41f7-4c18-ab75-d52719e8f6e9_PXL_20231027_181933455.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiJjlqP1l9nWlTbbe7R0CcuzSpNeqtnchrARuJXPuBPbdqVoEv-jJm2Oo8fdlX9GNeALLBm1OISLj5kAUNWc6bjVIHaA1KrdeRVx1dgexnxhPDsLEonMfInDV3vMhFXLa_rsGZaSOcxh-QQrUmflA86HnljCGJrFAuoh31PfP-3Q45UhCht-k9OU6XiwQ/s4032/PXL_20231027_190544813.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiJjlqP1l9nWlTbbe7R0CcuzSpNeqtnchrARuJXPuBPbdqVoEv-jJm2Oo8fdlX9GNeALLBm1OISLj5kAUNWc6bjVIHaA1KrdeRVx1dgexnxhPDsLEonMfInDV3vMhFXLa_rsGZaSOcxh-QQrUmflA86HnljCGJrFAuoh31PfP-3Q45UhCht-k9OU6XiwQ/w300-h400/PXL_20231027_190544813.jpg" width="300" /></a></div><br /><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVFZg8BFWbw36M9pkgiobidCGgsJhPhBXDtOf4Q3yO4Pqio9X7wapVc_0cVB5xVrFcHjMV46pZVf60yidzO7CXLpa0YxXTSUoem1k8qk-N-yKvJ-kihY1zFX562CtietIzgCIWAUvC_P6JrFM0WP4Gu4ZYFft1iWh7Wt5lNau2oOhYFjRpXZCJZimbE8k/s3862/PXL_20231027_172650840.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3862" data-original-width="2897" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVFZg8BFWbw36M9pkgiobidCGgsJhPhBXDtOf4Q3yO4Pqio9X7wapVc_0cVB5xVrFcHjMV46pZVf60yidzO7CXLpa0YxXTSUoem1k8qk-N-yKvJ-kihY1zFX562CtietIzgCIWAUvC_P6JrFM0WP4Gu4ZYFft1iWh7Wt5lNau2oOhYFjRpXZCJZimbE8k/w300-h400/PXL_20231027_172650840.jpg" width="300" /></a></div><br /></div><div><br /></div><div style="text-align: center;">Artwork at Swimming Pool Sofia (co-organized by <span style="text-align: left;">Radar Sofia, Aether Sofia) </span>(2020) 📷 Ivan Donchev:</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmOr5WWvcD-BlYVxAEA5Yte5c1HxheuKtispHV71VEz9XDJGN5Dp53ot1pTOBFxvy5YM_vwH5kE8UJiwMWMIcCYebzI8JASZmzLbFKNBF8k_k-6MbwAmO2D3BZcv8oclWPIMUDkkM264Yu5WLKNN9QDY0WM2tZQqcvt2ZzA3qUugHkk4mMY9gesedCuPg/s2757/IVN_3654.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1741" data-original-width="2757" height="253" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmOr5WWvcD-BlYVxAEA5Yte5c1HxheuKtispHV71VEz9XDJGN5Dp53ot1pTOBFxvy5YM_vwH5kE8UJiwMWMIcCYebzI8JASZmzLbFKNBF8k_k-6MbwAmO2D3BZcv8oclWPIMUDkkM264Yu5WLKNN9QDY0WM2tZQqcvt2ZzA3qUugHkk4mMY9gesedCuPg/w400-h253/IVN_3654.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh83fIgJhni3ChmOiiivsUNHhofn0S4c8xg-8OsTHK4WW8FlTowPQ2KgUuGQzunxAegVeEQ-VcwFeKUPJqThV8HWhHHIBoaH6lxrrCr-_LIxJS-wXwD1YgH1w33t97A5KFWU8oovvZgQZeffW4FYjksfKo0EIDEqdwVmgmX2ANwp365wGXPWRGgzoWhbLY/s2703/IVN_3678.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1772" data-original-width="2703" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh83fIgJhni3ChmOiiivsUNHhofn0S4c8xg-8OsTHK4WW8FlTowPQ2KgUuGQzunxAegVeEQ-VcwFeKUPJqThV8HWhHHIBoaH6lxrrCr-_LIxJS-wXwD1YgH1w33t97A5KFWU8oovvZgQZeffW4FYjksfKo0EIDEqdwVmgmX2ANwp365wGXPWRGgzoWhbLY/w400-h263/IVN_3678.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKe7YNNEKYmvhZvm8AJMGArIeXj9pYt7Lbe5uTRAAkGVynmrS0RGHG_Ejs82RXQRnJVXdXu9qr-kz7FofQBnI6vPpb3FfNl0GWFQ99uMig7IvAQhBC0r5VSDac9stg4sIIvxfQE3bmuKy4e9L7gza957inq2XubJ3ee2lpTMfLIv1MSXOrK0oyPSJkh4Y/s2684/IVN_3862.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1772" data-original-width="2684" height="264" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKe7YNNEKYmvhZvm8AJMGArIeXj9pYt7Lbe5uTRAAkGVynmrS0RGHG_Ejs82RXQRnJVXdXu9qr-kz7FofQBnI6vPpb3FfNl0GWFQ99uMig7IvAQhBC0r5VSDac9stg4sIIvxfQE3bmuKy4e9L7gza957inq2XubJ3ee2lpTMfLIv1MSXOrK0oyPSJkh4Y/w400-h264/IVN_3862.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs4RVINyCDU7C9noAjblL2FuYQqHLsTo_W2gmVSs3a52E7sF7cHY8Tx_uNIQPPahmW4P8RGhp0fs1Z4UBcmxz4zWQiKGUMg4ppzqHXWKnM-QvEvtJhi0BqkoxX8bLyzzBYcx6759Hvhibv6fbcCzvmLxjL3wFgtqtdSyf1trSJHCYhboLOwfxOb9YJ7F4/s4032/PXL_20201126_142711433.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2268" data-original-width="4032" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs4RVINyCDU7C9noAjblL2FuYQqHLsTo_W2gmVSs3a52E7sF7cHY8Tx_uNIQPPahmW4P8RGhp0fs1Z4UBcmxz4zWQiKGUMg4ppzqHXWKnM-QvEvtJhi0BqkoxX8bLyzzBYcx6759Hvhibv6fbcCzvmLxjL3wFgtqtdSyf1trSJHCYhboLOwfxOb9YJ7F4/w400-h225/PXL_20201126_142711433.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL-zLqUjzjgVFY8qa7TyF6uLlcq8h-It8EAYySgVugQQJAYwHFgUbCItrZ1v_cp19ee-3ZgRNI86tY2ePQQkNhT6uG-xnVgIUO_w12vfbpqOLMg1AbVQddWi8wg-VXhXTYxTAcu6GTsdgAVVf1WgfDwNJJ80bleLzow2FQwj0iaYSCJ6wE8qvbXLB3d5k/s2537/IVN_3917.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1718" data-original-width="2537" height="271" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL-zLqUjzjgVFY8qa7TyF6uLlcq8h-It8EAYySgVugQQJAYwHFgUbCItrZ1v_cp19ee-3ZgRNI86tY2ePQQkNhT6uG-xnVgIUO_w12vfbpqOLMg1AbVQddWi8wg-VXhXTYxTAcu6GTsdgAVVf1WgfDwNJJ80bleLzow2FQwj0iaYSCJ6wE8qvbXLB3d5k/w400-h271/IVN_3917.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPlrKl4dH2__8_zJVYgylfIGP-gmkU1Qj2RST1V2897lQkBuFcK3eF4CM7st4P5Ydg5hPKBJZdnHhPhb866wDxzY3HRfcuYq5KcWdj27f556nPvmSxkS2U8e3dnvll6tYWoxlF6bOz2Jss-COrgAckPFa-cYYbrKww1XB-gUUMYGcVseFZrz47TDuq24Q/s2215/IVN_3859~2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1532" data-original-width="2215" height="276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPlrKl4dH2__8_zJVYgylfIGP-gmkU1Qj2RST1V2897lQkBuFcK3eF4CM7st4P5Ydg5hPKBJZdnHhPhb866wDxzY3HRfcuYq5KcWdj27f556nPvmSxkS2U8e3dnvll6tYWoxlF6bOz2Jss-COrgAckPFa-cYYbrKww1XB-gUUMYGcVseFZrz47TDuq24Q/w400-h276/IVN_3859~2.jpg" width="400" /></a></div><br /><div><div style="text-align: center;">Artwork workshop at ETI Sovata (2020):</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMqrwF3AnPATuWFP2ohi4kCi06zh2lGO4RaMgzvLfS5zvH_ObZz2eBG6dZ85AXnbqgX0ZIJWWS_7Z1eskA8rEbp7w9EJygGdbrznywhpnCgmfzhI_Fp4DU8LI7NpHLb4UOfGv3B18iLGvyxkPI-S-iP8B8YLmo2QtjYZAZyUZ-mpf-crfc0GWSkxW6m40/s3218/P1000124~2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2289" data-original-width="3218" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMqrwF3AnPATuWFP2ohi4kCi06zh2lGO4RaMgzvLfS5zvH_ObZz2eBG6dZ85AXnbqgX0ZIJWWS_7Z1eskA8rEbp7w9EJygGdbrznywhpnCgmfzhI_Fp4DU8LI7NpHLb4UOfGv3B18iLGvyxkPI-S-iP8B8YLmo2QtjYZAZyUZ-mpf-crfc0GWSkxW6m40/w400-h285/P1000124~2.JPG" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimSDB1MTK1P9Zo_l_9sE2tUOKbN9OxO3H0IkXkuqq3hhfA6TNOYG2_6cZ2-6tygOaok4ALwJ2qz0MJ3iJB5-4BHCgfUBI7TUObhcKxyaJNmCGkh2nnDcFX-E1yqoaGEEdXzjvL5yKNCLBcXydgph7tHb9HvrZZ5CQr83zNOHws3Lrg3H4LfsJOIxHN0_0/s4592/P1000159.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3448" data-original-width="4592" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimSDB1MTK1P9Zo_l_9sE2tUOKbN9OxO3H0IkXkuqq3hhfA6TNOYG2_6cZ2-6tygOaok4ALwJ2qz0MJ3iJB5-4BHCgfUBI7TUObhcKxyaJNmCGkh2nnDcFX-E1yqoaGEEdXzjvL5yKNCLBcXydgph7tHb9HvrZZ5CQr83zNOHws3Lrg3H4LfsJOIxHN0_0/w400-h300/P1000159.JPG" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIuLGHpQHeuvsB3KnipRbTAu19ixo9RpH53P0WLR9Nv7D6aJxisAHRqiIE7sQoUKjgJVOfJmxPrzYebZPINap_1GRV98rLKQj2y_pl2KE0duDhVJ8OgjaIIl0BpJx6c18PROzRZ3LQhOq3OThZinaZgYWBvtLmpqL1HWeJ7m6Jq6bjQGTiGU4bYhcUS_8/s4592/P1000112.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3448" data-original-width="4592" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIuLGHpQHeuvsB3KnipRbTAu19ixo9RpH53P0WLR9Nv7D6aJxisAHRqiIE7sQoUKjgJVOfJmxPrzYebZPINap_1GRV98rLKQj2y_pl2KE0duDhVJ8OgjaIIl0BpJx6c18PROzRZ3LQhOq3OThZinaZgYWBvtLmpqL1HWeJ7m6Jq6bjQGTiGU4bYhcUS_8/w400-h300/P1000112.JPG" width="400" /></a></div></div><div><br /></div><div style="text-align: center;">Artwork workshop at Beyond School, Minitremu Târgu Mureș (2020):</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdV7PIt-vaMaFETahteQhsaG0OWZaE12iF1bLdp_i-szXeNDjssbHEvbhQzZ7vWiRFICNZX6Eju4UqWiIaK7NfP_wh7rXNnb63hWc2XaHsPP0yjW0p8Ta3yb-k3YLQTIuyoIPFDZrinDK8dG8EH27gPP7wNkZA4xEUj7yLWWrBpuxQQH5xbnsPOCeTj8s/s4032/20200619_192956.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3024" data-original-width="4032" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdV7PIt-vaMaFETahteQhsaG0OWZaE12iF1bLdp_i-szXeNDjssbHEvbhQzZ7vWiRFICNZX6Eju4UqWiIaK7NfP_wh7rXNnb63hWc2XaHsPP0yjW0p8Ta3yb-k3YLQTIuyoIPFDZrinDK8dG8EH27gPP7wNkZA4xEUj7yLWWrBpuxQQH5xbnsPOCeTj8s/w400-h300/20200619_192956.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDSln1toDpQtnbvgq-QimfLhu9zF566KBvAbcATK_W43iBb9cOUD-K57YZq_b27eGRw_HhXAHov4skH-GBOPAhH9viBGzfojDKW1ZzSyH9uR8JWfORXZriUsLgDWftHsW1hFpDWgI83zJwlUHij6JF5FBNAeUJB_2CejLEC6W25fw2cYUvk0qBxvReqmg/s4032/20200619_191240.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3024" data-original-width="4032" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDSln1toDpQtnbvgq-QimfLhu9zF566KBvAbcATK_W43iBb9cOUD-K57YZq_b27eGRw_HhXAHov4skH-GBOPAhH9viBGzfojDKW1ZzSyH9uR8JWfORXZriUsLgDWftHsW1hFpDWgI83zJwlUHij6JF5FBNAeUJB_2CejLEC6W25fw2cYUvk0qBxvReqmg/w400-h300/20200619_191240.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; 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margin-right: 1em;"><img border="0" data-original-height="3024" data-original-width="4032" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizoUxh3PG9fZZIsqXXIeB0s1w2qNDgriVeVPR5hyfHKi6AbEO8KzX2iyx9q9YLb3NF58GemAgQU7Fsleh0BZv6Cogx4rulBzg8pUYT47uS5D6ew6tbpKTqB3aOYHt_XVAsPodNRdxqBt2pGYt5ksY7sLNlIwIS0KPkAXzprssSZRl0bK_biycFPAypSkA/w400-h300/20200619_191811.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy1ek2VnZ6cYTpHwa6n-UZwyc2o8nNVIebN8yuY-RihtxHoIJD2FZGLZMTzMYkKfLFWRPFeVnT09C86t5ZyNmnjb59UbezmJaXD-1euQYbxPZYrXTSqlHu-iYX8Ywy54MFkwnhn4rVd7waX29Gnp2ksYWJqMYZs3yNBEaV5od086NDWttvbAH8yihnb90/s4032/20200619_191935.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3024" data-original-width="4032" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy1ek2VnZ6cYTpHwa6n-UZwyc2o8nNVIebN8yuY-RihtxHoIJD2FZGLZMTzMYkKfLFWRPFeVnT09C86t5ZyNmnjb59UbezmJaXD-1euQYbxPZYrXTSqlHu-iYX8Ywy54MFkwnhn4rVd7waX29Gnp2ksYWJqMYZs3yNBEaV5od086NDWttvbAH8yihnb90/w400-h300/20200619_191935.jpg" width="400" /></a></div><br /><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVUtz4wRM13rMrzFavYAZwo640Nx8LD8DvqZc1tZZDZYUsekx0MDr2mOV_TWY3sKksenpKeX9qUQCexkQijup2p6Hruy4W-IZ7pGX-T9mffv-vKQ763TY-mmMl6l2xO8Hc87tzr423HQ4oX2ee7kn0SK3dmAJwAH1DqEovALK07FDk9i82BdcCPguwclU/s4032/20200619_194021.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3024" data-original-width="4032" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVUtz4wRM13rMrzFavYAZwo640Nx8LD8DvqZc1tZZDZYUsekx0MDr2mOV_TWY3sKksenpKeX9qUQCexkQijup2p6Hruy4W-IZ7pGX-T9mffv-vKQ763TY-mmMl6l2xO8Hc87tzr423HQ4oX2ee7kn0SK3dmAJwAH1DqEovALK07FDk9i82BdcCPguwclU/w400-h300/20200619_194021.jpg" width="400" /></a></div><br /></div><div style="text-align: center;"><br /></div><div><div><div><i>Co-produced by </i><i>Solitude Projects Bucharest, </i><i>AFCN Bucharest, Artworlds Bucharest, </i><i> apap – Feminist Futures, a project co-funded by the Creative Europe Programme of the European Union. Supported by Swimming Pool Sofia, Radar Sofia, Aether Sofia, /SAC Bucharest, Minitremu Timișoara, Schloss Solitude Stuttgart, Tanzfabrik Berlin, WOK Warsaw, CNDB Bucharest, </i><i>Inszper Warsaw. <br /></i></div></div><div></div><div></div><p><a href="https://docs.google.com/document/d/1C8hVJGzQ5DnQ0AXAW0nk4NoF_1H7uNmP_rEe3ytnUP0/edit?usp=drivesdk" target="_blank">List of incorporated artworks </a></p><p><a href="https://docs.google.com/document/d/1C8hVJGzQ5DnQ0AXAW0nk4NoF_1H7uNmP_rEe3ytnUP0/edit?usp=drivesdk" target="_blank">Artwork, notes from inside</a></p></div></div><br /><br /></div>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-44975148037088249842020-04-04T14:59:00.015+03:002022-03-13T19:35:58.953+02:00Perspective Creates Reality<div dir="ltr" trbidi="on">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkLe-713YCOtnJ4Z_xZ8hn4yx0RQraNhTdd83LB5EOfeKxCvEOy9ZSOaSYNS8NgSWMiMi5TfP3hIJMGTWzfabG6lxSgecE2wF43urAtIsNfpgbQ4s4cf5BexiBbktA49hEBNcHV_n8t2pO/s1600/20191011_143954%257E2.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1005" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkLe-713YCOtnJ4Z_xZ8hn4yx0RQraNhTdd83LB5EOfeKxCvEOy9ZSOaSYNS8NgSWMiMi5TfP3hIJMGTWzfabG6lxSgecE2wF43urAtIsNfpgbQ4s4cf5BexiBbktA49hEBNcHV_n8t2pO/s400/20191011_143954%257E2.jpg" width="251" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pillar Artist, 2019, Florin Flueras, Ion Dumitrescu, Alina Popa. <br />
Before self-isolation was a thing. </td></tr></tbody></table></div><div dir="ltr" trbidi="on"><div dir="ltr" trbidi="on"><br /></div><br /><br /><i>2020 March-May (perspective 3 added in February 2021) </i></div><div dir="ltr" trbidi="on"><i> </i><br /></div><div dir="ltr" trbidi="on"></div><div dir="ltr" trbidi="on"><br />Perspective 1 <br /><br />How we live collectively should be a continuous political debate, especially in challenging times. Yet the politics stopped, the experts should rule us, they say. But which experts? Science is not monolithic, why don't we have at least some scientific debate? New scientific paradigms, like systems biology, are contesting the entire germ theory and the reductionist approaches of disease in general. The old paradigm survives and it's central now, because it's financially profitable. Even in this paradigm there are many prestigious scientists that point out huge problems with the tests, treatments, statistics, and the entire Covid19 narrative. There are many renowned epidemiologists that say that "social distancing and lockdown is the absolutely worst way to deal with an airborne respiratory virus".* Why are they censored, and attacked or ridiculously labeled "conspiracist"? On the other hand, many of the official 'experts' who are imposing the current measures, have a history of corruption, mediocrity or of being repetitively wrong.* <br /><br />They push their perspective on the body, health, reality in every medical school, every medical protocol, every research design, every health related Google search – in every corner of the world, in every corner of the mind – constantly fortifying the official perspective. Life becomes a war on germs and the world a huge hospital. We're all patients now. Sensitive fears are being played and a techno-medical-tyranny is becoming normality. The world is caught in a narrative that produces a nightmare. And there is no way of escaping it because it's "for the good of society", for totality – totalitarianism. The tacit contract used to be that we have a degree of freedom, autonomy and agency at least over our own bodies in exchange for our acceptance to inhabit capitalism realism. Now this last old normal's freedom is taken away. The old normal was already bad but the "new normal" is completely insane. <br /><br />Covid19 doesn't deserve more attention than other mild respiratory viruses. I don't want every aspect of my life to be infused with a fear of a mild virus that was artificially raised to the status of the biggest superstar. I don't want to live in a body shaped by medical fears and fictions. I want out of the antibiotic society. I want the possibility to disagree, the space to move in a different way, in a different direction than what they consider normal and desirable. Freedom is the possibility of deviating from what power wants. I hope for a space, a country, an island, a parallel world where we will have the right to have our own perspectives on health, bodies, realities. Because it's obvious – the new normal is dystopia.<br /><br />Perspective 2<br /><br />It's not so much to say, we all know what is happening. There is this dangerous pandemic, there is no treatment or vaccine, so we have to protect ourselves, and the others. Stay home! Lockdown and social distancing for flattening the curve, it's as simple as that. Any other opinion is immoral, because it is clear that vulnerable people will die otherwise. Sure, there are many weird perspectives, crazy conspiracies around, but it's really not the moment. I'm usually not at all for censorship, but it's understandable why free speech is increasingly suspended. Fake news and conspiracy theories can be very dangerous in this emergency situation. It's nothing to debate, if you want to save lives stay home and follow the official recommendations. <br /><br />Perspective 3 <br /><br />"We are here in front of the emergence of some ultimate justification (saving 'lives') for letting ourselves be administered by a clergy, a managing clergy, a planning clergy, a dictatorial clergy, worse than anything we have ever thought about. You know how much I love and admire George Orwell. Here Orwell’s message comes to an end. We would need a new Orwell to speak about what we are now discussing." (Illich, 1992). Decades ago Ivan Illich predicted that a medical totalitarianism would be inevitable, because of the powerful grip that "medical religion" has on our bodies and minds. It was maybe too early then, now it seems too late. <br /><br />He noticed that since the middle of the 20th century things started to change fast, "just twenty years ago, it was a sign of normal health – which was assumed to be good – to get along without a doctor. The same status of non-patient is now indicative of poverty or dissidence." Humanity entered "a special moment of history when one agency, namely medicine, reached toward a monopoly over the social construction of bodily reality." People "have acquired iatrogenic bodies. They perceive themselves and their bodies as doctors describe them." They experience their bodies and selves "through medical concepts and cares", in a language that "is turned into bureaucratic gobbledegook." The medical establishment provides the axioms that generate our "epoch-specific mental space" within which reality comes into existence.*<br /><br />At the center of this "new stage of religiosity” is 'life', "the most powerful idol". It is "the transcendent foundation of a world in which the possession of life is seen as the supreme value." "Thinking in terms of ‘a life’ and ‘human life’ vaguely connotes something of extreme importance and tends to abolish all limits that decency and common sense have so far imposed on the exercise of professional tutelage." At this stage 'life' evokes "fear and an imprecise sense of 'I ought to be responsible.' It therefore implies manageability not of what’s good but of what we want to conserve. It emphasizes survival, not aliveness." Aliveness, "deep enjoyment of being here alive at this moment," is the opposite of 'life'. Life in its current use is a recent concept, a malefic perversion of original life which was the incarnation of divinity. "Life has become a pseudo god, and a negation of the God" and the "total global management" is "justified because of the sacredness of this nothingness." "The transmogrification of a person into ‘a life’ is a lethal operation." "Life becomes the ultimate purpose of history. Early modern thinkers had to face the question: What is life in a dead world?"*<br /><br />The priest of medical religion is the expert "biocrat hiding behind the benevolent mask of the physician of old." They "think of themselves managers of that stuff called life." They "are more deeply entrenched than a Byzantine bureaucracy, more international than a world church, more stable than any labour union, endowed with wider competencies than any shaman, and equipped with a tighter hold over those they claim than any mafia." "They enjoy wide autonomy in creating the diagnostic tools by which they then catch their clients for treatment." They are "a corporate agency that imputes a need to entire classes of people, and then claims the mandate to test the complete population in order to identify all who belong to the group of potential patients." They have "a specialized form of privilege to prescribe what is right for others and what they therefore need." They "train everyone for patienthood", creating an "amortal society – a society which cannot face dying."*<br /><br />"Under the stress of crisis, the professional who is believed to be in command can easily presume immunity from the ordinary rules of justice and decency. He who is assigned control over death ceases to be an ordinary human. As with the director of a triage, his killing is covered by policy. More important, his entire performance takes place in the aura of crisis. Because they form a charmed borderland not quite of this world, the time-span and the community space claimed by the medical enterprise are as sacred as their religious and military counterparts." 'Crisis' is the core of medical religion, but not in the original sense of ‘choice’, ‘turning point’, or "moment when people suddenly become aware of their self-imposed cages, and of the possibility of a different life". Crisis has come to mean that moment when doctors and 'experts' take over and liberties are suspended in "a headlong rush for the escalation of management."*<br /><br />Health "designates the area of autonomy within which a person exercises control over his own biological states and over the conditions of his immediate environment. Simply stated, health is identical with the degree of lived freedom." But through a medical "expropriation of health", it now implies “the smooth integration of my immune system into a socioeconomic world system”, and “an interiorization of global systems into the self, in the manner of a categorical imperative.” People "are turned into patients whom medicine tests and repairs, into administered citizens whose healthy behavior a medical bureaucracy guides, and into guinea pigs on whom medical science constantly experiments." We're in "a morbid society in which social control of the population by the medical system turns into a principal economic activity. A "pathogenic pursuit of health" becomes universally imposed, under "pretensions of delivering totalitarian health care." Testing is the act of faith in this religion, "once a society organizes for a preventive disease-hunt, it gives epidemic proportions to diagnosis. This ultimate triumph of therapeutic culture turns the independence of the average healthy person into an intolerable form of deviance." "Until proven healthy, the citizen is now presumed to be sick."*<br /><br />The temple of medical religion, the hospital, had an interesting evolution, "pesthouse has been transformed into a compartmentalized repair shop." where "instead of mobilizing his self-healing powers, they transform the sick man into a limp and mystified voyeur of his own treatment. Medical procedures turn into sick religion." Nowadays "the hospital, the modern cathedral, lords it over this hieratic environment of health devotees. From Stockholm to Wichita the towers of the medical center impress on the landscape the promise of a conspicuous final embrace. For rich and poor, life is turned into a pilgrimage through check-ups and clinics back to the ward where it started." "Clinical measurement has been diffused throughout society. Society has become a clinic, and all citizens have become patients." "The result is a morbid society that demands universal medicalization and a medical establishment that certifies universal morbidity." </div><div dir="ltr" trbidi="on"> </div><div dir="ltr" trbidi="on">The entire culture is organized to establish and support this morbidity. "Today I live in a world in which most people see by command. Whatever they know, whatever they learn in school, whatever is communicated to them by the media, has been carefully planned and structured. Screened images tell them how to see, what to see, and what not to see." The main schooling lesson is that knowledge comes from experts, not from your own experience. You learn to trust and listen to authority, not to your body's feelings and intuitions. The same type of disembodying powers medicine. You unlearn and distrust your healing capacities and put your body in the hands of experts, to treat it as a machine. Medicine expropriates healing, and also death. You cannot die your own death anymore. In your last hours or days, a desperate battle is performed like a grotesque ritual. Your body becomes a battlefield on which experts and machines fight for your 'life'. </div><div dir="ltr" trbidi="on"> </div><div dir="ltr" trbidi="on">According to Illich, God's Incarnation brought a new possibility of a love based being, outside of norms and identities – “not under the law, but under grace.”(Paul). A new type of freedom was introduced as possibility into the world, and a new type of evil. The church started a process of institutionalisation and perversion of love, the transformation of love into rules. The good, the love, the faith were transformed into norms, services and commodities. This process was continued and amplified by institutions like school, medicine… They dispossess humans of their capacities and practises of learning, healing, creating. The power of love, of the body to affect and to be affected was constantly captured and diminished. Institutionalisation "deaden the heart and shackle the imagination", it transforms everything into anti-love. Medicine leads this process. it became a totalitarian religion, with its life-god at the core, and it made people acquire medical, machine-like, bodies. People got disembodied, the sense of themselves lost and the connection between people’s feelings and nature dismantled – "the poetic, performative quality of existence was erased and forgotten in field after field." Our world became the negative actualization of the Christ, the culmination of a new evil that appeared as a corruption of love – the Antichrist. This anti-love, antichrist process will probably quickly eat humanity, the environment and the world, bringing up the Apocalypse. "The time for human beings is over."*<br /><br />Perspective 4<br /><br />Yes, there is strong evidence that the tests are rubbish, there is evidence that they try to count every death as a Covid death. That intubation and other aggressive treatments are killing the vulnerable patients. And the measures too. There are all the countries without lockdown that are quite ok, Taiwan, Korea, Singapore, Japan, Georgia, Sweden, Belarus, Iceland, Mexico…, There is also evidence that going out in the sun greatly reduces the severity of Covid19. You keep throwing these facts in our face. But we are not interested in your evidence. Nobody cares about your facts. <br /><br />You think we're stupid but we're not, we feel that the real danger is not the virus but leaving the official narrative. You can lose your place in the community, your status, your work, even your life. In the "new normal" they can easily remove you from home and enforce medical treatments, and who knows what happens. Reality is relative, fear and affects are generating more reality than your reason and facts. You should respect the fear of people. For us, intellectuals, academics, artists, activists our jobs, our security, our future are more and more dependent on being attuned with the "correct stances", providing justifications and conceptual backgrounds for them. Collaborators are rewarded, critics punished, this is reality. <br /><br />It is easier and more mature to just get along with the consensual reality. Yes, reality is consensual, it is implicit agreement under the influence of power and media. For now your facts are in alt-media, and this speaks about how much you're living in an alternative reality, only when they will be in mass media it will be ok to be critical again. The guy in front of the tanks in China and the skeptical guy not performing the Nazi salute in a middle of that mesmerized crowd, were naive idealists, very annoying, destabilizing, provoking disturbances and confusion with their immature takes on reality. If you have a drop of common sense, and a trace of preservation instinct you see your place in the scheme of things and get along. Freedom, truth are not supreme. You're not called to illuminate and change the world, mind your business. <br /><br />Be sensitive to others, respect the common sense, the codes and tacit agreements and play the game – when they pretend to want your best, you pretend not to see them doing the opposite. Why produce dissonance when what we need is unity, a common sense and a common view of the problem. It's time to understand the new normal, the shift towards the epidemiologic society. You and your precious freedoms are secondary, your importance is only in regard to your contribution to the general safety, your responsibility and service is towards the health of the collective. <br /><br />We have to acknowledge that he was right here: "My Movement encompasses every aspect of the entire Volk. It conceives of Germany as a corporate body, as a single organism. There is no such thing as non-responsibility in this organic being, not a single cell which is not responsible, by its very existence, for the welfare and well-being of the whole. ... The common good before the individual good." Adolf Hitler<br /><br />Perspective 5<br /><br />Conspiracy theories are among the first that I check in crises, especially the ones most hated by the officials. Usually the first criticisms about future problems, forms of control and oppression, appear as "conspiracy theory", so we should pay more attention. Of course many of them are stupid, but you can always find descriptions of the present and glimpses of the future that make sense, or make you think. Some are very realistic, others seem more like contemporary mythologies that capture the collective imagination explaining metaphorically what's going on. <br /><br />There are many conspiracy theories that have proven true. Considering smoking unhealthy was a long time "conspiracy theory", doctors and faked studies were recommending smoking for respiratory issues, although there were many honest studies against it. Secret agencies being able to follow our every step through technology we use, was "conspiracy theory". The chip implants idea was "conspiracy theory" already in the 70s. Some theories described long ago the verticalization of power, the pyramidal dominance of the world and of our lives by supra-democratic structures of big corporations and oligarchs. Some of them prefigured what is now common sense, the fact that economy is centered on the production and exploitation of subjectivity. The epidemiologic society of techno-medical control, that now arrived, was predicted in "conspiracy theories" too. <br /><br />The 201 Event (October 2019), in which Bill Gates and other oligarchs were simulating a coronavirus pandemic that spreads from China, and made plans for suppressing the unofficial perspectives, sounds like a conspiracy theory but it's real. The digital imunologic IDs plans and mandatory vaccinations too. And throughout history conspiracies were instrumental in provoking and influencing events. It's plain stupid to dismiss the existence or the possibility of conspiracies as political instruments. <br /><br />These days "conspiracy theory" is any suspicion or critique of the official perspective. And there is a lot of trust in mass-media, I wonder why. New York Times, The Guardian, BBC, CNN…, were always doing official propaganda for justifying the US wars, the war on terror, while platforms that dismantled propaganda then and now are labeled conspiracist. It is known that the "conspiracy theory" label was historically introduced to stop the discussion on certain topics. And it's idiocy to call peer reviewed studies and the opinions of some of the most renowned researchers "conspiracy theories". <br /><br />Friends told me that they have a bad feeling about what's going on, but they are afraid to express it. We should embrace being labeled "conspiracists", if this is what it takes to be able to think and speak. This will probably dilute the fear and conformity and open us towards suspicion, critical thinking, speculation, courage, alternative possibilities, all that is now suppressed. Anyway – reality is conspiracy. <br /><br />Perspective 6 <br /><br />These days I'm scared, not of covid but of the reactions to it. It's a fear pandemic, based on data out of context and manipulation of facts. Big lies were pointed out by researchers but nobody cares. As an angry MD was saying on Twitter: "The test is the disease, not the virus!"*. Before, they didn't test for different respiratory viruses, they were all treated as flu. Now one of those viruses is tested and we have a new disease. The test is very unreliable, it can give up to 90% false positives. Papayas, goats, and even the tests themselves tested positive.* All the people found positive with these ridiculous tests are considered "infected", "cases", although they are up to 80% asymptomatic, and almost all the remaining 20% have mild symptoms. <br /><br />They count as Covid19 deaths all people dying with the virus. In the past the terminally ill cancer patients that died with flu or pneumonia were counted as cancer deaths. Now if they get tested positive for coronavirus, they are counted as Covid19 deaths. These testing and counting tricks renders the covid TV graphs and statistics meaningless. People are making fun saying that Covid19 is the cure for pneumonia, cancer, heart diseases because these causes of death are disappearing from statistics. The Italian Health Ministry admitted that covid deaths are at around 12% of what is announced but it doesn't matter, they keep doing the same everywhere. This big malpraxis is pointed out by many world renowned researchers but they are censored. As studies are getting better, mortality of Covid19 appears to be similar to that of flu. Studies are showing that Italy, Spain and NY's deaths are mainly due to aggressive and wrong treatments on people with other serious diseases.* Hospitals are the most dangerous places for contamination of doctors and patients. Still the excess mortality is under some flu seasons in most countries. <br /><br />Many researchers say that millions will die because of the measures – stress, isolation, loneliness, fear, lack of liberty are proven to be more unhealthy and dangerous than the virus. Famine, depression and suicides because of job losses and poverty will kill hundreds of millions.* There are no studies to justify lockdowns but there are many against. There is even a WHO 2019 study that shows that lockdown doesn't work for respiratory diseases.* Because of the novelty, in China they introduced the measures late, two weeks after the peak of disease, so they already achieved herd immunity. Japan, Korea, Singapore, Taiwan, Sweden, Georgia, Belarus, Iceland, Mexico have no lockdown, no panic, everything goes on like before, with more care, and the situation is not worse than in lockdown countries. Lockdown creates panic and stress and it's known that isolation reduces immunity, especially for vulnerable people. Many researchers pointed out that going outdoors is what stops every respiratory disease. Vitamine D reduces to 20 times the severity of Covid19. There are studies that are clearly showing that the asymptomatic people don't transmit the disease.* <br /><br />And as I read in an article today: "in a liberal democracy you have to convince and not command people into action. If you lose that principle, you will lose your soul."*<br /><br />Perspective 7<br /><br />There are many more chances to die of suicide than of covid, and this biowar will raise this collateral damage. Luckily, risks could be reduced in our new epidemiologic society. Until chips arrive, mandatory AI apps can track us, our conversations, analyze our online activities, measure our brain waves and give us mood scores. Through feedback and suggestions AI will teach us how to think and behave to avoid suicides or to trigger others. <br /><br />Depression is contagious. If you have bad moods you should be banned from certain public places and from traveling. When depressed the AI will signal to you and your friends that you should self-isolate. When severely depressed, the AI will automatically notify the police-doctors and they will remove you from home and enforce adequate treatments. To help the AI, citizens should report if someone is suspect of sadness. AI will have the necessary data to see what was the trigger for eventual suicides. Maybe someone said something challenging, upsetting, disturbing. They will be removed from society for a while, and their minds and behaviors will be corrected. Results of mandatory mood tests will appear on our digital IDs, together with vaccines and immunity statuses. The measures will be in place until anti-suicide vaccines arrive.<br /><br />Apps that infer our states of mind can reduce many other risks too. For instance there are more swimming pool deaths than covid deaths. If we're troubled we will not be allowed to swim. The drowning risks, based on our swimming levels and other parameters, will be on our digital IDs as deciding factors for our access to swimming pools, rivers, lakes, oceans. This could and should be done with all the death risks. It would be difficult, more police will be necessary, but totally worth it, lives will be saved. Until then, fear is our ally. By adding our fears to the general panic, the atmosphere will be much safer – fear makes us conform – official measures are respected, order and security reign.<br /><br />Perspective 8<br /><br />As always, to understand what happens we should see who profits. We already know how these things work – create, inflate or frame a problem to bring the long before prepared solutions. Some knew in advance how perception and fear will be managed, like the billionaires who were told in advance when to exit the market and probably they will know when to reenter and buy everything cheap. Huge amounts of money are 'printed' by 'national' banks, money that go in private hands and register as debt for the rest of us. And there is big money in mandatory medicine, in selling tests and vaccines to governments. After depleting and destroying the environment, our bodies, our lives are the last frontier for terminal capitalism that becomes fascism. "Body belongs to the state" is the fundamental principle of fascism. Life and death are the ultimate things to mine, the last big profit opportunities.<br /><br />New ways of monitoring and controlling human life are conceived, based on mandatory testings and vaccinations that appear on some global digital IDs. The new 'security' and surveillance ideas, the techno-tyranny is made acceptable to a panicked population. It is also a good moment to implement aggressive perception management techniques and the new controls for the more dystopian future that will come. Free speech, liberty of movement and other rights are disposable because 'fake news' and the contamination capacity of the body should be contained, our own existence is at stake. Humans should be constantly processed and managed under the imperative of general health. This seems to be the new way of governing, WHO (financed by medical oligarchy) becomes the voice of the global government. Mild contagious viruses are always around, and coronaviruses always mutate, so this type of situation is always at disposal for new biopolitics in the name of the supreme value of 'life'. The medical dictatorship. <br /><br />As for the accusations that these are "conspiracy theories" we should just look a little bit back in recent history and we will see the same entities trying to do the same things. WHO declared fake pandemics, with totally off predictions and stats. And they rushed in disastrous vaccines. The same renowned epidemiologists that managed to stop WHO then are speaking against what's going on now too, but they are censored and attacked. And the people who were instrumental in faking the pandemics then are doing it now too: "in 2005, Ferguson declared bird flu would kill some 200 million people worldwide - when reality saw some 455 people, total, killed over the past 15 years according to the WHO. His hysterical 2009 prediction that 65,000 Brits would die of swine flu encouraged the government to embrace GlaxoSmithKline’s unsafe Pandemrix vaccine, which caused permanent brain damage in thousands of people - quite a bit more than the 283 killed by the actual swine flu."* <br /><br />And as Agamben points out, on the political side the things are also repeating: In 2013 "Patrick Zylberman described the process by which health security, hitherto on the margins of political calculations, was becoming an essential part of state and international political strategies. At issue is nothing less than the creation of a sort of “health terror” as a tool for governing during what are called “worst case scenarios.” It is according to this logic of the worst that already in 2005 the World Health Organization announced “2 to 150 million deaths from bird flu on the way,” suggesting a political strategy that states were not ready to accept at the time. Zylberman shows that the apparatus that was suggested was articulated in three points: 1) the construction, on the basis of a possible risk, of a fictitious scenario, in which data are presented in such a way as to encourage behaviors allowing governance of an extreme situation; 2) the adoption of the logic of the worst as a regime of political rationality; 3) the complete organization of the body of citizens in a way that strengthens maximum adherence to institutions of government, producing a sort of superlative good citizenship wherein imposed obligations are presented as altruism and the citizen no longer has a right to health (health safety) but is legally obliged to health (biosecurity). What Zylberman described in 2013 has now precisely occurred."*<br /><br />It is a new mentality that is built, a new fear. First the enemy was outside, other countries, then it came closer, terrorists, migrants, and now we're the enemy, we're walking biohazard that should be monitored and contained. We're a danger for others and for ourselves, because we are guests to trillions of viruses and bacteria, and we have the power to contaminate. A hygienist, antibiotic approach permeates everything. We isolate, separate and protect ourselves from everything around. The first thing that we see in others is danger. The others were low probability terrorists, now they are high probability contaminated, they (we) become more and more dangerous. The epidemiologic perspective becomes the new form of governance and the core of the new subjectivity and society. The human completely identifies as biochemistry, people become 'lives', the lowest forms of life in human history. Never before we were so afraid of death to quarantine the healthy population. This biomanagement and war on death reduces us to mere biological life with few animalic pleasures and mostly fears. Humanity is extinct.<br /><br />Perspective 9<br /><br />Quarantine forever! Coronaviruses always mutate and there are other flu dangerous viruses out there that are killing more people than covid. And in general mortality for going out is bigger than for staying home. And most importantly we have to protect others, we're hosts for trillions of viruses, we're biological bombs. Stay home, self-isolate, be safe! We're collectively obsessed with this alien agent that could end everything at any moment. But there are other agents that can do that at all times. The probability of dying in a car crash is bigger than that of dying of Covid19. So the banning of cars should be added to the current measures. And there are many other factors that should be fought and banned. And after you ban and fight every cause of death you probably end up so isolated, cautious and locked down, that you will be already dead, or you will most likely die of boredom, anxiety or hunger. Paradoxically, fear of death makes us not live. Big fears also produce mental freezing, like our collective one. <br /><br />Usually the fear of death stays in the background, but now it's central. Fears are irrational often, but not necessarily the fear of death. We're not deluded, we will die, even if we ban and fight all the death causes. Maybe you can escape this fear by not having anything to lose anymore, by considering yourself already dead. Or by believing that death is just a transition to another life. But even for religious people the assault of scientism and physicalism is too powerful. To believe in life after death seems very unscientific and naive. Meanwhile the real science is not so sure anymore, there are plenty of well studied phenomena that cast big doubts on the physicalist paradigm. There are records of thousands of very mysterious phenomena around death, like dead bed apparitions that are visible for more people in the room. Or near death experiences after which subjects accurately describe far away events which they attended out of their bodies while objectively brain dead and gone. But probably the only thing that can alter your perspective on death are very strong personal experiences that can pull you out of the implicit physicalism. When death ceases to be the ultimate tragedy, life ceases to be fear.<br /><br />Perspective 10 <br /><br />What matters is perception. Many researchers say that at the level of facts nothing new happens. Coronaviruses have been here since ever, they are part of every year flu. And as all respiratory viruses they constantly mutate. In previous years it was considered pointless to test what kind of respiratory virus gives the flu, they were all treated alike. Imagine if everyone everywhere would have continued that, we would have thought that it is just one of the bad flu seasons that we have once in a while, minor news. Same data, completely different results in terms of perception. Perception management is all that matters, and it's done through spectacle, not facts and reason. Media's images of people on SciFi stretchers surrounded by astronaut doctors are a much stronger statement than some Nobel prize virologist that explains softly why current fear and measures are craziness. <br /><br />Imagine a similar scenario for influenza viruses. In Italy and Germany 25000 flu deaths are in some flu seasons, and this without counting the cancer, myocardial infarction patients…, that die with the virus. Imagine what spectacle you can make out of it. Exponential graphs, overwhelmed health systems (in North Italy and Spain the health systems were overwhelmed in the past flu seasons). You can even show some children dying, because yes, the flu is killing children unlike Covid19. Stats will show that old people and immunity compromised people are vulnerable, and here we are, lockdown again. The show will produce fear, and reason is nothing in face of fear. There are many psychological experiments that show how fear and uncertainty makes us abandon reason and follow the authority's perspective. We're infected with the official perspective.<br /><br />"Yes but people are dying!" Seriously? Since when, since yesterday? With all this perception management, we suddenly become mortals.<br /><br />Perspective 11<br /><br />The usual political discussions are like fights for the first class seats in an airplane that's crushing, or like debates for where we should stay, on the left or on the right in our fall. Many more lives are taken by the climate crisis, right now not in the future. Why don't we have this generalized panic and radical measures for that? And even this crisis is an ecological one. Wuhan and North Italy are some of the most polluted places on earth and this is a huge factor in the situations there. Destruction of land, extinction of animals made the viruses from other species search new hosts. All recent pandemics, faked or not, were due to animal exploitation. Animal exploitation is also the worst thing that you can do for the environment, eating a burger is worse than a trip on an airplane in ecological terms. We know or we feel that we are in the middle of an extinction, and this planetary catastrophe affects our modes of perceiving, thinking and feeling. We somehow register these changes and we are affected, even (or especially) if we are not aware or in denial. When something like this happens all this accumulated and suppressed panic and anxiety is getting out.<br /><br />At the base of the climate crisis and of the current pandemic atmosphere, is an instrumental, use-oriented thinking based on an attack upon the environment, on the assumption that our life should be at the expense of others. And the same anti ecological paradigm is at the base of medicine. Excessive hand-washing, overuse of antibiotics, aseptic cleanliness, vaccines, antivirals, other medicines and lack of human contact destroys our body ecology, our immunity. The resulting allergies, autoimmune disorders and chronic diseases can be much worse than the infectious disease that we're fighting. When we are at war with bacteria and viruses, we are at war with our own bodies. From too much eagerness to fight the microbial life we end up fighting ourselves. <br /><br />Instead we can go for coexistence. Even now we can choose to trust each other and the power of our community, that we each have a role in building antibodies and immunity together. This would be an ecological mentality, that we're together in an ecosystem and viruses and bacteria are very much part of it, are very much part of our bodies for that matter. In general the microbial lifeforms are not our enemies. We cannot survive without them. We are viruses and bacteria, more than human cells. We coexisted and survived with these respiratory viruses for millions of years, it's just stupid to suddenly behave like human immunity does not exist. We should trust the power and intelligence of these ecosystems to regulate themselves, because, like studies are showing it, if we trust them more, they work better.<br /><br />Perspective 12<br /><br />Medicine and health care should evolve with this crisis, because Covid19 is here to stay and other dangerous viruses too. Special sensors should be placed in all the public areas to take people's temperature. Testing, testing, testing! Records on people should be kept for AI technology to identify symptoms, to diagnose based on subtle changes in skin color, walking, posture, gaze. In this way dangerous people can be quickly removed, together with people they contacted and be quarantined before infecting more people and putting vulnerable lives in danger. Medical digital IDs should keep the records of vaccinations and show who is immunized and who's not. The non immunized people should not have access in high contamination risk public spaces. And countries should have the right to ban their entries. People should be ranked on their level of danger, risk and vulnerability. Algorithms will be able to analyze in real time the composition of crowds based on this data, and authorities will be able to quickly intervene to disperse the crowds and ban meetings when the risk level rises. Citizens should be also instructed to keep an eye on others, to be able to identify some basic symptoms and report to authorities possible suspects, people with signs of disease. Technology can bring a lot of smaller improvements too, like sensors that beep if hands get too close to face, etc. And of course there should be periodic mandatory vaccinations. And special budgets should be globally allocated for all of this. <br /><br />Perspective 13<br /><br />Tribal thought control and conformity, so viral lately, are more likely explanations for what's going on. In my bubble they just adapt the woke culture with its identity politics games to the situation. It's a cop mentality that identifies and excludes the "problematic" takes – any other take than the "correct moral stance" of your bubble. Now the same cops are policing the irresponsible people that think differently about what's happening or are unconscious enough to go out in the sun. In Romania, in the main online group that discusses Covid19, if you bring data against the official perspective you're kicked out. People are telling me that I'm brave, just because I'm suspicious of what's going on. The majority of leftists and academics were all day against "right wing and fascism", and now when true fascism arrives they lend it a hand or applaud. This is not surprising, the majority of intellectuals and journalists are very coward, they were historically helping the people to align with Nazis or other dictatorial regimes, and with the power's perspective in general. <br /><br />Mimetic thinking is everywhere. In art the majority of "deciders" don't have the courage to really take an individual stance, to really discern for themselves, they just look around and go for what the trendy institutions and curators are doing. It's risky to think and decide because you can be wrong, it's safer and easier to develop a sense for what's "in", ride the trend, have the right opinions, align with the influencers in your bubble. The same in politics, plus overwhelming corporate and oligarchic influence. <br /><br />In the past it was easier to have distance or suspicion about the main perspective because it came from politicians, journalists who you most likely didn't know personally. Now it comes from social media, from your 'friends' and 'followers'. Acceptance and belonging have greater value than truth and honesty. You just sense what is expected from you and conform, mostly unconsciously. You can have free speech and discussion inside the terrain of accepted assumptions. Any opinion that exits the perspective's invisible boundaries is extreme. It is easier and safer to go with the certainties of your bubble, you don't want to lose your friends and turn the mob on your case. The disagreement could be very costly, you can lose your status and work. The mimetic bubble has its antibodies. Moral cops shoot you down with a label as 'truther', 'conspirationist' or something and you can be pretty much canceled. You better conform, or even better, you can be one of the cops and prove your moral stance, your importance in the tribe, and win wokeness points by policing, sanitizing the bubble and canceling the non-mimetics.<br /><br />Perspective 14<br /><br />There was a lot of agitation against Orthodox Church, because of some viral videos in which priests were doing the sacrament of communion, sharing the bread and wine with all the community using the same spoon. Everybody rallied to ban the religious services and they succeeded. They made fun of the 'primitive' religious activities. But, paradoxically, exactly for the 'vulnerable' that they so proudly save by policing and imprisoning them, religion could be the only consolation, community and reason to live. <br /><br />The communion is an act of faith in God but also in our community, the faith that we are capable of building herd immunity together and that our bodies have the power to fight disease, with some transcendent help. Immunity is built together through community and faith, not just physically but emotionally and spiritually. Life dies in isolation, socially and biologically, without community there is no health. Who are you to tell me that my experience of communion is not what I need, maybe the right experience for my immunity and for saving my life? Nobody forces you to attend the communion, and nobody should force us to attend your 'pandemic' rituals of your medical religion. <br /><br />Psychoneuroimmunology and epigenetics are confirming more and more the importance of our emotions, thinking patterns, perspectives, faith and spirituality to health. And there are many studies that show the power of spiritual practices. Probably they cannot make sense to your narrow frame of mind but that's your problem. For example they proved that, mysteriously and scientifically unexplainable, prayer raises immunity even for the people that you pray for. <br /><br />You run on your physicalist/atheist/medical religion, and have the impression that you are covered by science and the religions are just a bunch of naive anachronisms. 'Science' is saying that all is matter, particles that somehow at some point produce life and consciousness. There are physical laws and everything is physically explainable, at least in principle, but overall the universe and our lives are meaningless matter configurations. But this is more scientism than science, it is a naive, conservative and obsolete image of science. The actual science disagrees, and it cuts your atheist religion at its physicalist roots. <br /><br />The impossibility of understanding how any physical system could ever produce or give rise to any subjective, qualitative experiences is the “hard problem of consciousness”. The existence of subjective experience cannot be explained in physical, chemical or functional terms. It is an insurmountable problem for the physicalist science. Materialist assumptions are also contradicted by quantum physics. Consciousness determines the way in which energy and information appear as matter. Consciousness is fundamental and primordial, and it is more and more so in disease, and healing as well. <br /><br />And there are models like that of the holographic universe or the conscious agents theory that got traction recently. According to the later, conscious agents are all there is, but they appear in our consciousness as elements of a material world. In this theory it would be more accurate to speak of Covid19 disease as the action of a 'devil' or 'demon' because they are closer to conscious agents than viruses. Viruses are just symbols, in the same relationship with the actual conscious agents (demons) as the icons on your phone are to the actual information processes inside the phone. <br /><br />There is a dictatorship of perception. The majority being loud and aggressive against a set of beliefs, based on another set of beliefs (atheist/medical religion). This high degree of intolerance is fundamentalism. At least my religion is explicit and I'm aware of it being a religion, yours is running in the background disguised as an objective, scientific view on the world, but it is just a perspective, a set of beliefs like any other, more and more dismissed by actual science. And look what sort of ridiculous reality your religion is producing. I agree with Agamben and I'm not identifying with my bare biological life that this dictatorship of health is obsessed with. I'm interested in the spirit. <br /><br />Perspective 15<br /><br />Imagine that instead of being bombarded with the repetitive messages that say: you should be suspicious, you should be afraid, the others are danger, obey the official perspective, and wash your hands obsessively, we will get something like: "there is a treatment for coronavirus – the immune system, it works in 99.9% of cases (good percentage for a treatment). We are always 'contaminated' with viruses, and the immune system usually does its work quietly in the background. Fruits, plant based foods, meditation, lowering stress, walks in nature, time out in the sun, positive social encounters, art events are all proven ways to raise immunity. And if you have the virus you are not ill, the majority of people are asymptomatic."<br /><br />The atmosphere would be quite different. We would be empowered, we would feel that we can do something positive, better diet, better lifestyle choices, not only negative – increasing distance, sanitizing obsession, fear and paranoia. And we wouldn't renounce our power of healing. We wouldn't be anymore completely at the hands of medical oligarchy and governments, increasingly overlapping. <br /><br />I forgot the name of the researcher that, wanting to prove the war approach on viruses as nonsense, after he boosted his immunity he drank a glass of a liquid full of dangerous viruses to prove that what matters is the immune system, the terrain not the germs. That would be an interesting reenactment now, and I would happily volunteer for that. I would be much more afraid of the reaction of the officials, of their procedures and 'treatments'. There are already studies that point out that their treatments are worse than the disease.* <br /><br />Even for the worst chronic illnesses like cancer, heart diseases, diabetes, the immune system based approaches gain more and more traction. Covid19 is nothing for a not completely damaged immune system. An imunitar approach in this pandemic is very likely to save many more lives, not only from Covid19 but from many other diseases. It's estimated that one million people die every year in the US because of their diets. <br /><br />The most inconvenient truth for medical oligarchy is that bodies have the capacity to self-heal. That's why this type of message is not possible, the health policies are made by medical oligarchy, like the national dietary directives are very much made by the meat and dairy industries. Their approach is war – attack of symptoms with heavy artillery which produces collateral damage, other symptoms, which in the end is not that bad because it means more drugs, more money. There are medical corporations that at different stages or in parallel, developed chemical weapons, pesticides and medical drugs – it makes sense, the same military, antibiotic approach. Medical oligarchy globally shapes the perception of diseases, treatments, health and bodies. This is the main reason for the current fear, we are completely disempowered, the implicit assumption is that only authorities can save us. Without vaccines and drug treatment we're lost. Locking ourselves and hoping for good news from authorities is the only thing to do. Meanwhile the authoritarian measures are the replacement, the proof that something is done. <br /><br />A couple of days before her death, Alina Popa summarized her experience with disease and the medical perspective: "I have never trusted my body and its responses. We are taught so by education. Fever needs to be kept at bay, symptoms have to be read by specialists, you don't own your body, it is like a foreign coat you have to take care of and beware of it, look for signs, gather evidence. You are outside of your body, you analyse it scientifically but what does this mean. It means that you are placing it in the scripts written by strangers who are afraid of the wonder of reality and want to restrict its vastness to a few predictable scenarios. <br /><br />The body is real but what we think about it is fiction. Medical views are the fiction imposed on us by modernity and capitalism. This is a consensus fiction. How you regard the body, how you name, determines how you act upon it and also how it acts back. We are free, and the body actually calls for individual fictions, or for fictions that give it trust and freedom. Perspective creates reality. To change the standard perspective is almost impossible. It cannot be done mentally, it needs different practices - to practice ways to interact with the world that give back reality its multiplicity. We actually don't truly interact with the world anymore. That is because we know too well the practices that are possible, and so they will give back the same outcomes. The body is as alien as the world. And we have to embrace its strangeness."<br /><br />Perspective 16<br /><br />Finally the right and the left are united in supporting authorities in their actions as never before. I'm glad that all that critical thinking and suspicion towards authorities and official narratives are gone. But not completely, and here the agencies can have a bigger role in collaborating with media and social media to marginalize or even eliminate critical voices. In our era of algorithm based news feeds this is a banal task, already done, but it can be radicalized, because now is the moment to be united in the face of this horrible danger, otherwise we will die. <br /><br />Our governments are not doing enough to flatten the curve. A lot of our tax money goes into defense and secret agencies. Now it's time to really prove their worth. A big problem is that some people still hug, touch each other, have sex in their homes. The measures should be imposed there too. Authorities should have more access to people's devices and lives. Using data from cameras, microphones and other sensors, AI technology will be able to identify those who don't respect the measures, and they can be removed from their homes. Also the citizens should be instructed to inform authorities if they suspect their neighbors for not respecting the measures. <br /><br />They say that we're at war with the virus. So let's really be, we can call this operation "war on death". And who else if not the army should be in the first line. I saw that they're using drones to control and impose measures on isolated people and communities. But they can also use aviation to drop disinfectant on buildings and populations in the cities. Tanks should be on the streets to boost morale, to show our strength and willingness to fight, and also to show that this is very serious and we better stay home. They should also fire their weapons in the air from time to time, even their tanks in unpopulated areas near the cities, this will further prove the lengths we're willing to go to protect ourselves. And they may even kill some viruses.<br /><br />Perspective 17<br /><br />In one of his days among the Amazonian Pirahãs, Daniel Everett noticed that they were talking excitedly about what was happening just across the river. Daniel and his daughter couldn't understand why, they only saw an empty beach. All the village was seeing a spirit there. “I could never have proved to the Pirahãs that the beach was empty. Nor could they have convinced me that there was anything, much less a spirit, on it." The two perceptions were irreconcilable, a radical disagreement persisted about what the reality across the river was. They looked into two different worlds. For Daniel Everett the explanation is that a radically different culture produces a radically different way in which language functions, and this allows different perceptual possibilities. But for some Amazonian tribes, there is no objective reality with different perspectives on it, but the perspectives are creating the realities (Viveiros de Castro). In this 'multinaturalism', the question would be not how Daniel or the Pirahãs see the world, but what kind of worlds their perspectives access or create. Change the perspective is changing the world. <br /><br />Perspectives are usually transparent, you may feel that you are directly accessing an objective reality but you're inside a perspective. You cannot just change your perspectives, it doesn't work as easy as mentally deciding what you want to believe in. The tribe seeing the spirits across the river cannot just voluntarily unsee them, and the anthropologists cannot just voluntarily see them. You need special practices to become aware of your perspectives and change them. Traditionally this was done through technologies of the self, forms of life practices that were the domain of religion and spirituality. But discipline, fixed dogmas and rigid practices often transform religions into perspectival traps. <br /><br />Only by operating on our perspectives can we change what is possible to think, perceive and feel, the form of our life and reality. Without working with beliefs you cannot operate at the levels of perspectives. But it's hard nowadays to argue that a specific religion is the truth against all others, so it's hard to believe. But we can have a meta belief in the phenomenon of belief, in the fact that building beliefs we build perspectives that shape life and reality. To generate our own faith, perspectives, religions we need to create our own practices, our own forms of life. This is more an artistic perspective than a religious or spiritual one. Nietzsche saw the potential in approaching life through art but he noticed that sadly, the artists are not applying their craft to it. The new forms of thinking, perceiving, sensing and living are emerging in art and are slowly permeating society. Art can affect the perspectives, it can produce mini-crises in perception and sensibility, interruptions, cognitive dissonances, perturbations in our minds, bodies and in our worlds, opening the terrain for new reflections, sensibilities, possibilities. Art often aims to surpass itself, embedding a transcendent function at its core – important artworks are redefining what art means. They escape their frames, redefine their own conditions, their own perspective. This meta function makes art the contemporary available way to access, affect or even create perspectives. Unfortunately, in the artworld, this function of art is ignored or suppressed more and more.<br /><br />Perspective 18<br /><br />Covid19 is present in my life through changes in the affective atmosphere that surrounds me. As limitations of rights. As a spectacle of fear, people wearing masks, gloves, being suspicious, paranoid with each other. As stories of a few friends' distant relatives that were counted as Covid19 deaths although they were dying of cancer, heart diseases… I would take measures too if I would see people around getting sick and die, but this is not at all the case. My actual experience is of seeing people behaving weird because they replaced their experiential reality with a sinister media constructed fiction.<br /><br />Even if I had the symptoms, I wouldn't want to know "what germs caused them". As far as my embodied experience goes, germs, viruses don't really exist. I would have a fever, I would cough, that's the experience, not a virus. Sure, I can abstract and name the experience 'flu' or something, but it's not necessary. I know from experience that I get those symptoms when I eat badly or I'm stressed, anxious, exhausted. And I know that healing means eating healthier, fruits, relaxing, spiritual or artistic practices, time spent in nature… And I also know that I have to be careful with vulnerable people, because it can be contagious. And I certainly know better than to go to hospital to subject myself to ridiculous tests and damaging treatments.*<br /><br />Covid19 danger is spread by people infected with sick narratives. I don't trust the main spreaders. They see life as dangers, restrictions, struggles, control, not at all as joy, expansion, playfulness, love. They transform reality in germs, and life into idiotic fears. I don't like how they are in their bodies. I see through their fear production spectacle, through their ugly masks. I don't trust them for protecting lives, they feel dead, they give me the chills.<br /><br />I don't even want to know that this virus exists. I'm not interested in being aware of all the germs and dangers that are hidden in the simplest human interactions. I'm not into hygienic madness. It's like being constantly obsessed with the risk of being hit by a car, and structuring all the aspects of life, culture, art, religion, society around that. We're infected with an insane herd mentality. We cannot embrace each other anymore, or if we do, we feel it more like an act of courage or resistance than as connection. <br /><br />If we collectively renounce the pathological perspective, Covid19 will disappear. But people seem to prefer staying afraid and isolated, waiting for the savior, the rushed up vaccine. It's their choice, the problem is that they impose their perspective. I don't like impositions on my fundamental experience of health, body and reality. I dislike tyranny. Not even Ceaușescu invaded so much the intimate level of body and health perspectives. But I don't know why I'm even fighting this religion, it already took everything from me, it may as well finish its process. <br /><br />Perspective 19<br /><br />The current crisis can also be an occasion to alter our curse, collectively. If we look into history, usually the bad powerful entities are the ones that know how to use a good crisis. Maybe if we give less love to their official perspective, and a little more to some less viral perspectives, we can prevent them this time. On the positive side, Covid19 seems to give a common body to the world. Suddenly race, gender, sexual orientation are irrelevant (not even age but immunity). Probably this stops for a while identity politics that were the norm everywhere and we can start to see identities as what they often are, perspectival traps that should be overcome. And we can start to compose ourselves less based on securing and protecting perspectives and identities against everyone else, and more on the capacity of accessing, exploring and creating multiple perspectives.<br /><br />More than defending a particular perspective, I'm interested in meta positions, in what is the relation between worldviews. Why aren't they allowed to coexist? Why is it so unacceptable to think and see differently? What is this fundamentalism? The current social degradation (and the previous, historical ones) exists because different perspectives are not allowed to coexist. Political and scientific debates are suppressed. Against science, that presupposes plurality of views and theories, "science" and "life" are used as fundamentalists terms to justify imposition of the official perspective and to censor everything else. Any collective action has to take in account multiple perspectives, otherwise it is authoritarian. Now we're running only on the oficial perspective which means dictatorship. We need a democracy of perspectives. And we have to take care of the minor, minoritarian ones because new questions, solutions and progress are always coming from there. If you live in the oficial perspective you can very well take the measures that you need, self-isolate, wash your hands obsessively, were special masks…, but it's no need to impose your fear and measures on the entire society on the premise that your truth and actions are the only ones reasonable, adequate, responsible. Even if this is the case, we others have the right to be wrong. And don't tell me that vulnerable lives are at stake, because this is always the case. By driving your car you put many more people at risk than enjoying the sun in a park (currently banned in Bucharest). An argument can be made for mandating outdoor activities in the sun, attending spiritual practices, art events, eating plant based…, because all these are proven ways of promoting health and raising immunity, and many vulnerable lives will be lost otherwise because of impaired immunity. This will also save lives from heart disease and other chronic diseases that are killing many more than covid. But the "vulnerable lives" should have a saying and a right in protecting their lives as they consider, based on their perspectives on life, health and reality. I hope that humanity is not irreversibly transformed into battery farms where mere biological life and a very narrow vision of health dictates the policies. We should have the right to a different perspective, no matter how 'dangerous' it seems to be. And a different perspective is always dangerous because it attacks your identity. <br /><br />To avoid totalitarianism we should try to go meta from time to time, to become aware that we're always inside a perspective from which others appear wrong and dangerous. And we should be aware that we feel the need to protect ours and ourselves by attacking and destroying other perspectives. Holding multiple contradictory perspectives at the same time is a shamanic capacity. It is the way in which they travel between worlds – different perspectives are shaping different worlds. But unless we're shamans we cannot live in multiple worlds at the same time. So we hold to our perspective for our dear life, we don't want to go insane. But we should still make an effort to reach out to other points of view if we don't want to descend into total closure of the minds and realities. Maybe art can help us in this exploration, or a form of spirituality or even more universally, love. Many religious, spiritual and new age theories are saying that we always have the choice to act based on fear or love and everything is decided by this fear - love dynamic. It might be a simplistic view, but it is surprisingly actual now, when our politics and our lives are so much fear based. Although 'fear' is somehow twisted to mean 'love'. The twist is possible because 'love' is exhausted and perverted, it can mean anything, from sexuality to meaningless empty slogans of corporate care. One thing that is increasingly disappearing from 'love' is the body experience of the actual feeling of it. The love that can push you out of yourself and open you up for other perspectives. It can be a form of shamanism in a way, it forces you to live in at least two perspectives at the same time. That's why sometimes love can be felt as a crisis. But crises can be good, things are moving, changing, perspectives have a chance to realign.<br /><br /><br />*<a href="https://docs.google.com/document/d/1HPhKxNIokh-BsG8JnPU-6sDsi4KjJx5snY1HpQXCU34/edit?usp=drivesdk">Data and references</a> <br /></div>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-33459940973925750832020-02-21T16:31:00.039+02:002024-03-26T11:56:40.785+02:00Unofficial Unworks<div dir="ltr" style="text-align: left;" trbidi="on">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: 0px; margin-right: auto; text-align: left;"><tbody><tr><td style="text-align: center;"><br /></td></tr></tbody></table></div><p>Next at the Venice Biennale, April 17 - 19. <br /></p><p>Unofficial Unworks are <a href="http://www.fflueras.ro/2016/01/artificial-emotional-intelligence.html" target="_blank">Unexperiences</a>, <a href="http://www.fflueras.ro/2018/06/unimages.html" target="_blank">Unimages</a>, <a href="https://www.fflueras.ro/2020/02/unhere.html" target="_blank">Unhere</a> appearing uninvited in art venues and other public spaces, enacted by visitor-performers, affecting some of their implicit conventions and expectations. As visitors we usually conform, performing our roles, consuming quietly what is in front of our eyes. As artists we mostly follow artworld's implicit codes, protocols, structures of validation, hoping to be seen, invited, appreciated. As people we conform to prevailing perspectives and certainties. Artists can and should sometimes deviate from these dynamics. And visitors too.</p><p> <a href="https://docs.google.com/document/d/1m2Lp4Lrbw3G2je-VJtxSlkw4ibm7_t_-Uum5S0mjnUs/edit?usp=drivesdk" target="_blank">Notes from inside, documentation as text. </a><br /></p><div class="separator" style="clear: both; text-align: center;">Unofficial Unworks at various venues during Gallery Weekend Berlin (2023)</div><div class="separator" style="clear: both; text-align: center;">Performers Eliza Trefas, Florin Flueras</div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA85GLvrGuGGtbfqwMMbOhyqK7y3NI0KX55dxFx7zAkI9ADrPxwhRmyhLahhNoKyDAtn1o7qzcgIkKDpk12OUthuPxVxk0vzif3D1ikzEig2JVeCKu7BcdQNlHgFd7zIQO-1HVopf8hOKeFnrNXBL9Zg0zbQjAxzQfxGwBteKK1QQAqg4l9DRbx0Gk/s4032/PXL_20230424_133555644.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA85GLvrGuGGtbfqwMMbOhyqK7y3NI0KX55dxFx7zAkI9ADrPxwhRmyhLahhNoKyDAtn1o7qzcgIkKDpk12OUthuPxVxk0vzif3D1ikzEig2JVeCKu7BcdQNlHgFd7zIQO-1HVopf8hOKeFnrNXBL9Zg0zbQjAxzQfxGwBteKK1QQAqg4l9DRbx0Gk/w300-h400/PXL_20230424_133555644.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; 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margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhidRqys_6wu3Lj_FR6t6JQGGEsnQVBZJQ_rTgZYlAnhdnuHIrTLtNZsg7FGE6XyiPvrKThe8lSC1AeRZgcpSrR7H0fS6DgTBb8ls5_Ev84DNqdkHJZp6I75xpBegdnXjmQuaCsqXe0gnWayCNXTkB1_sIjwwP6KTvXEbIL58adCVhkKM2bsnB2_yET/w300-h400/PXL_20230502_140637871.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: left;"><a href="https://fflueras.substack.com/p/love-in-unofficial-unworks-at-gallery" target="_blank">Notes from inside Unofficial Unworks at Gallery Weekend Berlin <br /></a></div><div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Unofficial Unworks at Berlin Biennale (2022)</div><div class="separator" style="clear: both; text-align: center;">Performers Eliza Trefas, Martina Piazzi, Florin Flueras</div><div class="separator" style="clear: both; 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margin-right: 1em;"><img border="0" data-original-height="2950" data-original-width="2212" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA060UeQmbKZVD8G-cllOblYPv9cZdLxFQk8yI09xcBCO1GGb-ZLZiKEo41lTF7OOIB1Wv8OMV_kityDxcVhKSYZGjS8bTDOtAfa01xzl731BkHjADcgDkZvEN-62MHUJtvX_-g8ilpjM1trPM7PXaYtcAIk0LXKgOnCFGV0umst5BIIQ75eDBXd95/w300-h400/PXL_20220715_145714128.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Unofficial Unworks at Berardo Museum Lisbon (2019)</div><div class="separator" style="clear: both; text-align: center;">Performers Eliza Trefas, Florin Flueras. <br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVjgzVriJ9o_qf40AgirWJboyIT5oiErj_sHQgmxRPYinkr3oErgF4GpTO7GP08Xfsg1A-yPbFkBbQ9SYuY0a6EmK5nzCbEHeO9rc_6jchkt7Ly2qpKnIX6_JPlQIHXomJB7_pxw44z0apO-s5MiYm2W3CZmL0dJWx8rtPVAVQz8LfKRX83XRZUyV-/s1280/20200706_165814_exported_20010_1594462512773.jpg" style="margin-left: 1em; 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text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><br /><div class="separator" style="clear: both; text-align: center;"><div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;">Unofficial Unworks at Supermarket (2019-2021)</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi70GArKnNKcE-6Cl9Rl6DJrokDLbSgMD0EBOqHv3kNo4ywME6mNjTd55R6I2w6qRsMDu5r_LqeIduNIv3IRI5LAqwyP5i7R9drCSpfSe70DG3k729maaMYsCM_zRxmG4C0oyjUFGg6sE2VSZMZB3344g3R98PYjLIEkZNuzA7zgEUoO-VKwqBlfhfW/s1280/20200708_194534_exported_297685_1594461262032.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi70GArKnNKcE-6Cl9Rl6DJrokDLbSgMD0EBOqHv3kNo4ywME6mNjTd55R6I2w6qRsMDu5r_LqeIduNIv3IRI5LAqwyP5i7R9drCSpfSe70DG3k729maaMYsCM_zRxmG4C0oyjUFGg6sE2VSZMZB3344g3R98PYjLIEkZNuzA7zgEUoO-VKwqBlfhfW/w400-h225/20200708_194534_exported_297685_1594461262032.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; 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margin-right: 1em;"><img border="0" data-original-height="2156" data-original-width="3241" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh36EIwI7fyB_TTYIdJ7kczXyjj-6wd40aIZhQV-rEN382rn5wCLsUag6BEVymIYhz5C4gIajfDk2gsQe73wqQagP_CV3u3ppBPFvB5qJg6GY-4Y9m5zMDUshsJvyugr5aRo54SUxSZ_aDkR3K6xQabVpxRvoAJWBCzk2XL5mghFmTxyuR_1bPHKh7e/w400-h266/PXL_20211017_145704008.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Unofficial Unworks at Airport (2022)</div><div class="separator" style="clear: both; text-align: center;">Performers Eliza Trefas, Florin Flueras. </div><div class="separator" style="clear: both; text-align: center;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKFy6h1Y2tEbIq7vqd5qov89NCfuo4NNY9HIToFCHy6N8ZecsB_ml-odBIOrwmmXjU4pC8__OynVN62JYRKAlmurncaIT0-YLqcNcMMzDuROL9qmqVMGbdQwCkkfFEEnsaietDuY5eUJ3O4pepvaNCNah5PhIxFUElWsGYjI2N8lagOBl23yalgGor/s4032/PXL_20220219_152428628.jpg" style="margin-left: 1em; 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</div>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-41916083537270591132020-02-21T15:56:00.027+02:002023-02-21T11:29:18.431+02:00Unhere (2020-)<div dir="ltr" style="text-align: left;" trbidi="on">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><br /></td></tr></tbody></table></div><p>Unhere introduces deep, but mostly subtle, deviations into the implicit social spaces, into the behaviors and conventions that forms them. In Unhere, performers activate states and affects corresponding to other realities than the situations in which they are (of visitors, clients, tourists, spectators…). Altering or cutting implicit adaptations, deviating from basic adjustments, from their implicit existence in the world, they seem out of touch with reality, out of place, unhere. Because at some level we emulate the bodies that we encounter Unhere can be contagious, affecting the social atmosphere, the space and its possibilities. In general we conform to environments, we want to be adjusted to here and now, to behave adequately, even in art, and usually that's fine. But sometimes is good to undo the automated submissions, to open up or transcend situations, to go Unhere. Artworks are usually visual, sound or conceptual, Unhere is affect based.</p><p>In some venues Unhere can appear uninvited at some venues – <a href="https://www.fflueras.ro/2020/02/unofficial-unworks.html" target="_blank">Unofficial Unworks</a>.</p><p><br /></p><div style="text-align: center;" trbidi="on"><b><a href="https://docs.google.com/document/d/1_dhpwmodGiRef3vhEQevpqpLO4Q7IDbajfLDBQV4j6E/edit?usp=drivesdk" target="_blank">Documentation as</a><a href="https://docs.google.com/document/d/1_dhpwmodGiRef3vhEQevpqpLO4Q7IDbajfLDBQV4j6E/edit?usp=drivesdk" target="_blank"> text – notes from inside Unhere </a></b><br /></div><div dir="ltr" style="text-align: left;" trbidi="on"></div><div dir="ltr" style="text-align: left;" trbidi="on"></div><div dir="ltr" style="text-align: left;" trbidi="on"></div><div dir="ltr" style="text-align: left;" trbidi="on"></div><div dir="ltr" style="text-align: left;" trbidi="on"></div><div dir="ltr" style="text-align: left;" trbidi="on"></div><div dir="ltr" style="text-align: left;" trbidi="on"></div><div dir="ltr" style="text-align: left;" trbidi="on"></div><div dir="ltr" style="text-align: left;" trbidi="on"></div><div dir="ltr" style="text-align: left;" trbidi="on"></div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div dir="ltr" style="text-align: left;" trbidi="on">Unhere in We are just scratching the surface exhibition at Strata Gallery Bucharest 2023</div><div class="separator" style="clear: both; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0p2UfgIQ2smEHcVdEpe_GlaXynJIhZlCT6D4WpV4NFDoZ4Yiv3v7kTyNWUHnhSEhrRBX_mBYNh1TicjZvhqk38zEkDz6hLo-S-YMTctNH9NRYoy04iFXy0zoyUAsCQIrp8PYgf7-L3jkIdBH4rHH6K1ZIoCDBo3Q9pl4XkVB9rqFea52DQRLgl96h/s1280/20200710_162948_exported_43712_1594409960980.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0p2UfgIQ2smEHcVdEpe_GlaXynJIhZlCT6D4WpV4NFDoZ4Yiv3v7kTyNWUHnhSEhrRBX_mBYNh1TicjZvhqk38zEkDz6hLo-S-YMTctNH9NRYoy04iFXy0zoyUAsCQIrp8PYgf7-L3jkIdBH4rHH6K1ZIoCDBo3Q9pl4XkVB9rqFea52DQRLgl96h/w400-h225/20200710_162948_exported_43712_1594409960980.jpg" width="400" /></a> <br /></div></div><div style="text-align: center;"><br /></div><div style="text-align: center;">Unhere at Art Opening Lisbon <br /></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOlscQjlCGHYqajsx7g_uoLanxKsarm6wHTJupkMTlV72uLSNK2ZpEOtElXS0btgCwpq6-FfY-RcHYJ2Rl3-CV-KOMraKTBz3Zk_HYHRhSB44WmgiRST2OUQMsWTkewhmfeB813Cm4r4-r/s4032/PXL_20211111_171915331.jpg"><img border="0" data-original-height="4032" data-original-width="2268" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOlscQjlCGHYqajsx7g_uoLanxKsarm6wHTJupkMTlV72uLSNK2ZpEOtElXS0btgCwpq6-FfY-RcHYJ2Rl3-CV-KOMraKTBz3Zk_HYHRhSB44WmgiRST2OUQMsWTkewhmfeB813Cm4r4-r/w225-h400/PXL_20211111_171915331.jpg" width="225" /></a></div><p style="text-align: center;"><b> </b></p><p style="text-align: center;"><b><a href="https://photos.app.goo.gl/U2qb7fhobBKrxvWUA" target="_blank">More videos and photos </a><a href="https://photos.app.goo.gl/U2qb7fhobBKrxvWUA" target="_blank"> </a><br /></b></p><p style="text-align: center;"><b><a href="https://docs.google.com/document/d/1_dhpwmodGiRef3vhEQevpqpLO4Q7IDbajfLDBQV4j6E/edit?usp=drivesdk" target="_blank">Documentation as</a><a href="https://docs.google.com/document/d/1_dhpwmodGiRef3vhEQevpqpLO4Q7IDbajfLDBQV4j6E/edit?usp=drivesdk" target="_blank"> text – notes from inside Unhere </a></b></p>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-68426064859993551312019-02-12T11:46:00.000+02:002019-07-12T08:37:26.161+03:00Alina, Jaguar<div dir="ltr" style="text-align: left;" trbidi="on">
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<i>Introduction to "Square of Will in Square of Love" book by Alina Popa</i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1r-CBSdwyM4WREK4q24Pyg8vqiIZ29N_2QTyMWVE9aKjJyMFlBucRV9CUukN-xC4q6uspGjqf1Eapu7FU0-U1u6Ds65oMvsK3ptX4smWficrmXQsVw1tkU3vBiCKOr7GAmh_uOOJn7PkQ/s1600/IMG-20181021-WA0004.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1r-CBSdwyM4WREK4q24Pyg8vqiIZ29N_2QTyMWVE9aKjJyMFlBucRV9CUukN-xC4q6uspGjqf1Eapu7FU0-U1u6Ds65oMvsK3ptX4smWficrmXQsVw1tkU3vBiCKOr7GAmh_uOOJn7PkQ/s400/IMG-20181021-WA0004.jpg" width="400" /></a></div>
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"The square of will in the square of love" is written under one of drawings, in one of her small notebooks. In her last weeks she was drawing, meditatively, with eyes closed, the notebook on her chest. It was a beautiful thing to see. It was her preferred way of dealing with pain, fear, hopelessness, disappointment, sadness. Some of the drawings are at the end of the book.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3Jt6akDcJ8Ef_XnH_5gxhKuR9Y3bgFY58nR37SEd7vWiMuAsNWldveC1BmxZLY8VeX3_bxCB0rhoPCrzTlg851RKzJNF9xaohdjOusKSqsqrD6Pot5wUslAaiYbnmoetENqhAsi9EpuHZ/s1600/20190607_144727.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1176" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3Jt6akDcJ8Ef_XnH_5gxhKuR9Y3bgFY58nR37SEd7vWiMuAsNWldveC1BmxZLY8VeX3_bxCB0rhoPCrzTlg851RKzJNF9xaohdjOusKSqsqrD6Pot5wUslAaiYbnmoetENqhAsi9EpuHZ/s400/20190607_144727.jpg" width="293" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Drawing by Alina Popa with closed eyes, notebook on her chest</td></tr>
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<a href="http://alinap0pa.blogspot.com/2019/02/disease-as-aesthetic-project.html" target="_blank"><br />Disease as an aesthetic project</a>, was put together by Alina from her recent notes and sent to a group of friends. She was at the end of an intense two-year process with a hopeless illness. Unfortunately, she was also at the end of her life.<br />
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Apart from "Future Synthesis" and "No One Speaks", the other texts are notes and drafts that I found in her notebooks and on her phone, where she did the majority of her writing. Many are unfinished. "Artificial Life" is interrupted in the middle of a sentence and has some abandoned fragments at the end. It's left like that, I hope it's not too confusing or too sad.<br />
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The book is a mixture of styles, subjects and mediums – theory, short fiction, poetry, drawings, SF, diary notes, it's unclassifiable, as she liked it… It is more personal and poetic than her usual writing. You can find her more theoretical texts in Unsorcery book.<br />
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Except for "Artificial Life" she didn't tell me what to publish. I'm especially not sure of "I go about in a Line", some of it may be too private. But certain notes there, and "Disease as an Aesthetic Project" are her only texts written after diagnosis. Her insights from that period are relevant and touching, especially for people in similar situations, all of us in a way, as she suggested:<br />
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"Receiving a diagnosis was the ticket to singularization. To live with a terminal deadly physical disturbance is to be in a state of exception. To step on the real ground of the subject – what is more common to all than our imminent bodily dissolution, our baseline vulnerability. You don't matter anymore as social token but as something scary and real, something that is scary because it is the easiest to identify with.”<br />
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<tr><td class="tr-caption" style="text-align: center;">Drawing by Alina Popa with closed eyes, notebook on her chest</td></tr>
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Our lives as we knew them ended at the moment of her diagnosis. Everything changed in an instant. In time we became aware that the diagnosis and the hopeless prognosis not only described our reality, they created it, or at least contributed to it. They were performative, making themselves real, establishing a heavy and difficult-to-deal-with reality.<br />
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One day, after a long research on the internet, she told me that the only two people who recovered from her type of illness did so through certain spiritual practices, mystical experiences. Some days later I found another case of a similar miracle. She was aware that a miracle is called “a miracle” because it’s unlikely to happen. Maybe a bit too aware.<br />
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Before her illness we shared a fascination for some Amazonian ideas: The body as a bundle of affects and capacities, with powers to metamorphose. The constant ambiguity and suspicion – jaguars can be humans, humans can be jaguars – because jaguar, as the shaman, is the quality of an act, not of a subject. Reality is not multicultural, as we know it, but multinatural, different worlds can be activated by different perspectives, through different body affects and practices.<br />
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It is one thing to be fascinated and another thing to have to perform these operations not just in your mind, but on the body and reality. To become this were-jaguar who can travel to a different reality. She wrote before her disease: “In the accounts of Castaneda, Viveiros de Castro, and Kohn, taking the prey’s point of view may involve: doing a handstand while crying in the presence of a deer, drinking blood instead of maize-beer, and respectfully returning the jaguar’s gaze. Action alone carries and projects new realities onto the self-erasing chora of the forest stage. Space is specularly simulated through action, as if the act itself projected a social space like VR, or a 3-D movie.”<br />
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With her disease, she saw more clearly how disembodied thinking is unhelpful when things matter most, it can be a trap. Without an embodied thinking and acting, you're locked in your own mind with the sensation that you're already one with your thoughts. She realized that daring minds and daring hearts can be two completely different things. The most daring minds can be completely conventional in terms of action and behavior. But when an awful event comes, you can no longer separate your thinking from your life. Nor from your art, if you keep doing it. “The heart is the only thing I have,” she wrote under one of her last drawings.<br />
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Because of her medically hopeless situation, she was forced to go beyond the conventional approach to disease and healing. And she discovered over and over again the difficulty of doing this – it’s impossible, she wrote. The implicit views that circulate around you stabilize an overwhelming reality, they shape your implicit beliefs, the possible. You can search for another world, but this is difficult nowadays, because there is a homogenization of perspectives. She felt such relief and improvement in her health when she lived for a while in a weird healing community in Brazil, where everything sounded and looked sci-fi. The world was different, other things were possible, and they were happening. ”Artificial Life" is a fictionalized documentation of her experiences in that place.<br />
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<tr><td class="tr-caption" style="text-align: center;">Alina Popa, Heal the Line at Tranzit.ro</td></tr>
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Her process was a fight with disease but even more a fight of perspectives. She wrote to a friend: “I realized that in my situation it happens that I need to stay as much as I can on the spiritual plane and navigate reality from there. And in this world, there are not so many people staying on this plane. For many, and for many of my friends, this is not the ground (a lofty ground!) and then conflict arises. Because perspectives can cut wings and you end up with a terrible diagnosis and going down. It's important to discuss this because it is not easy to navigate from the only ground, the lofty ground, that can give you wings, hope and the power to live and overcome the physical trouble every day. All the world around, the general perspective, cuts any hope for me. This is the process, the knowledge to stay where my soul needs to, so that I can be more powerful than a bleak prognosis.” Sometimes, when the wing-cutting perspectives were too much, she liked to quote João Guimarães Rosa: “At first, I used to like people. Now I only like jaguars.”<br />
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Disease was a calamity, but sometimes, when she was in a very good mood, she also saw it as a strange gift. Her life, thoughts, feelings, beliefs were twisted, transformed, amplified. Her health left her, but she felt that some numb perspectives and petty worries had gone too. In her last two years, she lived more than she had her entire life before, she said. “Healthy people don’t have a soul” is an Amazonian Wari’ saying that she liked. For them the soul is instability, the power to metamorphose that can be activated in you just by a disease or a similar event. In this sense, and not only, her soul was amplified by illness.<br />
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She found new friends, interesting healers and therapies, and some weird and beautiful microworlds. She started to perform like she intends her unpleasant, difficult sensations, states, and feelings. She created a jungle in her body, with different animals and plants taking care of her. She drew with her eyes closed, the notebook on her chest. These practices, and many more, didn’t save her life unfortunately, but they enhanced it, easing her pain and giving her surprising periods of hope and improvement in her health. Her life was prolonged, she was on the slopes, skiing, when she was, statistically, supposed to die. Even when things suddenly turned very bad in the final weeks, she didn’t have to take painkillers, much to the shock of the doctors. She died peacefully, as she wanted.<br />
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<tr><td class="tr-caption" style="text-align: center;">The Bureau of Melodramatic Research, Creativity Counseling for Artists</td></tr>
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Alina already mixed life and art long before her illness. In the last ten years she had been working with Irina Gheorghe, her friend since high school, in the Bureau of Melodramatic Research. Oscillating between office, research, and mostly melodrama formats, the Bureau often combined or collided cheesy, exaggerated girly emotionality with urgent global issues and abstract theory. They created new genres, where passions became abstractions and philosophy got melodramatic.<br />
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She loved to teach, and she did it beautifully. Recently she has started approaching her workshops as artworks, her teaching was performative. She was sometimes puzzling, sometimes hypnotic, and always brilliant, fascinating, and sensitive. Former students visited her from everywhere when she was ill. They were touched by her soul. Many artists and friends did the same, helping out however they could. They gave and received a lot. They were part of a powerful process of a beautiful being.<br />
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<tr><td class="tr-caption" style="text-align: center;">Add captionUnsorcery, Alina Popa & Florin Flueras, at Atelier 35, photo Alexandru Dan</td></tr>
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She loved animals very much, in her childhood photos if there are animals, there are in her arms. Animals where always present in her texts, lectures, performances – the minimal I of the tick and its simple but intense world, the line of cows eating each other, the lamprey and its self-alienation trick as the first gesture of an "I", the phyllia that end up eating themselves from too much blending into the environment, the praying mantis' alien perspectives, the crocodile that lives in an apartment with a tiger and a human, and even though the crocodile is locked in the bathroom because its blood is cold, it is still part of the community, the Jaguar that has no borders…<br />
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And she loved people very much, many times our projects were also occasions to bring our friends together. Our last project was The Clinic. Together with some artist friends, we went to a Transylvanian village to develop therapies that could function as artworks. After Unsorcery and Black Hyperbox, The Clinic continued our idea of “artworlds” – mildly choreographed processes that are establishing as artworks not only products but production, research, curating, art making, forms of living – artworks as artworlds. The art space became a clinic in which aesthetic healing and performative therapies could happen. We wanted to create impossible hybrids between medicine and art, secretly hoping that, with no available therapy for her, maybe we could invent one.<br />
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<tr><td class="tr-caption" style="text-align: center;">Unsorcery Launch at Salonul de Proiecte<br />
Photo: Alexandru Andrei</td></tr>
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In The Clinic she made "You Are" and "Heal the Line", her last works, in which she, and a line representing herself, were mediums for strange and moving collective therapies. "Life Programing" (Skete/Artificial Life) was the project we planned to do next. We wanted to experiment with artificially forming life, mainly through artistic and performance procedures. It was meant to be a contemporary skete without collective rules, where each of the participants could shape her own form of life, in proximity to the others. The project made sense therapeutically, because from her own experience and research she was convinced that her disease, and in general chronic diseases, are lifestyle related. She started to see herself more and more as a form of life that had to be reconstructed.<br />
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<tr><td class="tr-caption" style="text-align: center;">Alina Popa, You Are, at Salonul de Proiecte, photo Petre Fall </td></tr>
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When your art is your life and your life is your art, and you’re so sensitive, you can be quite affected when your work is less recognized. She loved her recent work and our work together, but sometimes, before her illness, she got sad because she felt that they were not well understood or appreciated. Maybe, as our friend and collaborator Ion Dumitrescu joked, it was “too early.” Now it’s too late… But most likely, this happened because the work was rather nonvisual, not so representation based. Representation requires limits. “The border is a place of fear,” but the “jaguar has no borders,” she used to say, in reference to Zalamea’s remark that the bisons in the Lascaux Cave mark the beginning of geometrical representation.<br />
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Just before her disease she started to feel that she's finding a path, a new trust in her work and writing. I felt the same, that after intense searching and doubting she stepped into something very beautiful, personal and singular. All was so brutally cut. We will never experience what she had barely started. Some of the texts here are unfinished but I will forever miss her unstarted works and writings, her unlived life.<br />
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<tr><td class="tr-caption" style="text-align: center;">Alina Popa, You Are, at Salonul de Proiecte, photo Petre Fall</td></tr>
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We always found ways to complexify the dynamics between our lives and our art projects, and her illness just accentuated that. At the same time, some things were smooth and simple. We sometimes laughed about our very atypical, uncool relationship – addicted to each other, inseparable, and mostly happy. We knew that we were lucky because very rarely did we see anything similar – love. And we knew not to talk too much about all this, because others would find it “pathetic” or “boring”. We were also aware that death was probably the only thing that could eventually separate us.<br />
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In her last days she became so fragile and soft, like a wounded, very cute animal. She could no longer return the jaguar’s gaze, and she became prey, as she had foreseen: “a jaguar spirit coming to get me, to make me a free spirit, and I am flying over reality, jungled up, towards life or maybe towards death.” She was my world and she will continue to be. Her leaving is painful, painful, painful. But, in the end, it’s a pain that feeds the love. Love.<br />
(Florin Flueras, February 2019)<br />
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<tr><td class="tr-caption" style="text-align: center;">Drawing by Alina Popa with closed eyes, notebook on her chest </td></tr>
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ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-1500380730163500912018-12-19T14:04:00.000+02:002020-02-21T16:37:39.388+02:00Unvisitors <div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOydoqOBt9AsbQbpTheUghptEinoj4orMWjQkWHcIDemZeBcuACvxt2t4gj_UyPocAu6OZVz3pOxqQ4KtQXsqTbuRdW4wuoQeecrTVJCber_FCD48i_dhLNAKMYMagNjSCt37KsFn-H1VA/s1600/2019+11+23+WSB+Florin+Flueras+%2526+Alina+Popa-34%257E2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1350" data-original-width="1600" height="337" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOydoqOBt9AsbQbpTheUghptEinoj4orMWjQkWHcIDemZeBcuACvxt2t4gj_UyPocAu6OZVz3pOxqQ4KtQXsqTbuRdW4wuoQeecrTVJCber_FCD48i_dhLNAKMYMagNjSCt37KsFn-H1VA/s400/2019+11+23+WSB+Florin+Flueras+%2526+Alina+Popa-34%257E2.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo Paul McGee</td></tr>
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Unvisitors are performers acting as visitors for the duration of the exhibition. The ambiguous meeting between real and “fake” visitors can create a slight dissonance in the space, an incongruence between the two types of presence. The visitors can become suspicious about who is performing but also the subjects of others' suspicion, becoming performers. A meta layer that includes the visitors’ own roles in the art experiences is added to the event.<br />
Unvisitors can appear uninvited at some venues – <a href="https://www.fflueras.ro/2020/02/unofficial-unworks.html" target="_blank">Unofficial Unworks</a>.</div>
ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-19734823907062768602018-10-22T22:05:00.002+03:002022-02-21T08:41:59.461+02:00Unexist<div dir="ltr" style="text-align: left;" trbidi="on">"Lie down with the intention to unexist for a while, and notice how your mental and body functions are slowing down.</div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on">If you are watching and feel that somebody has a too deep experience, please gently stop it." <br /></div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td class="tr-caption" style="text-align: center;">Photo Paul McGee</td></tr>
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Occasionally Unexist is guided.</div>
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ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-49606067897891884672018-06-07T19:02:00.022+03:002023-12-02T10:23:35.954+02:00Unimages (2017-) <p> Next: in <a href="https://m.facebook.com/events/236832019246284/" target="_blank">Fictions, my body</a> on December 9<br /></p><p> </p><p>Unimages are deviations from plausible body states and self-presentations, performative anomalies that affect automatic readings and perceptions. Representations are not allowed to stabilize, actions withdraw from images, constantly escaping readings, playing tricks with our minds and bodies. The capacity to see and understand, to form coherent images about what is in front of our eyes, may be questioned and refreshed. Unimages are inserted in contexts where something else is already happening, adding an extra layer to their ordinary function (art spaces, supermarkets, trains, airports…). Meetings are produced between two types of audiences, attention, situations, performers. We tend to conform to personal and cultural images about ourselves and reality, to the known, becoming images and identities in the process. Unimages explores ways to move outside body images, identities, and outside our minds sometimes. It intervenes in the implicit process of transforming reality into images and certainties. <br /> <br />It feels like we're more and more forced to admit that our normalized habits, the current images, representations, certitudes on which we try to control ourselves and the world, should be changed. Even better might be to exit altogether the mirage of images, to abandon the society of spectacle in which "everything that was directly lived has receded into a representation."(Debord) According to Deleuze, for thought to not be anymore "crushed under an image", we need sensible, affective, perplexing encounters that force us to think. This could also mean that we need to explore outside the main territory of images and representation based art. Unimages are affect and presence based – embodied, perplexing experiences that might jolt the bodies out of their image controlled daily choreographies. How we are in the body determines the atmosphere, the affective environment, the perspective, the feeling of the world. Unimages might scramble our experiencing, the implicit patterns of forming reality, unfamiliarizing us with the world and ourselves. Unimages can appear uninvited at some venues – <a href="https://www.fflueras.ro/2020/02/unofficial-unworks.html" target="_blank">Unofficial Unworks.</a></p><p>Performers: Eliza Trefas, Martina Piazzi, Florin Flueras. </p><div dir="ltr" style="text-align: left;" trbidi="on"><b><a href="https://docs.google.com/document/d/1knTfvBXjUuFx8UL0JdF09rpIDwRSAgoyzthHZjnBAPk/edit?usp=drivesdk" target="_blank">Documentation as text – notes from inside Unimages </a></b></div><div dir="ltr" style="text-align: left;" trbidi="on"><b> </b></div><div dir="ltr" style="text-align: left;" trbidi="on"><b>Photo documentation (limited relevance because Unimages are based on affects and presences, impossible to be captured in photos):<br /></b></div><div dir="ltr" style="text-align: left;" trbidi="on"><b> </b></div><div dir="ltr" style="text-align: left;" trbidi="on">Unimages at Centrale Fies, 2023:</div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwSVrKtQS-SC5cKH6kofwpAGuizvA0nNqtJwqDfEXQhOKZZ43x23xQz6bDuZkaGHZ8Kxc6_3v8WY7UaNSnHZcAIpc36OE4n-qcNz4DxLRKHEopYiFWBdEJ99ZOVryr6-rgKrOgv6rGyUDn1lPCiNkfhWIptFbtrjMwzvF2AMNXX7EpbrlbeE_7_a_xV74/s4608/2023_Florin%20Flueras_Unimages_Sala%20Comando_ph%20Alessandro%20Sala2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3456" data-original-width="4608" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwSVrKtQS-SC5cKH6kofwpAGuizvA0nNqtJwqDfEXQhOKZZ43x23xQz6bDuZkaGHZ8Kxc6_3v8WY7UaNSnHZcAIpc36OE4n-qcNz4DxLRKHEopYiFWBdEJ99ZOVryr6-rgKrOgv6rGyUDn1lPCiNkfhWIptFbtrjMwzvF2AMNXX7EpbrlbeE_7_a_xV74/w400-h300/2023_Florin%20Flueras_Unimages_Sala%20Comando_ph%20Alessandro%20Sala2.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZytbVOJAXyR6sa1c_fQgk6fPYMukEfJCvMFPqfPccrfei4Mv4f2FdWUHjoHGmRmyjdB6xQHlMsd-PEitPHtQAgC4b_pAoYUQsWUjs-qjDA-GwsBgc4VVoM7wnWPeyyINY4W6BVyTcYiZuS70_kkrbEDq9O5Wf3TYe_PjqNtlyxxlBXo66B5-MQhwAgB8/s4608/2023_Florin%20Flueras_Unimages_Sala%20Comando_ph%20Alessandro%20Sala3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3456" data-original-width="4608" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZytbVOJAXyR6sa1c_fQgk6fPYMukEfJCvMFPqfPccrfei4Mv4f2FdWUHjoHGmRmyjdB6xQHlMsd-PEitPHtQAgC4b_pAoYUQsWUjs-qjDA-GwsBgc4VVoM7wnWPeyyINY4W6BVyTcYiZuS70_kkrbEDq9O5Wf3TYe_PjqNtlyxxlBXo66B5-MQhwAgB8/w400-h300/2023_Florin%20Flueras_Unimages_Sala%20Comando_ph%20Alessandro%20Sala3.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; 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margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="610" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDOq-lM73X7a9qW9iGH3rN2wH-oGLY_64aFiejRplVs79dKIPefKcjdCGnyd8vEumtv_kdsQ6485HXdVuJTZNcsfgfXTtvGppfxD6pFp0A5WAl5ZN_U7ABJVEIGQ797Qrt7MKBTM2EKNoq4eJncTHRUnS9l0kHaQZlySoPurbcjKdsum6rKvL4bewQbKc/w226-h400/2023_Florin%20Flueras_Unimages_Sala%20Comando_video%20Roberta%20Segata(1)_exported_168560.jpg" width="226" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnxhoVa0jPqKEExbWsY70lSTCCpEWs6elFustCk8NF5m3hbbVINOeckF6ctEhrRt2ddgMC94ZVsaek5jgMaDgI37r4MT9bQzjzaUbGIua1rYYIjqbY3APhfpYeUSnu1rVsF0mh3Sa1P_5z1oc6HEqD-VdierkjnGhioNUgmAm_dM_fhyLplhdV_Mm6Asw/s1080/2023_Florin%20Flueras_Unimages_Sala%20Comando_video%20Roberta%20Segata(1)_exported_186200.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="616" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnxhoVa0jPqKEExbWsY70lSTCCpEWs6elFustCk8NF5m3hbbVINOeckF6ctEhrRt2ddgMC94ZVsaek5jgMaDgI37r4MT9bQzjzaUbGIua1rYYIjqbY3APhfpYeUSnu1rVsF0mh3Sa1P_5z1oc6HEqD-VdierkjnGhioNUgmAm_dM_fhyLplhdV_Mm6Asw/w229-h400/2023_Florin%20Flueras_Unimages_Sala%20Comando_video%20Roberta%20Segata(1)_exported_186200.jpg" width="229" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqA844bCE4EdMGGrmpyHSqATYwEQL-vOYhukcswXs1oG_8vj4CJm8ICXiq_dYlftEzkD_Bs_j50PKAW4hMmUVdCqv9kkvD5H2vZNUuilFxgA-AzeWLKooNtt5kZONyD3W4mo0kFRD0PTM0UV3v9ZA-8kIBRGQ8U7opd7XDa0yyzODWJpdruI367DPVDjw/s1080/2023_Florin%20Flueras_Unimages_Sala%20Comando_video%20Roberta%20Segata(1)_exported_204240.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="611" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqA844bCE4EdMGGrmpyHSqATYwEQL-vOYhukcswXs1oG_8vj4CJm8ICXiq_dYlftEzkD_Bs_j50PKAW4hMmUVdCqv9kkvD5H2vZNUuilFxgA-AzeWLKooNtt5kZONyD3W4mo0kFRD0PTM0UV3v9ZA-8kIBRGQ8U7opd7XDa0yyzODWJpdruI367DPVDjw/w226-h400/2023_Florin%20Flueras_Unimages_Sala%20Comando_video%20Roberta%20Segata(1)_exported_204240.jpg" width="226" /></a></div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on">Unimages at Feminist Futures, Hordaland Kunstsenter Bergen, 2022:<br /></div><div dir="ltr" style="text-align: left;" trbidi="on"><b> <br /></b></div><div class="separator" style="clear: both; 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margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1439" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj78uzwZzgGHa1Xh5Z1hCEXClBZS3xc0wNvC2azAdFhNWuZvwn-c5XsYxSjeFoyWiRBfP9CNGd-ObkfSl22CQf_QT1vRX-A23YX0XsW4mkmHrEe6HtocAqXC3NBF2qo4R1H1PWGWhDeBnYQPwFMNF8PfsweqJ43N9Ui1rZpbsMOIqEL4zYFZPoghRER/w400-h300/Unimages_exported_61920.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8ERT1jKCPfuRFgnbbvzmoO9Hi1I3jqRtApCY_5YtWH9FOTbvURFSnl6mtCGIjP2beVRrthMrWz528lK11EShDfzg14_ikLmkDLTA9qAvaoHEL5pnvs3E9ge3f_Iq57i79UhUR6bHtkFkZn0hTRb5cmuktQ1NgUQGE9mF6vwOnyPCHJ_Yij4hL2XgH/s1080/Unimages_exported_129800~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="809" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8ERT1jKCPfuRFgnbbvzmoO9Hi1I3jqRtApCY_5YtWH9FOTbvURFSnl6mtCGIjP2beVRrthMrWz528lK11EShDfzg14_ikLmkDLTA9qAvaoHEL5pnvs3E9ge3f_Iq57i79UhUR6bHtkFkZn0hTRb5cmuktQ1NgUQGE9mF6vwOnyPCHJ_Yij4hL2XgH/w300-h400/Unimages_exported_129800~2.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiefXiVxt4PO9dPIjNXFoGp7gv_tE7rEG9GdOOSXhlcJOALQBDWntqbaAkq7PEewiUUZPn5EjYns38O-ozJ67K3orz5Y4mTm4vwyhGHxyEvyMTYTzzOX123vvBp7uEJ10DnMlhz5o3za45j_fL5bqLgylepxli4Ta67xbS3Oxdx3hOq7pUOOeOqIp1D/s1439/Unimages_exported_152160.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1439" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiefXiVxt4PO9dPIjNXFoGp7gv_tE7rEG9GdOOSXhlcJOALQBDWntqbaAkq7PEewiUUZPn5EjYns38O-ozJ67K3orz5Y4mTm4vwyhGHxyEvyMTYTzzOX123vvBp7uEJ10DnMlhz5o3za45j_fL5bqLgylepxli4Ta67xbS3Oxdx3hOq7pUOOeOqIp1D/w400-h300/Unimages_exported_152160.jpg" width="400" /></a></div><br /><div dir="ltr" style="text-align: left;" trbidi="on"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrYovcw_alZdmSwaPoOgevt5ca5ezypWOssfEsjLVQ2xL6KDWCSbvMnhqHE9FLyN2ommQtWqyu8gGe_zX7TCt-Ujtn4Dh0vvj5spyJQcqJtMJC2_5YZUcmBBkrw3w18BcPpHq95IU79gVh9QWzGp8pv-jK1QOBAy_a6yYiLj08dCTs27TB4TZIpkId/s1920/Unimages_exported_50240.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrYovcw_alZdmSwaPoOgevt5ca5ezypWOssfEsjLVQ2xL6KDWCSbvMnhqHE9FLyN2ommQtWqyu8gGe_zX7TCt-Ujtn4Dh0vvj5spyJQcqJtMJC2_5YZUcmBBkrw3w18BcPpHq95IU79gVh9QWzGp8pv-jK1QOBAy_a6yYiLj08dCTs27TB4TZIpkId/w400-h225/Unimages_exported_50240.jpg" width="400" /></a></div><br /></b></div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on">Becoming Unimages, sometimes - workshop at USF Bergen, 2022:<br /></div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8W1ImWT6nmka8rTsIlGjw12q-yD7Jr1C5Rv_18IXPrlv-yy3OJOB_82rrk5XozfpkP0VVY8UJgb6jFxhofWyb_JNF4Ttqy_qQC2XgBf7UGNfAanH4X7c5uNRsVQrZ203Xg8zVahAim4DQHxVp0Qzq3yd73NyY1Cubibe-6xkV0SXuNxV76Ax3egyk/s4032/PXL_20221021_094350098.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8W1ImWT6nmka8rTsIlGjw12q-yD7Jr1C5Rv_18IXPrlv-yy3OJOB_82rrk5XozfpkP0VVY8UJgb6jFxhofWyb_JNF4Ttqy_qQC2XgBf7UGNfAanH4X7c5uNRsVQrZ203Xg8zVahAim4DQHxVp0Qzq3yd73NyY1Cubibe-6xkV0SXuNxV76Ax3egyk/w300-h400/PXL_20221021_094350098.jpg" width="300" /></a></div><br /><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div dir="ltr" style="text-align: left;" trbidi="on">Unimages, Art Opening at Home, Bucharest, 2022:</div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgZh_FxlUpAHooB9GFm6-G1jQ718Eccw38TcNti1924grPiTwiy3wGOuVeCQyDwx0EzfsErcCZLhezNEPp-403FkFLOUBTlwlIM2QIzhovwu1-gZgXYsZIJypLqN194K-fhZ5l4XLBrX3NMGXSQOcbg6ATOMbD4tMY1xm45WYpIStM9IlnJoT17Gtp/s3968/PXL_20221015_185025620~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3968" data-original-width="2976" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgZh_FxlUpAHooB9GFm6-G1jQ718Eccw38TcNti1924grPiTwiy3wGOuVeCQyDwx0EzfsErcCZLhezNEPp-403FkFLOUBTlwlIM2QIzhovwu1-gZgXYsZIJypLqN194K-fhZ5l4XLBrX3NMGXSQOcbg6ATOMbD4tMY1xm45WYpIStM9IlnJoT17Gtp/w300-h400/PXL_20221015_185025620~2.jpg" width="300" /></a></div><br /><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on">Unimages at Seen, Leilei gallery, Bucharest, 2021:<br /></div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib-x73ROzaPVKwPdgVRha9tBaK_axKv2KMSDYXWXwOiXoW1NGKgQhRi7ep4l2xXCYjPLd-ZZrSVZgvfGQo8rXRQchxt_TBEtrcZkQml-l9p-qpFN8XHNvX2TSvbCrcIaUAO-b3w6_GxaqvtXB55TiGXTxiM8neKELkFs2PNFVPsHEMpk8ijgIZEbVD/s2888/_ASM4450_23~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="2888" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib-x73ROzaPVKwPdgVRha9tBaK_axKv2KMSDYXWXwOiXoW1NGKgQhRi7ep4l2xXCYjPLd-ZZrSVZgvfGQo8rXRQchxt_TBEtrcZkQml-l9p-qpFN8XHNvX2TSvbCrcIaUAO-b3w6_GxaqvtXB55TiGXTxiM8neKELkFs2PNFVPsHEMpk8ijgIZEbVD/w400-h266/_ASM4450_23~2.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaNM6FOSnu8Sy1MaCID6ey1Z1oeytTu9uvCz291PXWXNTJGlpfsyDDoZ9MvvJajW2p3TZb0cC0e-eii-RNaGhq67CN5GolooukpUu0k7q4u4539I8imsNShZYQBmJs5bM9Hh6vt1jsEUL_r1gHAxxpA7yLTvDlEB8Ah7bjcIFEGCQEDrOqievZmDOg/s2888/_ASM4454_26.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="2888" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaNM6FOSnu8Sy1MaCID6ey1Z1oeytTu9uvCz291PXWXNTJGlpfsyDDoZ9MvvJajW2p3TZb0cC0e-eii-RNaGhq67CN5GolooukpUu0k7q4u4539I8imsNShZYQBmJs5bM9Hh6vt1jsEUL_r1gHAxxpA7yLTvDlEB8Ah7bjcIFEGCQEDrOqievZmDOg/w400-h266/_ASM4454_26.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYloqhxK-pw85Q2wV9XSQO9t2uU2BVIVuU7kTygz0ZJwU2KvGOXfBaHAXLLr7vIZMRmdK4UxNOiNsv9jYwl6zqCYqdmI0JBA90dAlSrKVZlNY-qMuAR62ay4cVIVvzRV5vJ0B40gCOSgtiOlv-TrrpBI7V7rc7-dO_RtjzyhTc8TfWoXl4bXzk0OJf/s2888/_ASM4482_46.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="2888" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYloqhxK-pw85Q2wV9XSQO9t2uU2BVIVuU7kTygz0ZJwU2KvGOXfBaHAXLLr7vIZMRmdK4UxNOiNsv9jYwl6zqCYqdmI0JBA90dAlSrKVZlNY-qMuAR62ay4cVIVvzRV5vJ0B40gCOSgtiOlv-TrrpBI7V7rc7-dO_RtjzyhTc8TfWoXl4bXzk0OJf/w400-h266/_ASM4482_46.jpg" width="400" /></a></div><br /><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div dir="ltr" style="text-align: left;" trbidi="on">Unimages in Unofficial Unworks at supermarkets:</div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS9W--17StgKmvgQsB6HRE_t-q00zzpfO6QBwGZ8zOGrh58Q76wnr3LpyH3Unan8aZGrdLnYc5QnQGpeutzQkWqjP5BjhfhcUwErBL1RF9e9l8AV7pXDYTYjDvUqsLSYpydCJdYTn51H05mWKc__yHPPxALX40-EA5fpu_mKalAV4pKUU1IvOd1HE4/s945/20200708_181120_exported_169166.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="532" data-original-width="945" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS9W--17StgKmvgQsB6HRE_t-q00zzpfO6QBwGZ8zOGrh58Q76wnr3LpyH3Unan8aZGrdLnYc5QnQGpeutzQkWqjP5BjhfhcUwErBL1RF9e9l8AV7pXDYTYjDvUqsLSYpydCJdYTn51H05mWKc__yHPPxALX40-EA5fpu_mKalAV4pKUU1IvOd1HE4/w400-h225/20200708_181120_exported_169166.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid6Mselbta6ja6TTU6Yfvh-iNvWbg3BQyLPcaks_ejGlukLB4-fUbd_mkwknAl1Fti3VqBUtqdT4S8pAupagalNmFSVfHzaeI68W6nJ2QBje4lQgXu1zrzlTLwzf2-mhPALFhR_jCZyRZxUj0ZHZVPlY5R9t9VC8NU1tmlvgKcGg8EWBPnottCNMEq/s906/20200708_181120_exported_213933.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="680" data-original-width="906" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid6Mselbta6ja6TTU6Yfvh-iNvWbg3BQyLPcaks_ejGlukLB4-fUbd_mkwknAl1Fti3VqBUtqdT4S8pAupagalNmFSVfHzaeI68W6nJ2QBje4lQgXu1zrzlTLwzf2-mhPALFhR_jCZyRZxUj0ZHZVPlY5R9t9VC8NU1tmlvgKcGg8EWBPnottCNMEq/w400-h300/20200708_181120_exported_213933.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6oz80vfHcDWUwEA7eMDhbMaM3NPasJ9dY4EMb2EYlMrZQbsbI_YQAHRivJ1wBeNWVFqJg4z-Heiqv-20s8Koxmw9y6WeLu4UsUwr-ubw689YHu1UagvzE6nwSJ48tRMnMe8aBJgzUDGH90Et1ObjR7M4YCvWnwxP0s6A0rv8FWG09WI22XPoS9cE1/s986/20200708_181120_exported_245566.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="555" data-original-width="986" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6oz80vfHcDWUwEA7eMDhbMaM3NPasJ9dY4EMb2EYlMrZQbsbI_YQAHRivJ1wBeNWVFqJg4z-Heiqv-20s8Koxmw9y6WeLu4UsUwr-ubw689YHu1UagvzE6nwSJ48tRMnMe8aBJgzUDGH90Et1ObjR7M4YCvWnwxP0s6A0rv8FWG09WI22XPoS9cE1/w400-h225/20200708_181120_exported_245566.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUOAHeR3QBMrRN6Sa2AOvI8jdpwMVD8xwg80-yVySl7jy8mqqYAYHJn12aJveYTBAHz2pgZW1O2mnUTsjpIZDbJPiyo9uS09gLMxFVneZBvglRoeFfnIqfh04tFZfc4EG7n2xymApt7bSYilKQLsXI-aTyH6YvEmxmM_uPI32BgSZ3Vr0yrLlpyCXx/s935/20200708_181120_exported_245900.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="701" data-original-width="935" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUOAHeR3QBMrRN6Sa2AOvI8jdpwMVD8xwg80-yVySl7jy8mqqYAYHJn12aJveYTBAHz2pgZW1O2mnUTsjpIZDbJPiyo9uS09gLMxFVneZBvglRoeFfnIqfh04tFZfc4EG7n2xymApt7bSYilKQLsXI-aTyH6YvEmxmM_uPI32BgSZ3Vr0yrLlpyCXx/w400-h300/20200708_181120_exported_245900.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipjQwn5eR3Fz1g8-tT5_-_TyliQlrvpIGWLw7phU0AbdT5KrfEwzInIJymLcsAmgLr8AsygI8XfvJ4HDX8qOkLLpWLyYrQY9ap8M8Ew9YvQhR7Mu7_HfItECE32WfC4VLYVTSCyCCP1LLAGsvzaNsQHZDAexNm15QsXYS1GkBBNjWgbI3c32FoRlVn/s1004/20200710_190753_exported_227712_1594409701967.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1004" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipjQwn5eR3Fz1g8-tT5_-_TyliQlrvpIGWLw7phU0AbdT5KrfEwzInIJymLcsAmgLr8AsygI8XfvJ4HDX8qOkLLpWLyYrQY9ap8M8Ew9YvQhR7Mu7_HfItECE32WfC4VLYVTSCyCCP1LLAGsvzaNsQHZDAexNm15QsXYS1GkBBNjWgbI3c32FoRlVn/w400-h286/20200710_190753_exported_227712_1594409701967.jpg" width="400" /></a></div><br /><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div dir="ltr" style="text-align: left;" trbidi="on">Unimages in Unofficial Unworks, Berardo Museum, Lisbon, 2020:</div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNNAR8HHHTZ5stC3KGgJjYg9ABelNeYgB4U9FyopOq1iuQM-c0sDBNXEMnJxWAaPQWGY71cb-ZYjyyMZNa3wqGRMDz0exN0p8uvbSauXbbOriirwBpy5Iyrsu_Xki4EgrNZIYcGsr5rHMACHwBT8vZrirfIZF9iku4S0Rn1Qlz5TQ6X8aJ2sMjn4FM/s988/20200711_170301_exported_299221_1594552979608~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="698" data-original-width="988" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNNAR8HHHTZ5stC3KGgJjYg9ABelNeYgB4U9FyopOq1iuQM-c0sDBNXEMnJxWAaPQWGY71cb-ZYjyyMZNa3wqGRMDz0exN0p8uvbSauXbbOriirwBpy5Iyrsu_Xki4EgrNZIYcGsr5rHMACHwBT8vZrirfIZF9iku4S0Rn1Qlz5TQ6X8aJ2sMjn4FM/w400-h283/20200711_170301_exported_299221_1594552979608~2.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh02SZ6hPoE6KoC_6FNHCW67_Yjxd7z8RjbCofw8_mQ4Ey7M_EaT7SplPmN6nYIZddQBDf0MrLU3OB7Z0o-R8VVPBJNp0DmlgIPhbGtqIFFhr3ue2xqbI47sIx5cGAYyPXpJzjR5JEDbV187AtT3cDzDn3SiqufCVslHJ8LLr6Vks9Jcrfk4lpaYXeH/s1010/20200711_170301_exported_347690_1594553041886.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1010" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh02SZ6hPoE6KoC_6FNHCW67_Yjxd7z8RjbCofw8_mQ4Ey7M_EaT7SplPmN6nYIZddQBDf0MrLU3OB7Z0o-R8VVPBJNp0DmlgIPhbGtqIFFhr3ue2xqbI47sIx5cGAYyPXpJzjR5JEDbV187AtT3cDzDn3SiqufCVslHJ8LLr6Vks9Jcrfk4lpaYXeH/w400-h285/20200711_170301_exported_347690_1594553041886.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinO2OCBaKjRJf574ElzsfSQIZkyiBzXeBBKCeLEf9HD-7TZkbg_l6b5-3X-MC4tZupp6C_J8I78FqK1lc8leNU19IH8n79_6EXx_rGsV-wFBPZOgBO38d_H1KDDwvGQSV62AZX9LqBgDHeAoLZUwU8aF2D1PnYG6zyxD7-BNuz0xiPNfhtiPkPuMtl/s1122/20200711_170301_exported_397433.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1122" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinO2OCBaKjRJf574ElzsfSQIZkyiBzXeBBKCeLEf9HD-7TZkbg_l6b5-3X-MC4tZupp6C_J8I78FqK1lc8leNU19IH8n79_6EXx_rGsV-wFBPZOgBO38d_H1KDDwvGQSV62AZX9LqBgDHeAoLZUwU8aF2D1PnYG6zyxD7-BNuz0xiPNfhtiPkPuMtl/w400-h256/20200711_170301_exported_397433.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijumZbG3jvRsu5ueNbJlUG9IrRZmqO4YS6_XSHLWCQNkYP8j9AjX6AJBbh-RJLRJksbhPx0S23EfMhQDEwk6oIySq9wva-twsdEOk2qravCOuzlkZXOe5UiIXdzh8OPojRcYnVh8bINWdaiFTPQw3HK9Q-TZCtuTFFBWaOWzGjlmUiAI5OsPjsFsjq/s1031/20200712_175927_exported_179520_1594736300959~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1031" height="279" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijumZbG3jvRsu5ueNbJlUG9IrRZmqO4YS6_XSHLWCQNkYP8j9AjX6AJBbh-RJLRJksbhPx0S23EfMhQDEwk6oIySq9wva-twsdEOk2qravCOuzlkZXOe5UiIXdzh8OPojRcYnVh8bINWdaiFTPQw3HK9Q-TZCtuTFFBWaOWzGjlmUiAI5OsPjsFsjq/w400-h279/20200712_175927_exported_179520_1594736300959~2.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivCW3PPK27XRGcc2K0QAzlObkZwBKb1Z-4iy7m12Hs0ltmSwlrJatjDWOrS6ue2NR4DdMSBjiTHiqTCrleP521HOE6Dcc682SJsLFd_4stDrCw3JjpJPHu_ICfcBPzMFQifZXRnhz15Fzr8ycSNWi3wuyJuEV-TwEKGgVEHdBrxJKelAyiiBF00zCP/s983/image.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="698" data-original-width="983" height="284" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivCW3PPK27XRGcc2K0QAzlObkZwBKb1Z-4iy7m12Hs0ltmSwlrJatjDWOrS6ue2NR4DdMSBjiTHiqTCrleP521HOE6Dcc682SJsLFd_4stDrCw3JjpJPHu_ICfcBPzMFQifZXRnhz15Fzr8ycSNWi3wuyJuEV-TwEKGgVEHdBrxJKelAyiiBF00zCP/w400-h284/image.jpg" width="400" /></a></div><br /> </div><div dir="ltr" style="text-align: left;" trbidi="on">Unimages at Europalia, workspacebrussels, 2019:</div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEbrKVlEgiuX-wh_05okJ3tHPFw0u6pjvOUyqKzjt2gfADZnmLnlsqrFWxI0BPq_eotPyacthzI6fIsEExDB2xY2Vp1wBLrflPMLn8s1MS6OcvP5DMyKtu3fXX5wANV4Rt7CC297dF79p0RiHHJ_haBwfzCiT1XvZ06wizop8LGGsBIYXg0-2GfWOc/s2445/2019%2011%2023%20WSB%20Florin%20Flueras%20&%20Alina%20Popa-92~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2445" data-original-width="1833" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEbrKVlEgiuX-wh_05okJ3tHPFw0u6pjvOUyqKzjt2gfADZnmLnlsqrFWxI0BPq_eotPyacthzI6fIsEExDB2xY2Vp1wBLrflPMLn8s1MS6OcvP5DMyKtu3fXX5wANV4Rt7CC297dF79p0RiHHJ_haBwfzCiT1XvZ06wizop8LGGsBIYXg0-2GfWOc/w300-h400/2019%2011%2023%20WSB%20Florin%20Flueras%20&%20Alina%20Popa-92~2.jpg" width="300" /></a></div><div style="text-align: center;">"Some visitors are becoming Unimages sometimes." <br /></div><div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on">Unimages at Durational Life Theory, Salonul de Proiecte Bucharest, 2018:</div><div dir="ltr" style="text-align: left;" trbidi="on"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKA3NNtN4KxFtLccCQfre_vHndyIIWq_UY9gEAjQJDiK-Fq3-skwyDrk5_js_m0UIsqNHfjSRwdxR0i8e59qLZBu_kFOR5BMI1NGG7oVKN465ZvxoQKpk1ulgOeXJAk5CxCVs4jjq77ZDIB_iycDu9c3W0RnTh9b3moAUDIyFcn-XO5QSdYUHz1S6n/s1992/received_10216733496227805.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1121" data-original-width="1992" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKA3NNtN4KxFtLccCQfre_vHndyIIWq_UY9gEAjQJDiK-Fq3-skwyDrk5_js_m0UIsqNHfjSRwdxR0i8e59qLZBu_kFOR5BMI1NGG7oVKN465ZvxoQKpk1ulgOeXJAk5CxCVs4jjq77ZDIB_iycDu9c3W0RnTh9b3moAUDIyFcn-XO5QSdYUHz1S6n/w400-h225/received_10216733496227805.jpeg" width="400" /></a></div><br /></div><div dir="ltr" style="text-align: left;" trbidi="on"> <br /><div dir="ltr" style="text-align: left;" trbidi="on"><b><a href="https://docs.google.com/document/d/1knTfvBXjUuFx8UL0JdF09rpIDwRSAgoyzthHZjnBAPk/edit?usp=drivesdk" target="_blank">Documentation as text – notes from inside Unimages </a></b></div></div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div>
</div>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-3205520072170254032017-08-27T15:24:00.008+03:002022-11-27T12:31:01.251+02:00Heaven (Affective Recursive) 2007Heaven (Affective Recursive) inverts the performance and everyday corporealities – instead of controlling, choreographing their bodies or making them express something, performers focus on their body sensibility, discussing how it affects what they feel, perceive, think and do. Through this affective sensibility they explore in real time the situation in which they are – in front of an audience, in a performance. The work includes its own reflection upon the work, which becomes the work, that is then again reflected upon. This self-referential paradoxical loop, together with the induced hypersensibility, can change the affective atmosphere, sometimes leading to a high state (therefore the name of the project).<p><br /></p><p>Heaven at CNDB Bucharest, 2007:</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvRhoBXdM9X_EDnw1plZJKeULie8zDbsxy_FAnH-7U3Gycf-PWTJmZEhHq7FNW44_ZzzYfCbW9vBdE_fAHPb_0yYBQACa7lfzkupjleOFBXn20yYYfQx_n4jg0eJWOEkBdwrWzQxRjntvD5TwGxPWfTyaV_jv0wcCvO3L1jYKW33HBFnxnXTX3zt2a/s2560/Screenshot%202022-10-14%20at%2010.41.52.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="2560" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvRhoBXdM9X_EDnw1plZJKeULie8zDbsxy_FAnH-7U3Gycf-PWTJmZEhHq7FNW44_ZzzYfCbW9vBdE_fAHPb_0yYBQACa7lfzkupjleOFBXn20yYYfQx_n4jg0eJWOEkBdwrWzQxRjntvD5TwGxPWfTyaV_jv0wcCvO3L1jYKW33HBFnxnXTX3zt2a/w400-h250/Screenshot%202022-10-14%20at%2010.41.52.png" width="400" /></a></div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj1hxdMm9DcHbCaLoTGiGu5t6qP3Ko5Wl4zWQOK74P9VLRj7kTXJz4PYZOLNE6eb8WDorELx_TPWVVthM4UHbzH0slFl-WcqNR8IcnHC3lnKDw1NSjV_ROhCILe98S0xN5XBgE5_h_uOW1sj2q3PIkjew9Xazcn8VnKVferMSdMaRbl6na0pC5imS-/s2560/Screenshot%202022-10-14%20at%2011.55.41.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="2560" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj1hxdMm9DcHbCaLoTGiGu5t6qP3Ko5Wl4zWQOK74P9VLRj7kTXJz4PYZOLNE6eb8WDorELx_TPWVVthM4UHbzH0slFl-WcqNR8IcnHC3lnKDw1NSjV_ROhCILe98S0xN5XBgE5_h_uOW1sj2q3PIkjew9Xazcn8VnKVferMSdMaRbl6na0pC5imS-/w400-h250/Screenshot%202022-10-14%20at%2011.55.41.png" width="400" /></a></div><br /><p></p><p>Performers: Ionuț Stana, Maria Baroncea, Florin Flueras.</p><p> </p><p>Heaven 2022:</p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAATcflwiXCpV9Io4aCR_iT4GxrwhzmdqYH1vLhXIUlENLp8PLcccCSE-5DCrOs7hw4IO3abmaeyz0R7wkVk8ngzuREm1b7A4nisH1DOK6YUHF0pf0MLa-LKAT-b4BaTajV_UdtEY45JzGIMq1-UGgZGC1L3kfLVleIyQhlWrUds9kCP6FQElZTDwa/s1879/Heaven22_exported_1752582~2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1057" data-original-width="1879" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAATcflwiXCpV9Io4aCR_iT4GxrwhzmdqYH1vLhXIUlENLp8PLcccCSE-5DCrOs7hw4IO3abmaeyz0R7wkVk8ngzuREm1b7A4nisH1DOK6YUHF0pf0MLa-LKAT-b4BaTajV_UdtEY45JzGIMq1-UGgZGC1L3kfLVleIyQhlWrUds9kCP6FQElZTDwa/w400-h225/Heaven22_exported_1752582~2.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfXn7bDplRZxxt8rqH1acw2EYcwraxEoCNIaeHIlYs98mV8Ojjqx6_M7PnU9Rwp9OEgn3okrjbmLCDXhcaLVbzcELrt4AwCf-UG_TCMWFSmmt7T7-6RGUMweNejHRPkjlwMuMWLqteDM3OCu0ejLqnLOK9CNarlyIfYgT0P3-H9oBbxZ6A7LVzMtsz/s1920/Heaven22_exported_2245444.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfXn7bDplRZxxt8rqH1acw2EYcwraxEoCNIaeHIlYs98mV8Ojjqx6_M7PnU9Rwp9OEgn3okrjbmLCDXhcaLVbzcELrt4AwCf-UG_TCMWFSmmt7T7-6RGUMweNejHRPkjlwMuMWLqteDM3OCu0ejLqnLOK9CNarlyIfYgT0P3-H9oBbxZ6A7LVzMtsz/w400-h225/Heaven22_exported_2245444.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuTvT_rqmFgvbpf2gtZMoPujNGZE7C_GMn5oC7GajNtFwGuGJNGsdJ8BO1niosaPOWphtXDjXPMOigPusBFSTv_pgc0bf01OdBwLY2AIJhcfWfP6khoJxfAGk3hBeDRix-slJzBqqrtp8ooLGSFNwJbfGpTIKoVnLwJJCrMAQlsU2r0YnL5HfMLESP/s1920/Heaven22_exported_1997813.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuTvT_rqmFgvbpf2gtZMoPujNGZE7C_GMn5oC7GajNtFwGuGJNGsdJ8BO1niosaPOWphtXDjXPMOigPusBFSTv_pgc0bf01OdBwLY2AIJhcfWfP6khoJxfAGk3hBeDRix-slJzBqqrtp8ooLGSFNwJbfGpTIKoVnLwJJCrMAQlsU2r0YnL5HfMLESP/w400-h225/Heaven22_exported_1997813.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK55_TfvsqxSu80sELK-hShR9ddxqPewvJEr2tQVBK1FR-57ZF19xXd3pPbcX_7a1NzqhhbGzMzAnCsXD3nPxPEGmzxHFejUgcy6FqkKxlj30MZuRRanR6okzHv_sDEd5NE5nWBYloOFeUsFIPLOAvAqoirBxxhYwS7sh4dNLJxuvMLLTjLMA3fL_g/s1439/Heaven22_exported_1838881.jpg" imageanchor="1" style="margin-left: 1em; 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Sometimes their hyper-embodied and, at the same time, abstract reactions seem to be related to the space, other people, objects, or to shared expectations and conventions. Unexperiences are inserted in "inappropriate" contexts where something else is already happening, adding an extra layer to their ordinary function (art spaces, supermarkets, airports…). Meetings are produced between two types of audiences, attentions, situations, performers. <div dir="ltr" style="text-align: left;" trbidi="on"><br />In art contexts we're supposed to be moved, yet at the same time, the convention is to behave contained and composed. In our increasingly programmed environments the embodied affectivity is avoided, we mostly experience images of emotions, disembodied clichés. Unexperiences are deviations from the pre-packaged affectivity. States and emotions shouldn't be just interior – Unexperiences are a way of relating with environments, and at the same time, because they are contagious, a way of creating environments. Artworks are usually visual, sound or conceptual, Unexperiences is affect based.<br /><br /><div class="separator" style="clear: both;">
Unexperiences can appear uninvited at some venues – <a href="https://www.fflueras.ro/2020/02/unofficial-unworks.html" target="_blank">Unofficial Unworks</a>.</div><div class="separator" style="clear: both;"> </div><div class="separator" style="clear: both;">Performers Eliza Trefas, Martina Piazzi, Florin Flueras. <br /></div>
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<i>Shown at Berlin Biennale, Matter of Art Prague Biennale, Station Service Belgrade, Alta Studio Prague, Fabrica de Pensule Cluj, ICR gallery Berlin, FAP Sao Paulo, Projects Salon Bucharest, Art Opening Bucharest Airport. </i><br />
<i>With the support of Station Belgrade.</i><br />
(2016)</div><div> </div><div><a href="https://docs.google.com/document/d/1jAQ49EEQzvQesDOUYfuLzyz1OJfWgfUgt3idfmFBXEY/edit?usp=drivesdk" target="_blank"><b>Documentation as text – notes taken from within Unexperiences </b></a><br /></div><div> </div><div style="text-align: center;"> Unexperiences at Matter of Art Prague Biennale 2022 </div><div style="text-align: center;"> </div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5ZWSqkPi31aK_xcKXNg5tpoHsRDSj8pwSkiRP56zFwet3gqKmRq0WeUllj_VxmfPpY9J-87EpjYXGrDQYDVumxQyGhZlKNlKQikFBAVXAJNQEsQ-h2-wIdJuTog1XR9PSfzmHrjoJQc9VJNpjE7gLXL5oxUx4PFWHFDXL9kHq4XnBH0A2QqRJ8gu7/s2500/HQ3A3223~2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1667" data-original-width="2500" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5ZWSqkPi31aK_xcKXNg5tpoHsRDSj8pwSkiRP56zFwet3gqKmRq0WeUllj_VxmfPpY9J-87EpjYXGrDQYDVumxQyGhZlKNlKQikFBAVXAJNQEsQ-h2-wIdJuTog1XR9PSfzmHrjoJQc9VJNpjE7gLXL5oxUx4PFWHFDXL9kHq4XnBH0A2QqRJ8gu7/w400-h266/HQ3A3223~2.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; 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text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;">Unexperiences part of Unofficial Unworks at Berlin Biennale 2022</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWuUvfUO_9-WgIofX0LXOppVXHtmQymporQNDxzW9CZmlEd3OGDzJ_-N7x8wYxCD5PQ4X-ujG1tY7xmWv_hrYPmtoQTwLBfQG1Ip21cSbFk5SZbiohRy633Uvg975zliPV2YRgwB5RA3GG7cJpTggEGMRQRSCYuSmsHpM_lYv1r-8b3Lmn6hM-mh68/s2950/PXL_20220715_145714128.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2950" data-original-width="2212" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWuUvfUO_9-WgIofX0LXOppVXHtmQymporQNDxzW9CZmlEd3OGDzJ_-N7x8wYxCD5PQ4X-ujG1tY7xmWv_hrYPmtoQTwLBfQG1Ip21cSbFk5SZbiohRy633Uvg975zliPV2YRgwB5RA3GG7cJpTggEGMRQRSCYuSmsHpM_lYv1r-8b3Lmn6hM-mh68/w300-h400/PXL_20220715_145714128.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; 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text-align: center;">Unexperiences at FAP Sao Paulo (2017)<br /><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmts2GvssBI3MVcemzCkhs3fxm7kgd-ZeC4eULGIP9P-ZvsuFaL3NaH8vu62MjvoK3TPkOEzst4iJEJYJ7zJRiGExp4E7zHb1HbT01HY2U0Gpxg-E2VIyfeByolhZq8Uu6L63vLlebmw-Ob6mNT-_KkWW2ZNio4IOAVggUP1GYhK6ecHCwqkoT8KH2/s5472/DSC00447.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3080" data-original-width="5472" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmts2GvssBI3MVcemzCkhs3fxm7kgd-ZeC4eULGIP9P-ZvsuFaL3NaH8vu62MjvoK3TPkOEzst4iJEJYJ7zJRiGExp4E7zHb1HbT01HY2U0Gpxg-E2VIyfeByolhZq8Uu6L63vLlebmw-Ob6mNT-_KkWW2ZNio4IOAVggUP1GYhK6ecHCwqkoT8KH2/w400-h225/DSC00447.JPG" width="400" /></a></div> </b> <br /></div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;">Unexperiences part of Unofficial Unworks at Berardo Museum Lisbon (2019)</div><div class="separator" style="clear: both; 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text-align: center;"><b> </b>Unexperiences part of Art Opening at Bucharest Airport (2021)</div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqCXFL1mYwsT8APW-FBZt4fHeCf2oP523DeXjc8UCGts5Iots8qlzwkXgqjW_iNCzjAZ-q7af_v6X5Gc-T56-GQ4S03MNYeussHM3Bw0OmmzchWrVRXsMHrMn5N9J1LphbhmwTUmNsoMKSqIGZk4B8bh4Uyn8mo4HcaHXdkX9kddgUz5zGuD-asTTa/s3347/20220219_165503.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3347" data-original-width="1908" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqCXFL1mYwsT8APW-FBZt4fHeCf2oP523DeXjc8UCGts5Iots8qlzwkXgqjW_iNCzjAZ-q7af_v6X5Gc-T56-GQ4S03MNYeussHM3Bw0OmmzchWrVRXsMHrMn5N9J1LphbhmwTUmNsoMKSqIGZk4B8bh4Uyn8mo4HcaHXdkX9kddgUz5zGuD-asTTa/w228-h400/20220219_165503.jpg" width="228" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvQC4fGJ4Q9_DVFMOvyvCGJNqvCOg2ubbbOb3RwbeSWj_Ons_hU94B_-2Aj1XrYtUkDlieCoxfdJ_NylWIsEkLRsu7YS1z52dJB7VJ8uUXAtCDDLbRIDj0upcUlZ-7WuuSGwKFnF_6j8BkjSmpbM9fbN78B7rjvsruGJBAURC9aLfp39IF8jH8rLVT/s3800/20220219_170637~2.jpg" style="margin-left: 1em; 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ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.comtag:blogger.com,1999:blog-353682362820253713.post-61899741951115486242016-04-14T14:25:00.025+03:002023-10-18T10:44:03.735+03:00Collapse Yoga<p></p><p><a href="https://www.centralefies.it/#" target="_blank">Next in the Naked Word exhibition at Centrale Fies</a> <br /></p><div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9Lk6kNk4JuWisgQE-2NjEUjhpAHIejEwFl3Xft-i0Ue2hvKmigvuxQSfhVIhTpl3T3OER0gFk_BCd8OwkiA0JYv3c1NBbOVJFFufXplgszTpcLL5TkYQ47rZ3FMHzxmjmB3ZDtZseVsPv/s4308/IMG_20170410_182325%257E2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3245" data-original-width="4308" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9Lk6kNk4JuWisgQE-2NjEUjhpAHIejEwFl3Xft-i0Ue2hvKmigvuxQSfhVIhTpl3T3OER0gFk_BCd8OwkiA0JYv3c1NBbOVJFFufXplgszTpcLL5TkYQ47rZ3FMHzxmjmB3ZDtZseVsPv/w400-h301/IMG_20170410_182325%257E2.jpg" width="400" /></a></div><div style="text-align: center;"><span style="font-size: x-small;">Photo Alina Popa</span><span style="font-size: x-small;"> <br /></span></div></div><br />Collapse Yoga mixes Yoga with possible "negative" states as sadness, illness, anxiety, hopelessness, worry, renouncement, exhaustion, grief, boredom, decrepitude, pain, failure, fear and their traces in the body. It collides Yoga's aims for coordination, balance, strength, straightness, flexibility, alignment, control with the body's deep desires for asymmetry, incoordination, weakness, relaxation, freedom, unbalance, abandon, collapse. It affects the normativity of the human form. Collapse Yoga is sometimes practiced next to intimidating buildings, monuments, in charged public spaces associated with cultural stiffness, harmful ethics or bad politics. It can tune our bodies with natural, cultural and personal collapsing environments, affecting maybe some of them. The relation with our own bodies tends to extend to the entire reality – there is a correspondence and influence between the body's politics and society's problems.<br /></div><div dir="ltr" style="text-align: left;" trbidi="on">
(2016)</div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div style="text-align: center;" trbidi="on"><b><a href="https://docs.google.com/document/d/1RdBx9_km_wSOk0y-892G_niACCQXrlQ4KkhNSO7Yc6M/edit?usp=drivesdk" target="_blank">Documentation as text — notes from inside the practice </a></b></div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div style="text-align: center;" trbidi="on">Collapse Yoga in in the Naked Word exhibition at Centrale Fies (2023)</div><div style="text-align: center;" trbidi="on">(performance, video, prints) <br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzTPrtors-FEDCgwPrs1c3DNn2pjgIjxauZJgK3HTQrOv2w9L0ckIPeQmaDS6jRgYCLHNGqTREh259JUG8E9lYYNXSVsJjo05PuhJRx8GZqeoOsnM5AnmKU9K9i1wfiDrE7hFq2n_ruIT1oMZZb_GLevy4Awbgqc6nTQd2MgZ00m3hY2IHAeOsruyVG1Y/s4618/image.jpg" imageanchor="1" style="margin-left: 1em; 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margin-right: 1em;"><img border="0" data-original-height="1439" data-original-width="1080" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcufRVqce_TMd-8gKm-ttxqY78HPPLO6c9BD3Li40tTSz4wxGm8Y0Ap-As9jt9_iEy0SwCAbTDHVf4_VNIu72pYoLPn06lINAP9nWGh01MWNuWkrja8cpM-htr0fOV4pS0Sh8rhqn2xcM1A32t5RcWXWyAFJ-wViBM26XCHuFv-tEyRP2ysz8h7n-7R0k/w300-h400/Integrale%20Florin%20Flueras-Collapse%20Yoga-video%20opera%20-%20video%20Roberta%20Segata_exported_810261%20(1)~2.jpg" width="300" /></a></div><br /><div style="text-align: center;" trbidi="on"> <br /></div><div style="text-align: center;" trbidi="on">Collapse Yoga at Art Opening 7 (Group Therapy), Artworlds Bucharest (2023)</div><div style="text-align: center;" trbidi="on"> </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO3KMk9wy-FYhXTQXLQr-QqrroG6PYqVmxtJqVFITlR8PXBC_DJ4oIFAlUzPKFS7K7axtCraNvD0xDR0yo9BiDERxK3QbKRYeCBtfr8gBjyWxNRB-Ro-B5eo9EjS5arQ9EGIc6bVwU1AUIM_e95RYIlymINypFRnCKb6QybvzCUET0A7IHze-kSmix/s4032/image.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO3KMk9wy-FYhXTQXLQr-QqrroG6PYqVmxtJqVFITlR8PXBC_DJ4oIFAlUzPKFS7K7axtCraNvD0xDR0yo9BiDERxK3QbKRYeCBtfr8gBjyWxNRB-Ro-B5eo9EjS5arQ9EGIc6bVwU1AUIM_e95RYIlymINypFRnCKb6QybvzCUET0A7IHze-kSmix/w300-h400/image.jpg" width="300" /></a></div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div dir="ltr" style="text-align: left;" trbidi="on"><div style="text-align: center;" trbidi="on"> Collapse Yoga at Gestures of Artistic Care, Bruges (2022)</div><div style="text-align: center;" trbidi="on"> </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixIU5XuBCr32NdP5btbj9n2RjAJhyK3hudLpg7Wk4Pbi5Zer0M8jCwGpghpQkqySse_yMOC3xOGlJeyMeNcENNqO7WqEli1avxJlQHdt3GoAxCKDfd9TVLk2bWGR-dGVRcSRCbpKn2FZlJq6RthZEmirf0KMyW62Z5AMthOJNrUb9rJZc2K7lW2afR/s3859/PXL_20220921_101329583.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3024" data-original-width="3859" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixIU5XuBCr32NdP5btbj9n2RjAJhyK3hudLpg7Wk4Pbi5Zer0M8jCwGpghpQkqySse_yMOC3xOGlJeyMeNcENNqO7WqEli1avxJlQHdt3GoAxCKDfd9TVLk2bWGR-dGVRcSRCbpKn2FZlJq6RthZEmirf0KMyW62Z5AMthOJNrUb9rJZc2K7lW2afR/w400-h314/PXL_20220921_101329583.jpg" width="400" /></a></div><br /><div style="text-align: center;" trbidi="on"><br /></div><div style="text-align: center;" trbidi="on">Collapse Yoga at OWR Bucharest (2022)</div><div style="text-align: center;" trbidi="on"> </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpCaWcYCXd2TnqFWRvFpJjoR2bbeNwCENnlia_w1ymEfKzAoMX4JBl4JHsi4rWEGPjdJGLT5LJ9yPqGGJDyPx_IOOYi9wTah6XsnG8VOzQmbNcBJKKCLJv2HI-QtOFW5SPK88-sZ41IA4jJDhXp-Kmt8DsDxAruUoZSX7cgeQtWdc_DdYXw-hdsCuB/s3887/20220521_185145.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3887" data-original-width="2915" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpCaWcYCXd2TnqFWRvFpJjoR2bbeNwCENnlia_w1ymEfKzAoMX4JBl4JHsi4rWEGPjdJGLT5LJ9yPqGGJDyPx_IOOYi9wTah6XsnG8VOzQmbNcBJKKCLJv2HI-QtOFW5SPK88-sZ41IA4jJDhXp-Kmt8DsDxAruUoZSX7cgeQtWdc_DdYXw-hdsCuB/w300-h400/20220521_185145.jpg" width="300" /></a></div></div></div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;">Collapse Yoga in Unearthings exhibition at Atelier 35 (2021)</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyXHXtMOJZHe3lunPBBF-maXV0ej6StNoxoRuxOwMZbD0lGZ8nnWkQgiF8lGY7q0NSMJq4wVuwTANzlcGV2nJIDAgsXsaU5KBfJx7xTM7GZIyWmlIga8wknM3oGC9jICNS47wIFMN47-n-JbNTC2HfIj_YAsTjIGp1oT1S87Gb8gbFYQjLMYzlBpYU/s2482/PXL_20210504_091826596~2.jpg"><img border="0" height="366" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyXHXtMOJZHe3lunPBBF-maXV0ej6StNoxoRuxOwMZbD0lGZ8nnWkQgiF8lGY7q0NSMJq4wVuwTANzlcGV2nJIDAgsXsaU5KBfJx7xTM7GZIyWmlIga8wknM3oGC9jICNS47wIFMN47-n-JbNTC2HfIj_YAsTjIGp1oT1S87Gb8gbFYQjLMYzlBpYU/w400-h366/PXL_20210504_091826596~2.jpg" width="400" /> </a> <br /></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf9KT21XKxn3hOmnDPyuScTWE8UYmsMdip_IKqTV-q4G1w2HO_XWvBvufYOUXLqs5GiGc6lcPORIupQcnS9uzgG7Cya-l6Lk-LVDmlLGKDH5XI1uNArEpPxEAaGPIiA50FtvWXDC5CJ-Do3_hDEFE5-aFyfqLG_JlqJ1Ocsle4UCTL5MfQfMWsFS5C/s2268/PXL_20210615_172936774~3.jpg"><img border="0" data-original-height="1802" data-original-width="2268" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf9KT21XKxn3hOmnDPyuScTWE8UYmsMdip_IKqTV-q4G1w2HO_XWvBvufYOUXLqs5GiGc6lcPORIupQcnS9uzgG7Cya-l6Lk-LVDmlLGKDH5XI1uNArEpPxEAaGPIiA50FtvWXDC5CJ-Do3_hDEFE5-aFyfqLG_JlqJ1Ocsle4UCTL5MfQfMWsFS5C/w400-h318/PXL_20210615_172936774~3.jpg" width="400" /></a></div></div><div style="text-align: center;" trbidi="on"> </div><div style="text-align: center;" trbidi="on"> </div><div style="text-align: center;" trbidi="on">Collapse Yoga in the frame of Clinica at Tranzit.ro Bucharest (2018)<br /></div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcv8ONTmGELGTCDtIBnPx9hX6QK7gMHw13nhjlNHCjBIeCU9BOafLaLsT7mgfrdEnRm2Vy2GyBZKUU4SzsxPNvsS4nKmrysURmt2zvOGko6pGZ2fh5bfp7I9H9c5PmjiRNyVdH7eg1W0Kw/s4281/_MG_1936_1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2854" data-original-width="4281" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcv8ONTmGELGTCDtIBnPx9hX6QK7gMHw13nhjlNHCjBIeCU9BOafLaLsT7mgfrdEnRm2Vy2GyBZKUU4SzsxPNvsS4nKmrysURmt2zvOGko6pGZ2fh5bfp7I9H9c5PmjiRNyVdH7eg1W0Kw/w400-h266/_MG_1936_1.jpg" width="400" /></a><br /></div><div class="separator" style="clear: both; text-align: center;"><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5Eff3jHG8BkjsXktxP1CuVwcJtg56h-ACohshnXZQbcLcDoHcBbQL3Q1r8lBKVgnUYmEQAzFu2HFdxSlvj-awlwdLZ6DZYh6c2VTdU_VgR3xVYhHEVHllaVmJvBMted0pnnDSj_FKXAAK/s1600/_MG_1932_1.jpg"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5Eff3jHG8BkjsXktxP1CuVwcJtg56h-ACohshnXZQbcLcDoHcBbQL3Q1r8lBKVgnUYmEQAzFu2HFdxSlvj-awlwdLZ6DZYh6c2VTdU_VgR3xVYhHEVHllaVmJvBMted0pnnDSj_FKXAAK/w400-h266/_MG_1932_1.jpg" width="400" /></a></div></div><div class="separator" style="clear: both; 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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRgNe-YsKtdZCES7ov_GJKdh32Cz_N8gRdeQA5pBxil8XH4E_Epruu7m9TJi0zdlOZ2ojlf3ZBBLqcU8Hj80pb7wSB9LY_KpdEob-wKLK_TYO5-yfjd_v83Ri7luU36jpXSCcDcEmf4BRj/s1600/_MG_1963_1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="793" data-original-width="545" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRgNe-YsKtdZCES7ov_GJKdh32Cz_N8gRdeQA5pBxil8XH4E_Epruu7m9TJi0zdlOZ2ojlf3ZBBLqcU8Hj80pb7wSB9LY_KpdEob-wKLK_TYO5-yfjd_v83Ri7luU36jpXSCcDcEmf4BRj/w273-h400/_MG_1963_1.jpg" width="273" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<i style="text-align: left;">Notice
all the silent work in your body for maintaining posture, appearance,
composure. Collapse Yoga starts with relaxing those efforts.</i></div><div class="separator" style="clear: both; text-align: center;"><i style="text-align: left;"> </i></div><div class="separator" style="clear: both; text-align: center;"><i style="text-align: left;"> </i></div></div></div><div style="text-align: center;" trbidi="on"><div trbidi="on"><a href="https://www.fflueras.ro/2021/05/collapse-yoga.html" target="_blank"><b></b></a><b><a href="https://docs.google.com/document/d/1RdBx9_km_wSOk0y-892G_niACCQXrlQ4KkhNSO7Yc6M/edit?usp=drivesdk" target="_blank">Documentation as text — notes from inside the practice</a></b></div></div>ffluerashttp://www.blogger.com/profile/02737309807104910678noreply@blogger.com